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The story of Rudolf Rocker is the combined tale of a life and a social movement - a life that reflects with amazing accuracy the development of the anarchist movement and its various nuances. Rocker witnessed anarchism at its height, but he also saw its decline, and ultimate disintegration. During his long years of activity within the ranks of the anarchist movement, Rocker took part in the major stages of its history, from the birth of anarchism in post-Bismarck Germany, through the notorious phase of "Propaganda by Deed" in France and the London battles against the sweating system, until "the last cause" - the Spanish Civil War. A gentile who taught himself Yiddish and Jewish culture, Rocker was for half-a-century the soul of the Jewish anarchist movement, a spiritual teacher, a philosopher, and a preacher. He was the anarchist "rabbi," a man who not only talks but also acts on his beliefs. Rocker was the father of the anarcho-syndicalist trend, and his major philosophical contribution, Nationalism and Culture, constitutes to this day one of the most serious attempts to analyze critically the emergence of nationalism, and its relationship to the political state and western civilization.

In Uncle Rudolf, two-time Booker-Prize finalist Paul Bailey has crafted an exquisite, profoundly moving portrayal of a charismatic and popular performer in World War II-era Europe, and the orphaned nephew he takes under his wing.Seventy-year-old man Andre reflects back on his life, beginning with his Jewish childhood in Romania on the eve of World War II. Andre's father, in a desperate effort to save him from the coming holocaust, hands him over to his captivating uncle Rudolf, an internationally famous singer of popular operettas. Rudolf is a sublimely gifted lyric tenor, a dashing leading man who is the object of many women's affections-but also an artist who lives in the shadow of his own unachieved potential as an opera star. Rudolf takes the boy to back to London, renames him Andrew, turns all his attention and sardonic humor upon him, and gradually sculpts him into a gentleman.Vivid, often lighthearted scenes of Andrew's worldly life with Rudolf are intertwined with the unfolding secrets of his forgotten past as Andre, which have shadowed his otherwise happy life. Told in matchless prose, Uncle Rudolf captures in fine detail the mood of 1940s Europe--and reveals the emotions of a man whose achievement falls short of his brilliant promise. It is a wise, knowing, elegant story about the sacrifices we make for those we love.

"Because I felt that he knew how things were, I said simply: 'I will stay with you.' Then he said significant things to me that I was not to repeat. A very ancient karma existing between him and me was renewed. It was not until many years later that I first realized the significance of that meeting." ―Ita WegmanIta Wegman was one of Rudolf Steiner’s most important co-workers, collaborating with him principally in the field of Medicine―co-authoring the key book Extending Practical Medicine and heading the Medical Section of the School of Spiritual Science. In the background to that external work, however, was an esoteric connection. In this seminal work of karma research, the authors attempt, sensitively and with responsibility, to shed light on that spiritual and karmic history.Written for members of the Anthroposophical Society, this book is a profound study of a series of different incarnations linked to the figures of Ita Wegman and Rudolf Steiner. Spread over six disparate lifetimes, they range from Gilgamesh and Eabani (Enkidu) in Uruk, ancient Chaldea, to the Goetheanum in Dornach, Switzerland, the twentieth-century setting for the world center of Anthroposophy. Based on copious historical research, verbal statements, and spiritual insight, this rare and valuable work features many illustrations and facsimiles of documents and personal letters. 

Rudolf II―Habsburg heir, Holy Roman Emperor, king of Hungary, Germany, and theRomans―is one of history's great characters, and yet he remains largely an unknown figure. His reign (1576–1612) roughly mirrored that of Queen Elizabeth I of England, and while her famous court is widely recognized as a sixteenth century Who's Who, Rudolf 's collection of mathematicians, alchemists, artists, philosophers and astronomers―among them the greatest and most subversive minds of the time―was no less prestigious and perhaps even more influential. Driven to understand the deepest secrets of nature and the riddle of existence, Rudolf invited to his court an endless stream of genius―Danish astronomer Tycho Brahe, German mathematician Johannes Kepler, English magus John Dee, Francis Bacon, and mannerist painter Giuseppe Archimboldo among many others. Prague became the artistic and scientific center of the known world―an island of intellectual tolerance between Catholicism, Protestantism, and Islam.Combining the wonders and architectural beauty of sixteenth century Prague with the larger than-life characters of Rudolf's court, Peter Marshall provides an exciting new perspective on the pivotal moment of transition between medieval and modern, when the foundation was laid for the Scientific Revolution and the Enlightenment.

