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Wilhelmine Von Bayreuth: Chamber Music Weinzierl / Waechter / Schieferstein / Morgen - CD 4003913125651

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The reign of Kaiser Wilhelm II was a transitional period in German history when the traditions of the nineteenth century were coming into conflict with the emerging cultural, social, and political patterns of the twentieth century. The resulting tensions were clearly reflected in the period's leading satirical journals, Kladderadatsch and Simplicissimus.Both journals appealed to a diverse middle-class readership and attracted widespread attention through their flamboyant and sometimes scurrilous attacks on authority. Their satire, expressed through cartoons, anecdotes, verse, and fiction, ranged across nearly every aspect of German life and employed the talents of some of the period's most important writers and artists. That their purpose was essentially serious was shown by the frequent seizures of offending issues and the jail sentences meted out to satirists whose jabs struck too near home.Kladderadatsch, founded in Berlin in 1848, was liberal politically but generally mild in its social satire. It remained for Simplicissimus, founded in Munich in 1896, to launch a more radical critique of bourgeois culture. The primary target of both journals was the absurdities of an essentially weak monarchy personified in a Kaiser who seemed always to be "on stage." Simplicissimus, in addition, delighted in ridiculing a military establishment dominated by class, a repressive educational system, and a hypocritical religious hierarchy. Even the family came in for satirical treatment.Through the history of these two periodicals, Ann Taylor Allen demonstrates the uses of humor in a society that offered few effective outlets for dissent. She also provides important new insights into the role of popular journalism in this critical period.

An Evening With Wilhelmine Adam Falckenhagen - CD 881488150483

The reign of Kaiser Wilhelm II was a transitional period in German history when the traditions of the nineteenth century were coming into conflict with the emerging cultural, social, and political patterns of the twentieth century. The resulting tensions were clearly reflected in the period's leading satirical journals, Kladderadatsch and Simplicissimus.Both journals appealed to a diverse middle-class readership and attracted widespread attention through their flamboyant and sometimes scurrilous attacks on authority. Their satire, expressed through cartoons, anecdotes, verse, and fiction, ranged across nearly every aspect of German life and employed the talents of some of the period's most important writers and artists. That their purpose was essentially serious was shown by the frequent seizures of offending issues and the jail sentences meted out to satirists whose jabs struck too near home.Kladderadatsch, founded in Berlin in 1848, was liberal politically but generally mild in its social satire. It remained for Simplicissimus, founded in Munich in 1896, to launch a more radical critique of bourgeois culture. The primary target of both journals was the absurdities of an essentially weak monarchy personified in a Kaiser who seemed always to be "on stage." Simplicissimus, in addition, delighted in ridiculing a military establishment dominated by class, a repressive educational system, and a hypocritical religious hierarchy. Even the family came in for satirical treatment.Through the history of these two periodicals, Ann Taylor Allen demonstrates the uses of humor in a society that offered few effective outlets for dissent. She also provides important new insights into the role of popular journalism in this critical period.

This many-sided study of the wealthy business elite of Wilhelmine Germany is based on comprehensive quantitative data on the 502 wealthiest businessmen of the time, material from public and private papers and 200 autobiographies. Not only business history, but family and social history, gender roles, ethnicity, class relations, consumption patterns and broader historical factors are synthesised in the first coherent view of the social world of the wealthy business elite of Wilhelmine Germany.Selected for the CHOICE list of Outstanding Academic Books for 1995 (Choice current reviews for Academic Libraries)

German Expressionism, one of the most significant movements of early European modernism, was an enormously powerful element in Germany's cultural life from the end of the Wilhelmine Empire to the Third Reich. While the movement embraced such diverse artists as E. L. Kirchner, Wassily Kandinsky, Käthe Kollwitz, and George Grosz, all the participants shared an almost messianic belief in the power of art to change society. Rose-Carol Washton Long has drawn together over eighty documents crucial to the understanding of German Expressionism, many of them translated for the first time into English.

"A Twofold Life," authored by Wilhelmine von Hillern, is a poignant exploration of the dualities inherent in human existence. Set against the backdrop of 19th-century Europe, the novel intricately weaves the lives of its characters, delving into the struggles between societal expectations and personal desires. Hillern, known for her insightful portrayals of the female experience, crafts a narrative that focuses on the conflicts faced by her protagonist, who navigates the complexities of love, ambition, and moral dilemmas. The story is rich with emotional depth and philosophical introspection, as it challenges readers to reflect on the nature of happiness and fulfillment. Von Hillern's lyrical prose and keen observations render the characters profoundly relatable, drawing readers into their joys and sorrows. "A Twofold Life" remains a significant work, shedding light on the timeless themes of identity and the quest for self-understanding, making it an enduring classic that resonates with contemporary audiences.

Following the collapse and ultimate overthrow of the Wilhelmine Empire, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by attempts to negate their recent past in various ways: by affirming modern technology, exploring music of a more remote past, and celebrating popular music. The essays contained in this volume address these fundamental issues. Examining the way in which German music was performed, staged, programmed, and received in the 1920s not only offers deeper insights into Weimar culture itself but sheds light on our contemporary musical world.

