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A leading figure among Chinese artists of his generation, Ai Weiwei creates art that poses fundamental questions about the ways in which art and culture interrelate with society and how society interrelates with individual existence. As a result of his internationally acclaimed work and his direct engagement with Chinese policies and politics, Ai has been thrust into the global spotlight. Featuring his most significant works since 2000, this catalog offers insight into the artist’s use of simple forms and artistic methods reminiscent of Conceptual and Minimal art, his preoccupation with the traditional design of furniture and other daily objects, and his iconoclastic attitudes toward traditional values and political authority. The book includes works in sculpture, photography, video, and site-specific architectural installations, making it an invaluable resource on Ai’s enormously diverse oeuvre.

Artist, designer, architect, author, publisher, and curator: Ai Weiwei (b. 1957) is a truly 21st–century creative, influential across a variety of media. During his childhood, criticism of his father’s poetry—he was labeled as a dissident—meant that Ai and his family were exiled to a remote region of China for 16 years. Following the death of Chairman Mao, Ai left to train as an artist in Beijing and New York. Ai is today an artist of global stature, and his strong social conscience has galvanized a generation of Chinese artists. With works that touch on topics such as imprisonment, borders, and disaster, Ai has often found himself in conflict with the Chinese authorities. Ai Weiwei is published to coincide with a major exhibition at the Royal Academy in London—the largest showing of Ai’s work to date. This volume includes installations and artworks specially created for the exhibition, an interview with Ai by Tim Marlow, and contributions from a team of scholars, analyzing the variety of Ai’s output and concerns.

Born in Beijing in 1957, Ai Weiwei is one of the most influential artists at work today and has exhibited widely in Asia, Europe and North America. He is the first artist living and working in the Asia-Pacific region to be commissioned as part of the Unilever Series to create an artwork for the vast Turbine Hall at Tate Modern. Ai Weiwei has said Liberty is about the right to question everything. His works in a wide range of media are characterized by social and political engagement and a constantly enquiring mind. Whether as an artist, curator, critic, designer or architect, he has played a key part in contemporary Chinese art and culture of the past two decades, not least through his collaboration with architects Herzog & de Meuron in designing the 'Bird's Nest' stadium for the 2008 Beijing Olympics. Published to accompany Ai Weiwei's first major large-scale commission in Britain, this book will provide important insights into the creative processes of one of the most exciting and dynamic contemporary artists.

In 2007, Ai Weiwei (born 1957) presented a surprising new project titled Fairytale at Documenta 12 in Kassel, Germany. He invited 1001 Chinese citizens of different ages and from various backgrounds to travel to Germany, all expenses paid, to experience their own fairytale holiday for 28 days. The logistics for this project were complex and entailed a hefty budget, as the artist later recalled, enumerating the considerations: “to design the trip and activities for the tourists, to hope to get their passports, their visas, their insurance and air tickets, to organize the place where they can live in Kassel, to hire cooks, make products which are connected to the journey and would be needed for it...” Happily, Fairytale was a runaway success for the artist, the participants and for Documenta. It was judged by critics to be one of the most sensational artworks at Documenta that year, and led to an acclaimed documentary and global media coverage. This publication offers critical analyses of the project from Roger M. Buergel, Daniel Birnbaum, Christian Höller, Raphael Gygax and Ai Weiwei himself.

An autobiography in pictures: photographs taken by Ai Weiwei that capture his emergence as the uniquely provocative artist that he is today.Ai Weiwei: Beijing Photographs 1993–2003 is an autobiography in pictures. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens. This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this.The book contains more than 600 carefully sequenced images culled from an archive of more than 40,000 photographs taken by Ai: a narrative arc carefully shaped by an artist keenly aware of photography's ability to tell stories. It includes a shattering series of photographs taken between 1993 and 1996 devoted to the final illness and death of Ai's father Ai Qing. The book is a sequel to Ai Weiwei: New York 1983–1993, a privately published book that collected photographs taken by Ai during his years on the New York art scene.

