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The reign of Kaiser Wilhelm II was a transitional period in German history when the traditions of the nineteenth century were coming into conflict with the emerging cultural, social, and political patterns of the twentieth century. The resulting tensions were clearly reflected in the period's leading satirical journals, Kladderadatsch and Simplicissimus.Both journals appealed to a diverse middle-class readership and attracted widespread attention through their flamboyant and sometimes scurrilous attacks on authority. Their satire, expressed through cartoons, anecdotes, verse, and fiction, ranged across nearly every aspect of German life and employed the talents of some of the period's most important writers and artists. That their purpose was essentially serious was shown by the frequent seizures of offending issues and the jail sentences meted out to satirists whose jabs struck too near home.Kladderadatsch, founded in Berlin in 1848, was liberal politically but generally mild in its social satire. It remained for Simplicissimus, founded in Munich in 1896, to launch a more radical critique of bourgeois culture. The primary target of both journals was the absurdities of an essentially weak monarchy personified in a Kaiser who seemed always to be "on stage." Simplicissimus, in addition, delighted in ridiculing a military establishment dominated by class, a repressive educational system, and a hypocritical religious hierarchy. Even the family came in for satirical treatment.Through the history of these two periodicals, Ann Taylor Allen demonstrates the uses of humor in a society that offered few effective outlets for dissent. She also provides important new insights into the role of popular journalism in this critical period.

Wilhelmine Von Bayreuth: Chamber Music Weinzierl / Waechter / Schieferstein / Morgen - CD 4003913125651

Exact ISBN match. Immediate shipping. No funny business. Pics available upon request.

The Wilhelmine Empire’s opening decades (1870s - 1880s) were crucial transitional years in the development of German modernism, both politically and culturally. Here Marsha Morton argues that no artist represented the shift from tradition to unsettling innovation more compellingly than Max Klinger. The author examines Klinger’s early prints and drawings within the context of intellectual and material transformations in Wilhelmine society through an interdisciplinary approach that encompasses Darwinism, ethnography, dreams and hypnosis, the literary Romantic grotesque, criminology, and the urban experience. His work, in advance of Expressionism, revealed the psychological and biological underpinnings of modern rational man whose drives and passions undermined bourgeois constructions of material progress, social stability, and class status at a time when Germans were engaged in defining themselves following unification. This book is the first full-length study of Klinger in English and the first to consistently address his art using methodologies adopted from cultural history. With an emphasis on the popular illustrated media, Morton draws upon information from reviews and early books on the artist, writings by Klinger and his colleagues, and unpublished archival sources. The book is intended for an academic readership interested in European art history, social science, literature, and cultural studies.

The reign of Kaiser Wilhelm II was a transitional period in German history when the traditions of the nineteenth century were coming into conflict with the emerging cultural, social, and political patterns of the twentieth century. The resulting tensions were clearly reflected in the period's leading satirical journals, Kladderadatsch and Simplicissimus.Both journals appealed to a diverse middle-class readership and attracted widespread attention through their flamboyant and sometimes scurrilous attacks on authority. Their satire, expressed through cartoons, anecdotes, verse, and fiction, ranged across nearly every aspect of German life and employed the talents of some of the period's most important writers and artists. That their purpose was essentially serious was shown by the frequent seizures of offending issues and the jail sentences meted out to satirists whose jabs struck too near home.Kladderadatsch, founded in Berlin in 1848, was liberal politically but generally mild in its social satire. It remained for Simplicissimus, founded in Munich in 1896, to launch a more radical critique of bourgeois culture. The primary target of both journals was the absurdities of an essentially weak monarchy personified in a Kaiser who seemed always to be "on stage." Simplicissimus, in addition, delighted in ridiculing a military establishment dominated by class, a repressive educational system, and a hypocritical religious hierarchy. Even the family came in for satirical treatment.Through the history of these two periodicals, Ann Taylor Allen demonstrates the uses of humor in a society that offered few effective outlets for dissent. She also provides important new insights into the role of popular journalism in this critical period.

Book is clean and tight. Front and back covers have slight staining. It has been nearly two decades since Professor Fritz Fischer's Griff nach der Weltmacht changed the face of German historiography.

305p., very good condition in like dj.

German Expressionism, one of the most significant movements of early European modernism, was an enormously powerful element in Germany's cultural life from the end of the Wilhelmine Empire to the Third Reich. While the movement embraced such diverse artists as E. L. Kirchner, Wassily Kandinsky, Käthe Kollwitz, and George Grosz, all the participants shared an almost messianic belief in the power of art to change society. Rose-Carol Washton Long has drawn together over eighty documents crucial to the understanding of German Expressionism, many of them translated for the first time into English.