Emil Bock lectured widely on Rudolf Steiner after World War Two, and during the course of his research he uncovered many previously unknown aspects of Steiner’s life. This book, the second of two volumes, explores some of the themes and ideas in Steiner’s work, as well as exploring the nature of destiny. The early years of Jesus, the Christmas festival and the break from the Theosophical Society to the Anthroposophical Society are just some of the many themes and events covered in this comprehensive study. Bock also examines the circle of people around Steiner at this time and, using Steiner's ideas on karma and reincarnation, draws interesting parallels with Rome, Byzantium, Ephesus and the Grail Castle.

At once a philosopher, educational and medical reformist, mystic and artist, Rudolf Steiner (1861-1925) was the founder of a spiritual movement he dubbed Anthroposophy, and of the famous school system that bears his name. Anthroposophy combined elements of German philosophy with Theosophical theory, and also made use of architecture, dance (Eurthymy), painting and sculpture to illustrate his ideas. Steiner's artworks occupy a fascinatingly ambiguous status as both pedagogical and aesthetic entities, and served as springboards for the early work of Mondrian and Kandinsky among others; they have continued to influence artists down the generations. In 1992, Steiner's panel drawings were exhibited at the Galerie Monika Sprüth in Cologne, renewing their efficacy for contemporary artists. Published for the Kunstmuseum Wolfsburg's 2010 exhibition, this book is the first assessment of the influence of Anthroposophical thought on contemporary art.

John Hunt was born in Windsor and Graduated from University College London, in German language and literature. He has worked in personnel administration, record retailing and bibliographic research for a government agency and is on the lecture panel of the National Federation of Music Societies. In his capacity as Chairman of the Furtwängler Society UK, John Hunt has attended conventions in Rome, Paris and Zürich and has contributed to important reference works about Furtwängler by John Ardoin and Joachim Matzner. He has also translated from the German Jürgen Kesting's important monograph on Maria Callas. John Hunt has published discographies of over 80 performing artists, several of which have run into two or more editions.

Steiner describes polarities of illness and derives courses of treatment from a comprehensive analysis. He considers many individual cases in detail and gives indications on therapeutic exercises, diet, and medicine. The “I,” he states, relates directly to the physical body, and the spirit and soul need to be considered when making diagnoses. Throughout the lectures, Steiner offers valuable advice for the self-development of educators, emphasizing the need for enthusiasm, humor, and courage. As with Steiner’s lectures on agriculture, this course has had a huge international impact, inspiring the establishment of hundreds of schools and communities for people with special needs, including the Camphill and Steiner special-education movements. Revolutionary in approach, the far-reaching perspectives of these lectures are a living source of inspiration to both professionals and parents, as well as anyone seeking spiritual insight.

Rudolf Steiner’s seminal lectures to the first teachers before the opening of the first Waldorf school called "The Study of Man" (or "Foundations of Human Experience" in the more recent edition) is a rich and systematic descritpion of a new approach to education, made possible through Dr. Steiner’s insights. He presented in this lectures a completely revolutionary approach to education, needed for the future of the children coming to the school and for all mankind. Many have struggled to comprehend these lectures as they are difficult to apprehend in many ways, simply because they are so new and so different from the more materialistic thinking that supports current mainstream education. The Pedagogical Section Council of North America has developed these “Entry Points” to give teachers and parents ideas of how to study these important lectures to avoid getting “stuck” or giving up on penetrating with understanding these original lectures, and these original ideas. Along with explanations of each lecture, helpful illustrations in footnotes, study questions with which to launch discussion, and additional commentary are provided. Here are valuable openings for comprehension and contemplation of this invaluable content.

John Hunt was born in Windsor and Graduated from University College London, in German language and literature. He has worked in personnel administration, record retailing and bibliographic research for a government agency and is on the lecture panel of the National Federation of Music Societies. In his capacity as Chairman of the Furtwängler Society UK, John Hunt has attended conventions in Rome, Paris and Zürich and has contributed to important reference works about Furtwängler by John Ardoin and Joachim Matzner. He has also translated from the German Jürgen Kesting's important monograph on Maria Callas. John Hunt has published discographies of over 80 performing artists, several of which have run into two or more editions.