Imperial Germany is a comprehensive history of German society in this period, providing a broad survey of its development. This volume is thematically organized and designed to give easy access to the major topics and issues of the Bismarckian and Wilhelmine eras. The statistical appendix contains a wide range of social , economic and political data. Written with the English-speaking student in mind, this book is widely used text for this period, incorporating as it does twenty years of further research on the German Empire since the appearance of Hans-Ulrich Wehlers classic work.

German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures.Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.

This fascinating volume is for all serious students of European cinema as well as historians of Germany in the 20th century. "German Essays on Film" is divided into five parts: Late Wilhelmine Germany; Weimar Republic (1918-33); Inside the "Third Reich" (1933-45); Intellectuals in Exile; and Postwar Germany: since 1945. Among the writers, thinkers, filmmakers, and scholars anthologized are: Alfred D blin, Georg Luk cs, Claire Goll, Hugo von Hofmannsthal, Fritz Lang, F. W. Murnau, Joseph Goebbels, Leni Riefenstahl, Walter Benjamin, Max Horkheimer, Theodor W. Adorno, Siegfried Kracauer, R. W. Fassbinder, Wim Wenders, Gertrud Koch, and many others. The introduction by McCormick and Guenther-Pal along with generous headnotes help to put all these essays into historic perspective.

First published in 1918, "Man of Straw" is a sharp indictment of the Wilhelmine regime and a chilling warning against the joint elevation of militarism and commercial values. The "Man of Straw" is Diederich Hessling, embodiment of the corrupt society in which he moves; his brutish progression through life forms the central theme of the book.

This fascinating volume is for all serious students of European cinema as well as historians of Germany in the 20th century. "German Essays on Film" is divided into five parts: Late Wilhelmine Germany; Weimar Republic (1918-33); Inside the "Third Reich" (1933-45); Intellectuals in Exile; and Postwar Germany: since 1945. Among the writers, thinkers, filmmakers, and scholars anthologized are: Alfred D blin, Georg Luk cs, Claire Goll, Hugo von Hofmannsthal, Fritz Lang, F. W. Murnau, Joseph Goebbels, Leni Riefenstahl, Walter Benjamin, Max Horkheimer, Theodor W. Adorno, Siegfried Kracauer, R. W. Fassbinder, Wim Wenders, Gertrud Koch, and many others. The introduction by McCormick and Guenther-Pal along with generous headnotes help to put all these essays into historic perspective.

A comprehensive History text on Europe in the late 19th and 20th centuries, written by experienced teachers who are also examiners. Chapters are: Europe 1870-1991: a synoptic assessment; The Consolidation of Russian Conservatism 1855-1894; Germany under Bismarck 1871-1890; Wilhelmine Germany, 1888-1918; The Crisis of Russian Autocracy 1894-1914; The Causes and Course of the First World War; The Russian Revolution 1917-1924; The USSR under Stalin 1924-1941; Italy 1870-1943; Germany, 1918-1945; The Twenty Years Truce: International Relations, 1919-1939; The Second World War; Europe and the Cold War, 1945-1991; The Development of Western Europe, 1945-1991; and a Further Reading Index.

A comprehensive history of German society in this period, providing a broad survey of its development. The volume is thematically organized and designed to give easy access to the major topics and issues of the Bismarkian and Wilhelmine eras. The statistical appendix contains a wide range of social, economic and political data. Written with the English-speaking student in mind, this book is likely to become a widely used text for this period, incorporating as it does twenty years of further research on the German Empire since the appearance of Hans-Ulrich Wehler's classic work.

The continuity issue has been a theme in German historiography for half a century. Historians have examined the foreign policy of Wilhelmine and Nazi Germany that led to two world wars. Dr. William Young examines the continuity of German Foreign Office influence in the formulation of foreign policy under the leadership of Otto von Bismarck (1862-1890), Kaiser William II (1888-1918), the Weimar Republic (1919-1933), and Adolf Hitler (1933-1945). He stresses the role and influence of strong German leaders in the making of policy and the conduct of foreign relations. German Diplomatic Relations 1871-1945 will be of value to individuals interested in the history of Germany, Modern Europe, and International Relations.

Written by the editor of the German journal "Kursbuch", this is a story of opportunism and self-advancement, a scathing and grimly funny satire of Wilhelmine Germany and the early years of the Third Reich, set in the curious and Byzantine world of brain research.

Repräsentant des Exils 1933-1937. Tl.2 Im Zeichen der Volksfront 1934-1937 Klaus Täubert (u. a.) Taschenbuch Edition Klaus Blahak Kartoniert / Broschiert Deutsch 2006 Männerschwarm EAN 9783935596954 Verantwortliche Person für die EU: Bruno Books, Salzgeber Buchverlage GmbH, Wilhelmine-Gemberg-Weg 6, 10179 Berlin, buch[at]salzgeber[dot]de Anbieter: preigu