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Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Berlioz Park is a standout piece in the body of work by Edouard Vuillard. Painted circa 1915-1916 today the original hangs in a private collection. With Berlioz Park many homeowners find a beautiful accent for their space that reflects a true appreciation for art history and one of the worlds great painters. Edouard Vuillard painted with decorating for intimate settings in mind. Imagine just how stunning this piece will appear in your own home. The brilliant pops of color can even act as a source of inspiration for your interior decorating. Frame Description Studio Black Wood Frame. Color: Green.

Shows a selection of Vuillard's portraits, landscapes, still lifes, and scenes of Parisian society, and discusses his place in modern art

E. Vuillard: Drawings, 1885-1930

Traces the life and career of the modern French painter, shows a variety of his work, and discusses Vuillard's style, influences, and place in modern art

Avec la collaboration de Mathias Chivot. Scritto da due grandi studiosi e corredato da un ricco apparato iconografico (comprendente, fra l'altro, un nucleo fotografie scattate dallo stesso artista), il catalogo ragionato dell'opera di Édouard Vuillard costituisce uno strumento definitivo e fondamentale per la conoscenza dell'opera del maestro francese. L'arte di Édouard Vuillard (1868-1940) abbraccia due secoli: protagonista di spicco del post-impressionismo, come Gauguin o Seurat, riveste un ruolo fondamentale nell'evoluzione delle arti decorative dopo il 1900 e poi nel "richiamo all'ordine" che segue alla prima guerra mondiale. Di estrazione modesta, Vuillard si rivolge fin da giovane alla pittura, influenzato dal sintetismo caldeggiato dagli amici nabis Paul Ranson, Paul Sérusier, Maurice Denis e Pierre Bonnard; le sue opere degli anni novanta sono costruite con colori chiari e vivi, stesi in superfici piatte. Progressivamente la sua ricerca cromatica si affina e Vuillard si avvia al recupero di una concezione naturalistica della forma e della prospettiva, mostrando inclinazioni intimiste e predilezione per interni e scene di vita domestica. Inoltre, in sintonia con il programma nabis, Vuillard si dedica anche alle arti decorative e applicate: nel 1894, la commissione di nove pannelli decorativi da parte di Alexandre Natanson (fratello di Thadée, direttore della Revue Blanche), i celebri Jardins publics, porta Vuillard alla ribalta come brillante pittore decoratore. Cominciano i successi e Vuillard diventa uno dei pittori più in vista, per la gioia dei critici conservatori che vedono in lui il "salvatore" dell'arte francese. 3 volumi in cofanetto. cm.25x30, pp.1742, 3250 ill. couleurs et noir et blanc. Wildenstein Institute. Milano, Skira 3 volumi in cofanetto. cm.25x30, pp.1742, 3250 ill. couleurs et noir et blanc. legature editoriali copertine figurate a colori. Wildenstein Institute. legature editoriali copertine figurate a colori.

Vuillard : catalogue critique des peintures et pastels edited by Antoine Salomon,Guy Cogeval.Milano 2003 Skira Tre volumi rilegati in quarto con custodia Pagine 1.742 ills. a profusione in bianco/nero e colori Euro 550,00.-Language : french edition Size: 340 x300 mm. Coll. Libr.Metallica

In many of Edouard Vuillard's (1868-1940) most famous paintings, figures are nestled in intimate settings among bold patterns and colors. As the viewer's eye adjusts to the complexity of the scene, the artist's world opens up. At a young age, Vuillard was one of a group of avant-garde painters in Paris who favored rich palettes and dreamlike imagery. He was equally a member of the literary and theatrical circles that included writers like Marcel Proust and Stéphane Mallarmé. As his career progressed into the new century, he entered the rarefied society of upper-class French families—many of them Jewish—who collected the new art, published the new poetry, and wrote the new criticism.This beautifully illustrated book examines the master artist's work in the context of a unique circle of friends and patrons between the turn of the 20th century and World War II. Essays by leading scholars explore the artist's relationship with key members of this glamorous social circle, as well as the connections between Vuillard and Proust, two of the world's great observers of a world now lost.A fascinating exploration of artistic culture in Paris before the war, Edouard Vuillard establishes the artist as one of the masters of the modern portrait.

The French painters Édouard Vuillard (1868–1940) and Ker-Xavier Roussel (1867–1944) had a singular relationship, sharing similar artistic trajectories and interests in careers that bridged the 19th and 20th centuries. One such shared interest was the landscape genre, which both artists returned to again and again, in paintings and drawings, as a site for stylistic experimentation. In the 1890s, the two artists painted landscapes in order to renew the genre, filtering it through the radical, anti-naturalistic colors of the Nabis group. By the 1920s and 1930s, Vuillard and Roussel were swept up in the “return to order,” painting the landscape in a classicizing, decorative style. This new volume examines the theme of the landscape in the oeuvres of the two painters, offering a new perspective on the evolution of European painting over the course of half a century.

