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Drawing on ten years of research on the unpublished Wittgenstein papers, Stern investigates what motivated Wittgenstein's philosophical writing and casts new light on the Tractatus and Philosophical Investigations. The book is an exposition of Wittgenstein's early conception of the nature of representation and how his later revision and criticism of that work led to a radically different way of looking at mind and language. It also explains how the unpublished manuscripts and typescripts were put together and why they often provide better evidence of the development of his ideas than can be found in his published writing. In doing so, the book traces the development of a number of central themes in Wittgenstein's philosophy, including his conception of philosophical method, the picture theory of meaning, the limits of language, the application of language to experience, his treatment of private language, and what he called the "flow of life." Arguing that Wittgenstein's views are often much more simple (and more radical) than we have been led to believe, Wittgenstein on Mind and Language provides an overview of the development of Wittgenstein's philosophy and brings to light aspects of his philosophy that have been almost universally neglected.

In this book Saul Kripke brings his powerful philosophical intelligence to bear on Wittgensteina s analysis of the notion of following a rule.

Wittgenstein's role was vital in establishing mathematics as one of this century's principal areas of philosophic inquiry. In this book, the three phases of Wittgenstein's reflections on mathematics are viewed as a progressive whole, rather than as separate entities. Frascolla builds up a systematic construction of Wittgenstein's representation of the role of arithmetic in the theory of logical operations. He also presents a new interpretation of Wittgenstein's rule-following considerations - the `community view of internal relations'.

Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal. "This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.—Linda Munk, American Literature "[Perloff] has brilliantly adapted Wittgenstein's conception of meaning and use to an analysis of contemporary language poetry."—Linda Voris, Boston Review "Wittgenstein's Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds."—David Clippinger, Chicago Review "Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic. . . . Entertaining, witty, and above all highly original."—Willard Bohn, Sub-Stance

Translated into English for the first time, the letters collected here bring to life one of the greatest thinkers of the twentieth century, Ludwig Wittgenstein.In letters written over forty years, we see how his ideas and relationships developed during his time as a prisoner of war, a school teacher, an architect and throughout his years at Cambridge. Always frank and often brutally honest, these letters between Wittgenstein, his brother Paul and his three sisters, Hermine, Margaret and Helene are filled with a familiarity and an intimacy. They allow us to enter the bygone world of an extraordinary family, revealing a side of Wittgenstein we have never seen before.

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Wittgenstein a abondamment critique l'idee qu'il serait necessaire d'admettre l'existence d'un medium spatial alternatif ( l'espace visuel) pour rendre compte des differentes applications possibles de nos concepts geometriques et spatiaux. Notre objectif ici est de montrer la pertinence de cette critique. Pour ce faire, nous proposons une relecture des remarques qu'il consacre aux exemples visuels d'analyse dans les Carnets, aux aspects spatiaux de la theorie de l'image dans le Tractatus, a son propre projet phenomenologique de description de l'experience visuelle en 1929, ainsi qu'a la maniere, philosophiquement fallacieuse, de poser le probleme de l'application en termes d'interpretations semantiques.

Wittgenstein: From Mysticism to Ordinary Language presents the Tractatus as a work of mystic theology intended to direct the reader to a transcendental plane from which human existence can be viewed from the divine perspective. More than any other work on Wittgenstein, this study integrates text material with personal biographical information, especially information dealing with his spiritual and psychological states. The result is a fresh, coherent, and extremely illuminating picture of Wittgenstein, successfully avoiding the pitfalls of either psychological reductionism or unfaithfulness to the text. It is bold without being reckless, passionately argued without being doctrinaire, and makes a very powerful and persuasive case for its main thesis.

In 1938 Wittgenstein delivered a short course of lectures on aesthetics to a small group of students at Cambridge. The present volume has been compiled from notes taken down at the time by three of the students: Rush Rhees, Yorick Smythies, and James Taylor. They have been supplemented by notes of conversations on Freud (to whom reference was made in the course on aesthetics) between Wittgenstein and Rush Rhees, and by notes of some lectures on religious belief. As very little is known of Wittgenstein's views on these subjects from his published works, these notes should be of considerable interest to students of contemporary philosophy. Further, their fresh and informal style should recommend Wittgenstein to those who find his Tractatus and Philosophical Investigations a little formidable.

What is it that troubles and preoccupies us about the anxieties and anguishes of social and private life? Have advances in the disciplines of psychoanalysis, psychology or the social sciences in general ministered to our needs in these areas? Frank Cioffi's elegantly argued essays range over Wittgenstein's treatment of Frazer's anthropological accounts of human sacrifice and other ritual practices, and Freud's dealings with dreams, jokes and mental life in general. This volume will be of wide interest to readers in philosophy, psychology and aesthetics.

This book offers a lucid and highly readable account of Wittgenstein's philosophy, framed against the background of his extraordinary life and character. Woven together with a biographical narrative, the chapters explain the key ideas of Wittgenstein's work, from his first book, the Tractatus Logico-Philosophicus, to his mature masterpiece, the Philosophical Investigations. Severin Schroeder shows that at the core of Wittgenstein's later work lies a startlingly original and subversive conception of the nature of philosophy. In accordance with this conception, Wittgenstein offers no new philosophical doctrines to replace his earlier ones, but seeks to demonstrate how all philosophical theorizing is the result of conceptual misunderstanding. He first diagnoses such misunderstanding at the core of his own earlier philosophy of language and then subjects philosophical views and problems about various mental phenomena understanding, sensations, the will to a similar therapeutic analysis. Schroeder provides a clear and careful account of the main arguments offered by Wittgenstein. He concludes by considering some critical responses to Wittgenstein's work, assessing its legacy for contemporary philosophy. Wittgenstein is ideal for students seeking a clear and concise introduction to the work of this seminal twentieth-century philosopher.