Rudolf Steiner gave thousands of lectures in his lifetime, usually without notes, and, with very few exceptions, with nothing more than chalk and a blackboard if he chose to accompany his speech with some kind of visual illustration. A notable exception is the presentation that constitutes the main part of this book. Given in June 1921, in Bern just eighteen months before its tragic destruction by fire, this lecture and slide show (consisting of a hundred slides) is both the closest thing we have to a guided tour of the original Goetheanum by its architect and a profound statement of artistic purpose.In addition to the lecture and slide show that comprise the main content of this volume, the introduction by John Kettle serves to place Steiner’s artistic contribution to architecture in the context of early twentieth-century Expressionism and Organicism. Frederick Amrine’s thorough bibliographic essay highlights the most important secondary literature on Steiner’s architecture and provides a sound entry to further exploration and study.

Speaking in the aftermath of World War I, Rudolf Steiner presents a series of extraordinary lectures on the power and mission of the Archangel Michael. He paints on a broad canvas―in the context of cosmic and human evolution―revealing Michael’s tasks in the past, present, and future. Michael, originally the countenance of Yahweh, has transformed from a “night spirit” into a “day spirit.” As “the Countenance of Christ,” Michael helps us find a balance between luciferic and ahrimanic tendencies. The old dualism such as good versus evil, says Steiner, needs to be replaced by the trinity of Lucifer–Christ–Ahriman. Filling our hearts with the Christ impulse creates equilibrium between the luciferic influence that imbues our head and the ahrimanic influence that works in our limbs.Steiner describes how humanity faces three dangers in the social sphere―spiritual life could flow into the “pit of mendacity” ruled by Ahriman; individual rights might descend into a luciferic “pit of selfishness”; and economics could sink into the cultural sickness and death of the Asuras. To prevent Western culture from perishing, it will need to turn toward the contemporary “threefold” approach to society.Steiner also speaks of the principle of metamorphosis in connection with evolution and devolution, as he showed in the pillar designs of the newly built Goetheanum. Architectural styles express human evolution, as we can see in Greek temples, gothic Cathedrals, the Grail temple, and the building at Dornach. Among many other themes, Rudolf Steiner addresses the problem of natural necessity and freedom and the abolition of the trichotomy of body, soul, and spirit at the 869Council of Constantinople.

Out-Of-Print Booklet Publication. From Rudolph Steiner College resources: As a medical doctor, steeped in the insights provided by anthroposophy, Ernst Marti looks at nature in a very special way. He seeks out the manifestations of the four elements and shows how the elements are always clothed in a corresponding substance. The ether in reality is differentiated fourfold and earth ether is clothed in a formative force. The question is asked where forms and shapes come from and it is pointed out how nature's beings bear form and substance as a unity. The differences between terrestrial and universal forces are analyzed and examples are provided of how these forces interact in nature. For an understanding of living organisms, Ernst Marti's thoughts will be invaluable.

Continuing from his first book Rudolf Steiner and the Founding of the New Mysteries, Sergei Prokofieff researches the working of seven Masters of esoteric Christianity: Manes, Master Jesus, Scythianos, Gautama Buddha, The Maitreya Bodhisattva, Novalis and Christian Rosenkreutz. In this profound study he shows how the Masters have guided humanity over millennia, their working with Rudolf Steiner and the founding of anthroposophy, with particular reference to the Christ Being and the events at the Turning Point of Time. Also considered are particular aspects of Rudolf Steiner’s own development and Initiation, his founding of the new mysteries during the Christmas Conference of 1923–24, and Rudolf Steiner’s own position within the circle of Masters.“What has for nearly two millennia belonged only to a narrow circle of Christian initiates can, thanks to Anthroposophy, from our time onward become accessible to every person of goodwill who wants to understand through it the ‘intentions of the living Christ,’ in order, out of freedom, to further their fulfillment on the Earth. As a result, it has for the first time become possible for human beings to unite their spiritual aims with the spiritual aims of the leading Masters of esoteric Christianity and, on this path, to enter the circle of the true ‘friends of God.’”Following the death of the translator and other obstacles, this book was never published within Sergei Prokofieff’s lifetime, and the publishing of it has only now become possible following the completion of its translation from the original Russian.