An Evening With Wilhelmine Adam Falckenhagen - CD 881488150483

The Wilhelmine period is a crucial period of German history and the focus of great historical controversy; greater understanding of this period is also vital to explain the rise of the Third Reich. The authors focus on Germany's role as a major military and imperial power, industrialiastion and the economy, the crucial effects of the war years and the disturbing evidence that Germany's response to Hitler is to be found in the Wilhelmine era.

Following the collapse and ultimate overthrow of the Wilhelmine Empire, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by attempts to negate their recent past in various ways: by affirming modern technology, exploring music of a more remote past, and celebrating popular music. The essays contained in this volume address these fundamental issues. Examining the way in which German music was performed, staged, programmed, and received in the 1920s not only offers deeper insights into Weimar culture itself but sheds light on our contemporary musical world.

This fascinating volume is for all serious students of European cinema as well as historians of Germany in the 20th century. "German Essays on Film" is divided into five parts: Late Wilhelmine Germany; Weimar Republic (1918-33); Inside the "Third Reich" (1933-45); Intellectuals in Exile; and Postwar Germany: since 1945. Among the writers, thinkers, filmmakers, and scholars anthologized are: Alfred D blin, Georg Luk cs, Claire Goll, Hugo von Hofmannsthal, Fritz Lang, F. W. Murnau, Joseph Goebbels, Leni Riefenstahl, Walter Benjamin, Max Horkheimer, Theodor W. Adorno, Siegfried Kracauer, R. W. Fassbinder, Wim Wenders, Gertrud Koch, and many others. The introduction by McCormick and Guenther-Pal along with generous headnotes help to put all these essays into historic perspective.

German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures.Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.

A comprehensive history of German society in this period, providing a broad survey of its development. The volume is thematically organized and designed to give easy access to the major topics and issues of the Bismarkian and Wilhelmine eras. The statistical appendix contains a wide range of social, economic and political data. Written with the English-speaking student in mind, this book is likely to become a widely used text for this period, incorporating as it does twenty years of further research on the German Empire since the appearance of Hans-Ulrich Wehler's classic work.

Written by the editor of the German journal "Kursbuch", this is a story of opportunism and self-advancement, a scathing and grimly funny satire of Wilhelmine Germany and the early years of the Third Reich, set in the curious and Byzantine world of brain research.

The continuity issue has been a theme in German historiography for half a century. Historians have examined the foreign policy of Wilhelmine and Nazi Germany that led to two world wars. Dr. William Young examines the continuity of German Foreign Office influence in the formulation of foreign policy under the leadership of Otto von Bismarck (1862-1890), Kaiser William II (1888-1918), the Weimar Republic (1919-1933), and Adolf Hitler (1933-1945). He stresses the role and influence of strong German leaders in the making of policy and the conduct of foreign relations. German Diplomatic Relations 1871-1945 will be of value to individuals interested in the history of Germany, Modern Europe, and International Relations.

This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience.Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman 

Uses historical case studies to illuminate women’s claims to emancipation and to sexual subjectivity during the tumultuous Wilhelmine and Weimar periods in Germany.Desiring Emancipation traces middle-class German women’s claims to gender emancipation and sexual subjectivity in the pre-Nazi era. The emergence of homosexual identities and concepts in this same time frame provided the context for expression of individual struggles with self, femininity, and sex. The book asks how women used new concepts and opportunities to construct selves in relationship to family, society, state, and culture. Taking a queer approach, Desiring Emancipation’s goal is not to find homosexuals in history, but to analyze how women reworked categories of gender and sex. Marti M. Lybeck interrogates their desires, demonstrating that emancipation was fraught with conflict, anachronism, and disappointment.Each chapter is a microhistorical recreation of the actions, writings, contexts, and conflicts of specific groups of women. The topics include the experience of first-generation university students, public debates about female homosexuality, and the stories of three civil servants whose careers were ruined by workplace accusations of homosexuality. The book concludes with a debate between the women who joined the 1920s homosexual movement on the meanings of their new identities.

A collection of some of the writings of Generalfeldmarschall Alfred Graf von Schlieffen, one of the more intriguing of Imperial Germany's military figures. Schlieffens 15 years as Chief of the General staff left a stamp upon both military and political institutions of Wilhelmine Germany.

The continuity issue has been a theme in German historiography for half a century. Historians have examined the foreign policy of Wilhelmine and Nazi Germany that led to two world wars. Dr. William Young examines the continuity of German Foreign Office influence in the formulation of foreign policy under the leadership of Otto von Bismarck (1862-1890), Kaiser William II (1888-1918), the Weimar Republic (1919-1933), and Adolf Hitler (1933-1945). He stresses the role and influence of strong German leaders in the making of policy and the conduct of foreign relations. German Diplomatic Relations 1871-1945 will be of value to individuals interested in the history of Germany, Modern Europe, and International Relations.