An invitation to the colorful, dynamic world of the Nabis, a circle of Post-Impressionist avant-garde artists whose members, including Bonnard and Vuillard, celebrated both everyday life and the decorative arts.Inspired by Paul Gauguin in the last decade of the nineteenth century, the Nabis saw themselves as prophets of a new art. This vibrant illustrated book showcases rarely seen paintings, prints, and decorative arts by the visionary artists associated with the Nabis: Pierre Bonnard, Maurice Denis, Henri Evenepoel, Aristide Maillol, Paul Ranson, Ker-Xavier Roussel, Félix Vallotton, Édouard Vuillard, and others.Essays by leading scholars of European modernism explore the relationship between Nabi art and intimacy, the influence of Symbolist poetry and literature, and printmaking techniques. Delving into their artistic philosophies, collaborations, and creative methods, the book offers rich insights into how the Nabis worked across artistic disciplines and media to break down the artificial barriers between the fine and applied arts. This important volume significantly enriches the understanding of the Nabis' lasting contribution to the history of modern art

The 19th-century French painter Vuillard, who was friends with Bonnard and a key figure in the Nabi movement, receives extraordinary homage in this lavish catalogue. Guy Cogeval, the director of the Montreal Museum of Fine Arts, and three curators at the National Gallery of Art in Washington, the MusÉe d'Orsay in Paris, and the Royal Academy of Arts in London (the exhibition will appear at all four museums) have authored the substantial catalogue entries as well as essays on the painter's life and career. Like the exhibition, the catalogue provides exhaustive coverage of Vuillard's oeuvre, featuring paintings, prints, and many photographs he took of his friends, family, colleagues, and models. The catalogue is copublished with Yale U. Press (their ISBN is 0-300- 09737-9). Annotation (c) Book News, Inc., Portland, OR (booknews.com)

The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist.In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time.This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London.

In many of Edouard Vuillard's (1868-1940) most famous paintings, figures are nestled in intimate settings among bold patterns and colors. As the viewer's eye adjusts to the complexity of the scene, the artist's world opens up. At a young age, Vuillard was one of a group of avant-garde painters in Paris who favored rich palettes and dreamlike imagery. He was equally a member of the literary and theatrical circles that included writers like Marcel Proust and Stéphane Mallarmé. As his career progressed into the new century, he entered the rarefied society of upper-class French families—many of them Jewish—who collected the new art, published the new poetry, and wrote the new criticism.This beautifully illustrated book examines the master artist's work in the context of a unique circle of friends and patrons between the turn of the 20th century and World War II. Essays by leading scholars explore the artist's relationship with key members of this glamorous social circle, as well as the connections between Vuillard and Proust, two of the world's great observers of a world now lost.A fascinating exploration of artistic culture in Paris before the war, Edouard Vuillard establishes the artist as one of the masters of the modern portrait.

Soft cover book in very good condition. Cracked spine, circling in pen on several pages, pages slightly yellowed. Slight wear at edges, some scuffing on back cover and creasing in spine. Otherwise a lovely coptQuestions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

The 19th-century French painter Vuillard, who was friends with Bonnard and a key figure in the Nabi movement, receives extraordinary homage in this lavish catalogue. Guy Cogeval, the director of the Montreal Museum of Fine Arts, and three curators at the National Gallery of Art in Washington, the MusÉe d'Orsay in Paris, and the Royal Academy of Arts in London (the exhibition will appear at all four museums) have authored the substantial catalogue entries as well as essays on the painter's life and career. Like the exhibition, the catalogue provides exhaustive coverage of Vuillard's oeuvre, featuring paintings, prints, and many photographs he took of his friends, family, colleagues, and models. The catalogue is copublished with Yale U. Press (their ISBN is 0-300- 09737-9). Annotation (c) Book News, Inc., Portland, OR (booknews.com)

128 S. : überw. Ill. ; 25 cm NEUBUCH ! 9783927803336 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 550

Numerous colour reproductions and one fold-out page. Minor wear a few scratches to rear cover. No marks to front cover or inside pages. Not ex-library. 74 pages. s69

The art of Édouard Vuillard (1868-1940) spans two centuries: a leading protagonist of Post-Impressionism, Vuillard also took part in the renewal of the decorative arts after 1900. This catalogue raisonné of the paintings and pastels of Édouard Vuillard provides an extraordinary opportunity to look again more carefully and above all, comprehensively. Hundreds of photographs taken by Vuillard himself, together with an unprecedented collection of preparatory drawings and sketches, focus more closely on the artist's creative process than has any previous study. These three voumes present a compelling re-examination of Vuillard's work and recommends itself to experts and art lovers alike.

Best known for his intimate scenes of domestic life, Edouard Vuillard (1868– 1940) was one of the great Post-Impressionist artists. Yet—in contrast to contemporaries such as Bonnard, Matisse, and Gauguin—relatively little has been published about him. This book covers all of Vuillard's work and explores his association with a number of important stylistic groups, such as the Nabis and Symbolists. The plentiful illustrations are sure to appeal to all fans of Post-Impressionist painting.

Edouard Vuillard, one of the great post-impressionists, is especially loved for his small easel paintings that capture the charm and mystery of everyday life. Yet at the same time that he was making his name as an "intimist" artist, he was also creating a number of large-scale canvases, panels, and screens commissioned to decorate the homes of his patrons and friends. Infrequently exhibited, these works were separated from their original settings during Vuillard's lifetime, and they have remained a relatively unknown aspect of his oeuvre.In this lavishly illustrated study of Vuillard as decorator, Gloria Groom examines the two earliest decades of his career, a period when he produced fifty daring and important large-scale paintings as decoration. Groom discusses these early works and recreates and re-evaluates their original context, providing valuable new information about Vuillard's career, a fresh perspective on his thinking about art, and an entertaining social history of fin-de-siecle Paris.She describes not only Vuillard's large decorative projects but also the industrialists, bankers, doctors, financiers, journalists, playwrights, and foreign aristocrats who commissioned them, wealthy individuals who came from a social and economic milieu decidedly different from Vuillard's own. Drawing on his patrons' archives and memoirs, and on interviews with their surviving family members, as well as on Vuillard's own private journals, Groom evokes the circumstances and setting of each of these ambitious projects. She situates Vuillard's decorative works within the evolution of his other easel paintings, discusses the notion of "decoration" as a new painting style as well as a complement to the aesthetics of the art nouveau movement, and compares Vuillard's works as a painter-decorator to similar projects undertaken by his contemporaries.