You get the idea early on, with photos of Chinese-born, New York-based artist Ai Weiwei dropping a 2000-year old Han Dynasty urn. Oops. No, that's the point. This exhibition catalog/monograph from Ai's first solo exhibition outside New York gives a comprehensive picture of this unconventional artist's approach to the undoing of assumptions about rare and old ceramics. Whether it's his famous Coca-Cola vase (with the Coke logo painted over the ancient surface of the pot) or other violations of the surfaces of ancient artifacts, this is a clear expression of iconoclastic modernism. Includes the first English translation of an interview with Ai Weiwei, and an essay by the Beijing-based critic, Philip Tinari. Additonal essays by Glenn Adamson, Dario Gamboni and Stacey Pierson.

You get the idea early on, with photos of Chinese-born, New York-based artist Ai Weiwei dropping a 2000-year old Han Dynasty urn. Oops. No, that's the point. This exhibition catalog/monograph from Ai's first solo exhibition outside New York gives a comprehensive picture of this unconventional artist's approach to the undoing of assumptions about rare and old ceramics. Whether it's his famous Coca-Cola vase (with the Coke logo painted over the ancient surface of the pot) or other violations of the surfaces of ancient artifacts, this is a clear expression of iconoclastic modernism. Includes the first English translation of an interview with Ai Weiwei, and an essay by the Beijing-based critic, Philip Tinari. Additonal essays by Glenn Adamson, Dario Gamboni and Stacey Pierson.

Hardcover. Ai Weiwei is not only one of the most important contemporary artists; he is also an untiring activist and critic of authoritarian systems. "Humanity" includes key works from all phases of the artist's career and examines in detail the aspect of humanity and artistic responsibility in the oeuvre of Ai Weiwei.The catalogue sheds light on concepts such as surveillance, censorship, human rights, freedom of expression, human displacement, radical responsibility, the power of beauty, and the truth of poetry. Guided by these thoughts, it offers new perspectives to understand the relevance of Ai Weiwei's artistic language. It will encompass a wide range of art-historical paradigms (such as the readymade) alongside more radical activist strategies, all aimed at exploring the extremes of the contemporary human condition on a global scale.Exhibition details: Abertina Modern, Mar 13 - June 26, 2022 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

A richly illustrated exploration of Ai Weiwei's installation and architecture projects, focusing on the artist's use of space.Outspoken, provocative, and prolific, the artist Ai Weiwei is an international phenomenon. In recent years, he has produced an astonishingly varied body of work while continuing his role as activist, provocateur, and conscience of a nation. Ai Weiwei is under “city arrest” in Beijing after an 81-day imprisonment; he is accused of tax evasion, but many suspect he is being punished for his political activism, including his exposure of shoddy school building practices that led to the deaths of thousands of children in the 2008 Sichuan earthquake. In 2009, he was badly beaten by the police during his earthquake investigations.Ai Weiwei's work reflects his multiple artistic identities as conceptual artist, architect, filmmaker, designer, curator, writer, and publisher. This monumental volume, developed in association with the artist, draws on the full breadth of Ai Weiwei's architectural, installation, and activist work, with a focus on his use of space. It documents a huge range of international projects with drawings, plans, and photographs of finished work. It also includes excerpts from Ai Weiwei's famous blog (shut down by Chinese authorities in 2009), in which he offers pithy and scathing commentary on the world around him. Essays by leading critics and art historians and interviews with the artist, drawing out his central concerns, accompany the 450 beautifully reproduced color illustrations of his work.

As his personal circumstances move in constant flux, Ai Weiwei remains a cultural magnet. Renowned for his political activism and social media activity almost as much as for his social interventions, contemporary approach to the readymade, and knowledge of Chinese traditional crafts, Ai’s fame extends throughout and beyond the art world.Drawn from TASCHEN’s limited Collector’s Edition, this monograph explores each of Ai’s career phases up until his release from Chinese custody. It features extensive visual material to trace Ai’s development from his early New York days right through to his recent practice. Focus moments include his international breakthrough in the early 2000s, his porcelain Sunflower Seeds at the Turbine Hall of the Tate Modern, his response to the Sichuan earthquake of 2008, and his police detention in 2011. With behind-the-scenes studio pictures, production shots, and numerous statements derived from exclusive interviews with Ai, we gain privileged access to the artist’s process, influences, and importance.The book includes texts from Uli Sigg, Ai’s longtime friend and former Swiss ambassador to China; Roger M. Buergel, who curated the 2007 documenta and hosted the artist’s Fairytale piece; and experts on Chinese culture and politics: Carlos Rojas, William A. Callahan, and James J. Lally.

