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On Women's Films looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world.

Knowing nothing more than the working-class life he is born into, headstrong Lu Xiaolu reluctantly starts down the path he is expected to follow. At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

On Women's Films looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world.

Hardcover. The new memoir in a triptych from prize-winning writer and filmmaker Xiaolu Guo in which she moves to Hastings to find a room of her own and immerses herself in local history'One of the most valuable writers in the world' Deborah LevyMy Battle of Hastings is an exploration of how an immigrant, an outsider and a woman can embrace local and national history.In winter 2021, Xiaolu Guo moved into a tiny dilapidated flat on the Hastings seafront, a room of her own where she could spend time writing away from her domestic duties in London. As Russia invaded Ukraine, she immersed herself in the English landscape and its past, especially the violence between Normans and Saxons.My Battle of Hastings is a chronicle of Xiaolu's life in Hastings and a portrait of a dislocated artist seeking to connect with her local environment in the hope of finding a deeper connection to her adoptive nation. Filled with profound, beautiful and wry reflections on war, history, migration and belonging, Xiaolu's journey into the past completes the triptych of memoirs that began with Once Upon a Time in the East, charting her childhood in China, then continued with Radical- A Life of My Own in search of a freedom beyond her home. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.