“Wittgenstein'S Conception Of Philosophy” was first published in 1969 by Basil Blackwell Publishers, the official publisher of Wittgenstein's works. It was intended to be a clear and concise introduction to Wittgenstein's whole philosophy that corrects many basic misunderstandings of Wittgenstein at the time. After all these years, many scholars still regard it as the best introduction to Wittgenstein. We are reprinting this book and making it available electronically. In addition, we are appending here the author's “last words” on Wittgenstein: “Beyond Marx And Wittgenstein: A Confession of a Wittgensteinian Marxist Turned Taoist”, a talk given in an international symposium on “Marx and Wittgenstein” held at Trinity College, Cambridge, Uk, in 1999 and later published as the concluding chapter of the book: “Marx And Wittgenstein: Knowledge, Morality And Politics'', edited by Gavin Kitchen and Nigel Pleasants, published by Routledge, 2002.

In Wittgenstein on Logic as the Method of Philosophy, Oskari Kuusela examines Wittgenstein's early and late philosophies of logic, situating their philosophical significance in early and middle analytic philosophy with particular reference to Frege, Russell, Carnap, and Strawson. He argues that not only the early but also the later Wittgenstein sought to further develop the logical-philosophical approaches of his contemporaries. Throughout his career Wittgenstein's aim was to resolve problems with and address the limitations of Frege's and Russell's accounts of logic and their logical methodologies so as to achieve the philosophical progress that originally motivated the logical-philosophical approach. By re-examining the roots and development of analytic philosophy, Kuusela seeks to open up covered up paths for the further development of analytic philosophy. Offering a novel interpretation of the philosopher, he explains how Wittgenstein extends logical methodology beyond calculus-based logical methods and how his novel account of the status of logic enables one to do justice to the complexity and richness of language use and thought while retaining rigour and ideals of logic such as simplicity and exactness. In addition, this volume outlines the new kind of non-empiricist naturalism developed in Wittgenstein's later work and explaining how his account of logic can be used to dissolve the long-standing methodological dispute between the ideal and ordinary language schools of analytic philosophy. It is of interest to scholars, researchers, and advance students of philosophy interested in engaging with a number of scholarly debates.

Book is in NEW condition. 0.75

Drawing on ten years of research on the unpublished Wittgenstein papers, Stern investigates what motivated Wittgenstein's philosophical writing and casts new light on the Tractatus and Philosophical Investigations. The book is an exposition of Wittgenstein's early conception of the nature of representation and how his later revision and criticism of that work led to a radically different way of looking at mind and language. It also explains how the unpublished manuscripts and typescripts were put together and why they often provide better evidence of the development of his ideas than can be found in his published writing. In doing so, the book traces the development of a number of central themes in Wittgenstein's philosophy, including his conception of philosophical method, the picture theory of meaning, the limits of language, the application of language to experience, his treatment of private language, and what he called the "flow of life." Arguing that Wittgenstein's views are often much more simple (and more radical) than we have been led to believe, Wittgenstein on Mind and Language provides an overview of the development of Wittgenstein's philosophy and brings to light aspects of his philosophy that have been almost universally neglected.

Translated into English for the first time, the letters collected here bring to life one of the greatest thinkers of the twentieth century, Ludwig Wittgenstein.In letters written over forty years, we see how his ideas and relationships developed during his time as a prisoner of war, a school teacher, an architect and throughout his years at Cambridge. Always frank and often brutally honest, these letters between Wittgenstein, his brother Paul and his three sisters, Hermine, Margaret and Helene are filled with a familiarity and an intimacy. They allow us to enter the bygone world of an extraordinary family, revealing a side of Wittgenstein we have never seen before.

This revised edition of Sir Anthony Kenny’s classic work on Wittgenstein contains a new introduction which covers developments in Wittgenstein scholarship since the book was first published. Widely praised for providing a lucid and historically informed account of Wittgenstein’s core philosophical concerns. Demonstrates the continuity between Wittgenstein’s early and later writings. Provides a persuasive argument for the unity of Wittgenstein’s thought. Kenny also assesses Wittgenstein’s influence in the latter part of the twentieth century.

Unread book in perfect condition.

As early as 1916, Wittgenstein states that ethics and aesthetics are one, that only through aesthetics and art can what is truly important in human life be shown. This is the first book to clarify Wittgenstein’s ideas about ethics and aesthetics, and to illustrate how those ideas apply to art history and criticism. Tilghman shows how a study of Wittgenstein illuminates not only the relationship between ethics and aesthetics, but also the relationship between art and our lives. The result is that we can better understand the human importance of abstract as well as traditional art.Chapter 1 surveys the development of the philosophy of art that has dominated aesthetics since mid-century. Chapter 2 provides a brief history of some of the ways that the relationship between ethics and aesthetics has been considered in the philosophy of art. Chapters 3 and 4 discuss Wittgenstein’s views on ethics and aesthetics at the time he wrote Tractatus, and chapter 5 examines the question of what it is to discern the humanity in a person, as reflected in Wittgenstein’s later viewpoints found in Philosophical Investigations. Chapters 6 and 7 investigate what it is to discern the art in a work of art, and what it is to discern the humanity in a work of art. These investigations, in turn, lead to some conclusions about the importance of art in people’s lives and the failure of much recent aesthetic theory to accommodate art’s human importance.