The first comprehensive monograph on this key figure in China's burgeoning art scene. Often working with ancient materials - beams from destroyed temples, Han dynasty urns - Ai Weiwei (b.1957) creates ingenious sculptures that break new artistic ground while commenting on the rapid transformation of contemporary China. Ai Weiwei's work is consistently innovative and unmistakably original, ranging from his sculptures and photographs to his numerous architectural commissions, and recalls the work of his artistic forebears Marcel Duchamp, Joseph Beuys and Andy Warhol. A towering figure whose influence can be seen in the multiplicity of his roles: not just an artist, designer and architect, but also curator, publisher, web blogger and cultural compass for an entire generation of Beijing artists.

This stunning publication is the first to examine in tandem the work and influence of two towering figures in contemporary art Andy Warhol (1928–1987) and Ai Weiwei (b. 1957) are two of the most internationally renowned artists of the past 100 years, famous not only for their artwork but also for influencing the culture of their time. This exciting book is the first to consider the work of these artists alongside one another, in dialogue and in correspondence, to explore the artists’ meticulous observations of modern and contemporary art, life, and politics. Andy Warhol’s investigation of consumer society, fame, and celebrity offers thought-provoking points of connection with Ai Weiwei’s interrogation of the relationship between tradition and modernity, the role of the individual to the state, questions of human rights, and the value of freedom of expression. Parallels also exist between the ways in which each artist transformed the understanding of artistic value and studio production, and redefined the role of the artist—as impresario, cultural producer, activist, and brand.   Alongside beautifully reproduced images by both artists—including works by Ai Weiwei published here for the first time—are illuminating essays by an international team of art experts, curators, and scholars that survey the scope of the artists’ careers and interpret the significant impact of Andy Warhol and Ai Weiwei on modern art and contemporary life. This deluxe, collectible catalogue is available in three different, limited-edition colors.

Artist, designer, architect, author, publisher, and curator: Ai Weiwei (b. 1957) is a truly 21st–century creative, influential across a variety of media. During his childhood, criticism of his father’s poetry—he was labeled as a dissident—meant that Ai and his family were exiled to a remote region of China for 16 years. Following the death of Chairman Mao, Ai left to train as an artist in Beijing and New York. Ai is today an artist of global stature, and his strong social conscience has galvanized a generation of Chinese artists. With works that touch on topics such as imprisonment, borders, and disaster, Ai has often found himself in conflict with the Chinese authorities. Ai Weiwei is published to coincide with a major exhibition at the Royal Academy in London—the largest showing of Ai’s work to date. This volume includes installations and artworks specially created for the exhibition, an interview with Ai by Tim Marlow, and contributions from a team of scholars, analyzing the variety of Ai’s output and concerns.

Manifestos and immodest proposals from China's most famous artist and activist, culled from his popular blog, shut down by Chinese authorities in 2009.In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government's “tofu-dregs engineering”), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for “fraud” by the Ministry of Public Security, made a modest proposal for tax collection. Then, on June 1, 2009, Chinese authorities shut down the blog. This book offers a collection of Ai's notorious online writings translated into English―the most complete, public documentation of the original Chinese blog available in any language.The New York Times called Ai “a figure of Warholian celebrity.” He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence: artist, architect, curator, social critic, justice-seeker. He was a consultant on the design of the famous “Bird's Nest” stadium but called for an Olympic boycott; he received a Chinese Contemporary Art “lifetime achievement award” in 2008 but was beaten by the police in connection with his “citizen investigation” of earthquake casualties in 2009. Ai Weiwei's Blog documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.