This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act ―recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys ―are only now coming fully to light. In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe’s Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index

Rudolf Witzig entered the history books as the heroic captor of Belgium’s supposedly impregnable fortress Eben Emael in May 1940 – the first time that glider-borne troops were used in the war. To many people, he is also known as the commander of the battle group that fired the first shots of the Tunisian campaign.Remarkably, next to nothing has been written about him as an individual. This biography, completed with the full support of Witzig’s widow and son, is a comprehensive history of the man and also provides important new detail on the German parachute arm that he served. In the course of his service, he was awarded the coveted Knight’s Cross of the Iron Cross. He could not be awarded the decoration because he had not yet earned the Iron’s Crosses 2nd and 1st class – to resolve the problem he was awarded all three on the spot.Witzig was involved in Operation Mercury, the invasion of Crete, but was injured during the fighting. After his recovery, he was sent to Tunisia where he was credited with several successful defensive actions. He ended the war in captivity, surrendering to the Allies on 8 May 1945, the day after his name was placed on the Honor Roll of the Luftwaffe.

From the critically acclaimed Little People, BIG DREAMS series, discover the life of Rudolf Nureyev, one of the greatest male ballet dancers of all time. Rudolf fell in love with dance as a child. But he was not allowed to go to ballet school until he was 17. There, he had to make up for lost time and hone his skills to compete with the other dancers. As a professional, he dazzled audiences with sensational performances and star power. He went on to become a world-renowned choreographer and master of perfection in dance. This inspiring book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the dancer's life.Little People, BIG DREAMS is a best-selling series of books and educational games that explore the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardcover versions present expanded stories for beginning readers. Boxed gift sets allow you to collect a selection of the books by theme. Paper dolls, learning cards, matching games, and other fun learning tools provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

Emil Bock lectured widely on Rudolf Steiner after World War Two, and during the course of his research he uncovered many previously unknown aspects of Steiner's life. This book, the first of two volumes, explores the great range of people who surrounded and influenced Steiner. From Steiner's youth, Bock tracked down the mysterious 'Felix the herb gatherer', and he goes on to describe the Viennese social circles and coffee houses frequented by Steiner in his student days. The book also includes Steiner's meeting with Friedrich Nietzsche, and the various literary, artistic and eccentric people from Steiner's time in Berlin. This is the first part of a truly comprehensive and amazingly detailed portrait of Rudolf Steiner. Volume 2: Origin and Growth of His Insights is also available.

Speaking in the aftermath of World War I, Rudolf Steiner presents a series of extraordinary lectures on the power and mission of the Archangel Michael. He paints on a broad canvas―in the context of cosmic and human evolution―revealing Michael’s tasks in the past, present, and future. Michael, originally the countenance of Yahweh, has transformed from a “night spirit” into a “day spirit.” As “the Countenance of Christ,” Michael helps us find a balance between luciferic and ahrimanic tendencies. The old dualism such as good versus evil, says Steiner, needs to be replaced by the trinity of Lucifer–Christ–Ahriman. Filling our hearts with the Christ impulse creates equilibrium between the luciferic influence that imbues our head and the ahrimanic influence that works in our limbs.Steiner describes how humanity faces three dangers in the social sphere―spiritual life could flow into the “pit of mendacity” ruled by Ahriman; individual rights might descend into a luciferic “pit of selfishness”; and economics could sink into the cultural sickness and death of the Asuras. To prevent Western culture from perishing, it will need to turn toward the contemporary “threefold” approach to society.Steiner also speaks of the principle of metamorphosis in connection with evolution and devolution, as he showed in the pillar designs of the newly built Goetheanum. Architectural styles express human evolution, as we can see in Greek temples, gothic Cathedrals, the Grail temple, and the building at Dornach. Among many other themes, Rudolf Steiner addresses the problem of natural necessity and freedom and the abolition of the trichotomy of body, soul, and spirit at the 869Council of Constantinople.

Born on a train in Stalin's Russia, Rudolf Nureyev was ballet's first pop icon. No other dancer of our time has generated the same excitement - both on and off stage. Nureyev's achievements and conquests became legendary: he rose out of Tatar peasant poverty to become the Kirov's thrilling maverick star; slept with his beloved mentor's wife; defected to the West in l961; sparked Rudimania across the globe; gave his rabid sexuality full reign; established the most rhapsodic partnership in dance history with the middle-aged Margot Fonteyn; reinvented male technique; gatecrashed modern dance; moulded new stars; and, staged Russia's unknown ballet masterpieces in the West. Julie Kavanagh's uncompromising and magnificent biography, ten years in the making, is a brilliant tribute to a superstar the world can never forget.