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Turn-of-the century Vienna is remembered as an aesthetic, erotic, and intellectual world: the birthplace of Freud and psychoanalysis, the waltz, and novels of Schnitzler. The contexts of this cultural vibrancy, Chandak Sengoopta argues, were darker and more complex than we might imagine.This provocative, enlightening study explores the milieu in which the philosopher Otto Weininger (1880-1903) wrote his controversial book Sex and Character. Shortly after its publication, Weininger committed suicide at the age of twenty-three. His book, which argued that women and Jews were mere sexual beings who lacked individuality, became a bestseller.Hailed as a genius by intellectuals such as Ludwig Wittgenstein and Karl Kraus, Weininger was admired, not for his prejudices, but for his engagement with the central issues of the time—the nature and meanings of identity. Sengoopta pays particular attention to how Weininger appropriated scientific language and data to defend his views and examines the scientific theories themselves.

In 1903 Otto Weininger, A Viennese Jew who converted to Protestantism, published Geschiecht und Charakter (Sex and Character), a book in which he set out to prove the moral inferiority and character deficiency of "the woman" and "the Jew." Almost immediately, he was acclaimed as a young genius for bringing these two elements together. Shortly thereafter, at the age of twenty-three, Weininger committed suicide in the room where Beethoven had died. Weininger's sensationalized death immortalized him as an intellectual who expressed the abject misogyny and antisemitism. This collection of essays, many translated into English for the first time, examines Weininger's influence and reception in Western culture, particularly his impact on important writers such as Ludwig Wittgenstein, Sigmund Freud, Franz Kafka, and James Joyce. One essay considers the ways Weininger's ideas were used to further Nazi ideology, and several offer feminist approaches to interpreting the intersection of antisemitism and misogyny. The concluding essay explores Weininger's surprising role in Israel's ongoing sociopolitical self-definition through the bold production of Joshua Sobol's play, "The Soul of a Jew (Weininger's Last Night)." This volume 's close examination of Weininger's ideas, and their subsequent appearance in other well-known texts, suggests how the legacies of prejudice affect Western culture today.

Although we usually think of the intellectual legacy of twentieth-century Vienna as synonymous with Sigmund Freud and his psychoanalytic theories, other prominent writers from Vienna were also radically reconceiving sexuality and gender. In this probing new study, David Luft recovers the work of three such writers: Otto Weininger, Robert Musil, and Heimito von Doderer. His account emphasizes the distinctive intellectual world of liberal Vienna, especially the impact of Schopenhauer and Nietzsche in this highly scientific intellectual world. According to Luft, Otto Weininger viewed human beings as bisexual and applied this theme to issues of creativity and morality. Robert Musil developed a creative ethics that was closely related to his open, flexible view of sexuality and gender. And Heimito von Doderer portrayed his own sexual obsessions as a way of understanding the power of total ideologies, including his own attraction to National Socialism. For Luft, the significance of these three writers lies in their understandings of eros and inwardness and in the roles that both play in ethical experience and the formation of meaningful relations to the world-a process that continues to engage artists, writers, and thinkers today.Eros and Inwardness in Vienna will profoundly reshape our understanding of Vienna's intellectual history. It will be important for anyone interested in Austrian or German history, literature, or philosophy.

In 1903 Otto Weininger, A Viennese Jew who converted to Protestantism, published Geschiecht und Charakter (Sex and Character), a book in which he set out to prove the moral inferiority and character deficiency of "the woman" and "the Jew." Almost immediately, he was acclaimed as a young genius for bringing these two elements together. Shortly thereafter, at the age of twenty-three, Weininger committed suicide in the room where Beethoven had died. Weininger's sensationalized death immortalized him as an intellectual who expressed the abject misogyny and antisemitism. This collection of essays, many translated into English for the first time, examines Weininger's influence and reception in Western culture, particularly his impact on important writers such as Ludwig Wittgenstein, Sigmund Freud, Franz Kafka, and James Joyce. One essay considers the ways Weininger's ideas were used to further Nazi ideology, and several offer feminist approaches to interpreting the intersection of antisemitism and misogyny. The concluding essay explores Weininger's surprising role in Israel's ongoing sociopolitical self-definition through the bold production of Joshua Sobol's play, "The Soul of a Jew (Weininger's Last Night)." This volume 's close examination of Weininger's ideas, and their subsequent appearance in other well-known texts, suggests how the legacies of prejudice affect Western culture today.

Book by Tucluescu, I., Schultz, Weininger, Otto

Otto Weininger’s controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women’s movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today’s scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger’s extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context.

Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.

Book by Shore, Penny A., Leach, Penelope, Sears, William, Sears, Martha, Weininger, Otto

Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.

Book by Shore, Penny, Leach, Penelope, Sears, William, Sears, Martha, Weininger, Oto

Inter-Sexuality is a condition in which the person is neither male nor female. There are multitudes of these cases. In fact, a condition of inter-sexuality, both physically and psychically, appears more or less in every person. Otto Weininger, a German genius, in his Sex & Character , a monument of erudition and encyclopedic information, worked out an absolute formula, proving that composite male and female characteristics, in varying proportions exist in every individual. Furthermore, medical literature reports numerous cases in which certain individuals, after a careful medical exmination, were pronounced female, whereas, the opposite condition was later proven. These records contain evidence to show that sexual differentiation is simply certain variations of one main trunk, and not due to the creation of two distinct types. The evidence clearly shows that sexual variation and differentiation are the result of certain degenerative changes, with many individuals representing, in a more or less degree, both sexes in one body. The last assertion is supported by the research work of biologists. They produce evidence to show that man is really a degenerate woman. The male is secondary to the female, says Swiney p.12. To be more specific, the male is a malformed female, with the cause of such malformation arising from the action of Devolution. Professor Hilton Hotema

Otto Weininger’s controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women’s movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today’s scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger’s extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context.