As his personal circumstances move in constant flux, Ai Weiwei remains a cultural magnet. Renowned for his political activism and social media activity almost as much as for his social interventions, contemporary approach to the readymade, and knowledge of Chinese traditional crafts, Ai’s fame extends throughout and beyond the art world.Drawn from TASCHEN’s limited Collector’s Edition, this monograph explores each of Ai’s career phases up until his release from Chinese custody. It features extensive visual material to trace Ai’s development from his early New York days right through to his recent practice. Focus moments include his international breakthrough in the early 2000s, his porcelain Sunflower Seeds at the Turbine Hall of the Tate Modern, his response to the Sichuan earthquake of 2008, and his police detention in 2011. With behind-the-scenes studio pictures, production shots, and numerous statements derived from exclusive interviews with Ai, we gain privileged access to the artist’s process, influences, and importance.The book includes texts from Uli Sigg, Ai’s longtime friend and former Swiss ambassador to China; Roger M. Buergel, who curated the 2007 documenta and hosted the artist’s Fairytale piece; and experts on Chinese culture and politics: Carlos Rojas, William A. Callahan, and James J. Lally.

In 2007, Ai Weiwei (born 1957) presented a surprising new project titled Fairytale at Documenta 12 in Kassel, Germany. He invited 1001 Chinese citizens of different ages and from various backgrounds to travel to Germany, all expenses paid, to experience their own fairytale holiday for 28 days. The logistics for this project were complex and entailed a hefty budget, as the artist later recalled, enumerating the considerations: “to design the trip and activities for the tourists, to hope to get their passports, their visas, their insurance and air tickets, to organize the place where they can live in Kassel, to hire cooks, make products which are connected to the journey and would be needed for it...” Happily, Fairytale was a runaway success for the artist, the participants and for Documenta. It was judged by critics to be one of the most sensational artworks at Documenta that year, and led to an acclaimed documentary and global media coverage. This publication offers critical analyses of the project from Roger M. Buergel, Daniel Birnbaum, Christian Höller, Raphael Gygax and Ai Weiwei himself.

This stunning publication is the first to examine in tandem the work and influence of two towering figures in contemporary art Andy Warhol (1928–1987) and Ai Weiwei (b. 1957) are two of the most internationally renowned artists of the past 100 years, famous not only for their artwork but also for influencing the culture of their time. This exciting book is the first to consider the work of these artists alongside one another, in dialogue and in correspondence, to explore the artists’ meticulous observations of modern and contemporary art, life, and politics. Andy Warhol’s investigation of consumer society, fame, and celebrity offers thought-provoking points of connection with Ai Weiwei’s interrogation of the relationship between tradition and modernity, the role of the individual to the state, questions of human rights, and the value of freedom of expression. Parallels also exist between the ways in which each artist transformed the understanding of artistic value and studio production, and redefined the role of the artist—as impresario, cultural producer, activist, and brand.   Alongside beautifully reproduced images by both artists—including works by Ai Weiwei published here for the first time—are illuminating essays by an international team of art experts, curators, and scholars that survey the scope of the artists’ careers and interpret the significant impact of Andy Warhol and Ai Weiwei on modern art and contemporary life. This deluxe, collectible catalogue is available in three different, limited-edition colors.

From Manet to Marinetti, modern art has explored and espoused acceleration. It is rarely if ever acknowledged that a contrary trajectory of deceleration has been pursued, from the Romantic painters with their solitary reveries to the "slow painting" of a Mark Rothko or Franz Gertsch. This volume recruits sociologists and scientists alongside an array of artists.

From Manet to Marinetti, modern art has explored and espoused acceleration. It is rarely if ever acknowledged that a contrary trajectory of deceleration has been pursued, from the Romantic painters with their solitary reveries to the "slow painting" of a Mark Rothko or Franz Gertsch. This volume recruits sociologists and scientists alongside an array of artists.

In AI WEIWEI: NEVER SORRY, journalist and filmmaker Alison Klayman is granted unprecedented access to Ai to present the first feature-length portrait of the sculptor, photographer, filmmaker and installation artist who was widely praised for his work on the Bird's Nest stadium for the 2008 Olympics in Beijing. But that same year his criticism of the Chinese government following the Sichuan earthquake that claimed thousands of schoolchildren made him a target of the powers that be. Presenting a r