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Werkschau Melotron - CD 4260158836708

LP version. Anyone who has followed the progress of Station 17 over the past three decades will know: the only constant in this band is change. Evolving, stretching musical parameters, testing limits - these are the guiding principles of the band founded in 1988 by a group of mentally handicapped residents - Wohngruppe 17 - in Hamburg. Kai Boysen, an independent musician working with them as a curative teacher, started up the collective as a creative and social project, the first of it's kind in

Here comes the 150th Shitkatapult release. The label is doing the same thing again that they did for the milestone releases Strike50 and Strike100: Sensational tracks, most of them previously-unreleased, collected in the hope of presenting a certain contemporary attitude and music of the now. Company-founder Marco Haas aka T. Raumschmiere lays out the bait for the second time with "Anker," hinting at a new (super) album. The second spot goes of course to Sascha Ring aka Apparat, who expanded the

Emil Cimiotti’s roots are in informalism. He was recognized early as one of the pioneers and main representatives of German informal sculpture. As early as 1958 and 1960, he took part in the Venice Biennial; in 1964, participation in documenta 3 followed. After the publication of the first part of the catalogue raisonné, this monograph presents for the first time a comprehensive overview of these extremely fascinating, processual transformations in Emil Cimiotti’s work up to today.

Unread book in perfect condition.

These paintings from Allan Kaprow never had been seenAllan Kaprow (1927–2006) is internationally renowned mainly as an action artist. Not only did he coin the term Happening—he gave distinction to this art form in New York in the late 1950s. Also his environments—huge, changeable installations, made from material such as car tires, drums and ice blocks – are regarded as milestones in recent art history. Allan Kaprow did, however, began his artistic career as a painter, not least in connection with his studies under Hans Hofmann; in addition, he studied art history under Meyer Shapiro and composition with John Cage. He was, therefore, not only open to theory at an early stage, but also to various artistic and interpretative approaches. He always moved be­tween the tension-filled areas of intuition, open form and time reference on the one hand, and the reflexive practice as a theoretician and art historian on the other. The exhibition at Villa Merkel in Esslingen was, for the first time, exclusively dedicated to his early paintings from the time between 1946 and 1957, and reveals the role models the young artist chose to follow and work on, and, in particular, his interest in questions on space as well as his endeavor to somehow contextualize the achievements of Jackson Pollock and John Cage. This extends to the works created during the mid-1950s, which he called »action collages« and in which he ­gradually incorporated everyday materials and objects. The current book presents a large number of ­previously unseen paintings by Allan Kaprow.  Exhibition: Villa Merkel Esslingen, 19/3–28/5/2017

These paintings from Allan Kaprow never had been seenAllan Kaprow (1927–2006) is internationally renowned mainly as an action artist. Not only did he coin the term Happening—he gave distinction to this art form in New York in the late 1950s. Also his environments—huge, changeable installations, made from material such as car tires, drums and ice blocks – are regarded as milestones in recent art history. Allan Kaprow did, however, began his artistic career as a painter, not least in connection with his studies under Hans Hofmann; in addition, he studied art history under Meyer Shapiro and composition with John Cage. He was, therefore, not only open to theory at an early stage, but also to various artistic and interpretative approaches. He always moved be­tween the tension-filled areas of intuition, open form and time reference on the one hand, and the reflexive practice as a theoretician and art historian on the other. The exhibition at Villa Merkel in Esslingen was, for the first time, exclusively dedicated to his early paintings from the time between 1946 and 1957, and reveals the role models the young artist chose to follow and work on, and, in particular, his interest in questions on space as well as his endeavor to somehow contextualize the achievements of Jackson Pollock and John Cage. This extends to the works created during the mid-1950s, which he called »action collages« and in which he ­gradually incorporated everyday materials and objects. The current book presents a large number of ­previously unseen paintings by Allan Kaprow.  Exhibition: Villa Merkel Esslingen, 19/3–28/5/2017

300 Seiten : mit Abbildungen : 1 CD-Rom : Verlagsfrisches Neubuch; orangefarbener Leinen Einband mit grau geprägtem Rückentitel und Deckel-Signatur; mit CD-Rom in Falttasche am Nachsatz; eindrucksvolle Werkschau des "deutschen Carlo Scarpa" B14-04-01E Sprache: Deutsch Gewicht in Gramm: 1688

Der zur gleichnamigen Ausstellung konzipierte Band bündelt die Werke der Tessiner Schule und ist damit das einmalige Zeitzeugnis einer Entwicklung, die bis heute ausstrahlt und den Regionalismus in der Architektur wieder salonfähig gemacht hat. Der Reprint macht diese einzigartige Werkschau der Tessiner Schule wieder verfügbar, als Quelle für die Entwurfslehre ist sie nicht mehr wegzudenken.