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Unread book in perfect condition.

Quarto, , PP.218, Two Centuries Of A Family Retreat

Since 1984, Parkett has been an important source of literature on international contemporary art. Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated essays by leading writers and critics. In addition, each artist creates an exclusive limited edition, available to Parkett readers. Among the long list of artists who have collaborated with Parkett are John Baldessari, Sophie Calle, Fischli and Weiss, Isa Genzken, Mike Kelley, Cady Noland, Meret Oppenheim, Gerhard Richter, Cindy Sherman, Rosemarie Trockel, Andy Warhol and many more. Recent artists featured in Parkett include Paulina Olowska, Jimmie Durham, Damián Ortega and Helen Marten (no. 92); Yto Barrada, Monika Sosnowska, Liu Xiaodong and Nicole Eisenman (91); El Anatsui (90); Haegue Yang (89); and Paul Chan (88). Additional articles have focused on artist Daido Moriyama, the Kochi-Muziris Biennale in India, and the current Berlin art scene (92); and choreographers Jérôme Bel and Xavier Le Roy (91).

Juha Uusitalo, Ilya Bannik, German Villar, John Daszak, Franz-Josef Kapellmann, Gerhard Siegel, Matti Salminen, Stephen Milling, Anna Larsson, Sabina von Walther, Christa Mayer and Silvia Vazquez.

HIJOS DE LA SELVA SONS OF THE FOREST Federico Bossert, Diego Villar, ed. Viggo Mortensen Perceval Press is pleased to announce the release of HIJOS DE LA SELVA/SONS OF THE FOREST, with texts by Frederico Bossert and Diego Villar, and edited by Viggo Mortensen. The book outlines the story of German Ethnographer and explorer Max Schmidt, and includes many of the remarkable photographs that he made in the field while studying the cultures of the Mato Grosso region of Brazil and remote areas of Paraguay between 1900 and 1935. The photographs have been reproduced from Schmidt's original glass-plate negatives, made available to Perceval Press by the Museo Etnográfico Andrés Barbero, in Asunción.

The story of French streamlined styling, 1930-1939. Includes chapters on Figoni & Falaschi, Talbot-Lago, Pourtout, Georges Paulin, Darl'mat, Jean Andreau, Sauotchik, Letouneur & Marchand, De Villars, Bugatti Type 57 S, Voisin, and more. Profusely illustrated in color. Text in English.

*this is the 1969 Gauthier-Villars printing* xvi, 429 pp., Paperback, light wear to spine and covers, age-toning to top edge of pages, previous owner's name to verso of front cover else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Intense and unpredictable, GRACELAND is the story of family man Marlon Villar, the longtime chauffeur of Manuel Chango a corrupt Filipino politician. One afternoon, while he and his daughter accompany the politician's daughter home, their car is ambushed in a kidnapping attempt. During the confusion of the ambush, the kidnapping goes horribly wrong and the wrong girl is taken and held for ransom. Marlon is determined to save his daughter, but between the conflicting motives of the kidnappers and

Mary and Fred del Villar's desire to travel "the strange roads" of rural Mexico led to a 750-mile walk from Lake Patzcuaro to the Pacific Ocean in 1951. For three months they endured sun, scorpions, floods, and hunger, but also found warm friendship everywhere they went.

Madrid. 22 cm. 319 p. Encuadernación en tapa blanda de editorial ilustrada. Traducción, Amelia Pérez de Villar .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 978-84-947408-6-2

Annecy-Le-Vieux , 2005 . 1 Volume/1. Format 25 x 19 cm ( gr ). -------- 96 pages avec 50 illustrations N&B et couleurs. ********************** "" Pendant près de cent ans, le Dauphiné, le comté de Savoie, le comté de Genève et plusieurs petites principautés (Thoire-Villars, Beaujeu, Valentinois, Faucigny.) vont s'affronter dans une guerre féodale sans merci. En 1325, au cours d'une des innombrables campagnes militaires, le comte de Savoie, Édouard le Libéral assiège le château de Varey avec ses alliés. Le jeune dauphin Guigues VIII et ses vassaux volent au secours de la place forte. Dans la plaine de Varey, les deux seigneurs se retrouvent face à face. Cet ouvrage donne le récit de cette bataille mais retrace aussi l'histoire de cette guerre sans fin qui fit composer à un contemporain ce vers fataliste : « Ne peut fin cette guerre avoir, ni sait qui à tort, ni qui voir. ************************************

From 1868 through 1939, anarchists' migrations from Spain to Argentina and back again created a transnational ideology and influenced the movement's growth in each country.   James A. Baer follows the lives, careers, and travels of Diego Abad de Santillán, Manuel Villar, and other migrating anarchists to highlight the ideological and interpersonal relationships that defined a vital era in anarchist history. Drawing on extensive interviews with Abad de Santillán, José Grunfeld, and Jacobo Maguid, along withunusual access to anarchist records and networks, Baer uncovers the ways anarchist migrants in pursuit of jobs and political goals formed a critical nucleus of militants, binding the two countries in an ideological relationship that profoundly affected the history of both. He also considers the impact of reverse migration and discusses political decisions that had a hitherto unknown influence on the course of the Spanish Civil War.   Personal in perspective and transnational in scope, Anarchist Immigrants in Spain and Argentina offers an enlightening history of a movement and an era.

Madrid. 22 cm. 319 p. Encuadernación en tapa blanda de editorial ilustrada. Traducción, Amelia Pérez de Villar .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 978-84-947408-6-2

From 1868 through 1939, anarchists' migrations from Spain to Argentina and back again created a transnational ideology and influenced the movement's growth in each country.   James A. Baer follows the lives, careers, and travels of Diego Abad de Santillán, Manuel Villar, and other migrating anarchists to highlight the ideological and interpersonal relationships that defined a vital era in anarchist history. Drawing on extensive interviews with Abad de Santillán, José Grunfeld, and Jacobo Maguid, along withunusual access to anarchist records and networks, Baer uncovers the ways anarchist migrants in pursuit of jobs and political goals formed a critical nucleus of militants, binding the two countries in an ideological relationship that profoundly affected the history of both. He also considers the impact of reverse migration and discusses political decisions that had a hitherto unknown influence on the course of the Spanish Civil War.   Personal in perspective and transnational in scope, Anarchist Immigrants in Spain and Argentina offers an enlightening history of a movement and an era.

The story of French streamlined styling, 1930-1939. Includes chapters on Figoni & Falaschi, Talbot-Lago, Pourtout, Georges Paulin, Darl'mat, Jean Andreau, Sauotchik, Letouneur & Marchand, De Villars, Bugatti Type 57 S, Voisin, and more. Profusely illustrated in color. Text in English.