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This mammoth study is a major contribution to the study of Chinese literature, making available to scholars a genuine storyteller’s script from China’s Yangzhou oral tradition, dated to the late Qing period (1880-1910). This rare script is published in its complete form (all 367 pages), both in facsimile and transcription, with an English translation also made. Its publication is of high importance not only to preserve knowledge about one of the famous oral traditions of China, but also as a unique documentation of the interplay between orality and literacy in Chinese storytelling. The book is also the first translation into a European language of the popular ‘Western Han’ narrative, one of a corpus of Chinese semi-historical romances brought to life in recent decades after the discovery in 1974 of the terracotta army commemorating the life and achievements of the first Chinese emperor. Moreover, this storyteller’s version is unique and entertaining. The work is an ideal classroom book for students studying Chinese history, literature, oral literature, storytelling, etc.

This mammoth study is a major contribution to the study of Chinese literature, making available to scholars a genuine storyteller’s script from China’s Yangzhou oral tradition, dated to the late Qing period (1880-1910). This rare script is published in its complete form (all 367 pages), both in facsimile and transcription, with an English translation also made. Its publication is of high importance not only to preserve knowledge about one of the famous oral traditions of China, but also as a unique documentation of the interplay between orality and literacy in Chinese storytelling. The book is also the first translation into a European language of the popular ‘Western Han’ narrative, one of a corpus of Chinese semi-historical romances brought to life in recent decades after the discovery in 1974 of the terracotta army commemorating the life and achievements of the first Chinese emperor. Moreover, this storyteller’s version is unique and entertaining. The work is an ideal classroom book for students studying Chinese history, literature, oral literature, storytelling, etc.

In his preface, the anonymous author of Courtesans and Opium describes his book as an act of penance for thirty years spent patronizing the brothels of Yangzhou. Written in the 1840s, his story is filled with vice and dark consequence, portraying the hazards of the city's seedy underbelly and warning others against the example of the Fool.Chinese literature's first true "city novel," Courtesans and Opium recounts the illustrious career of a debauched soul enveloped by enthralling pursuits and romantic illusions. While socially acceptable marriages were arranged and often loveless, brothels offered men accomplished courtesans who served as both enchanting companions and sensual lovers. These professional sirens dressed in the latest styles and dripped with gold, silver, and jewels. From an early age, they were taught to excel at various arts and graces, which transformed the brothel into a kind of club for men to meet, exchange gossip, and smoke opium at their leisure.The Fool's fable follows five sworn brothers and their respective relationships with Yangzhou courtesans, revealing in acute detail the lurid materialism of this dangerous world―its violence and corruption as well as its seductive but illusory promise. Never before translated into English, Courtesans and Opium offers a brilliant window into the decadence of nineteenth-century China.

In his preface, the anonymous author of Courtesans and Opium describes his book as an act of penance for thirty years spent patronizing the brothels of Yangzhou. Written in the 1840s, his story is filled with vice and dark consequence, portraying the hazards of the city's seedy underbelly and warning others against the example of the Fool.Chinese literature's first true "city novel," Courtesans and Opium recounts the illustrious career of a debauched soul enveloped by enthralling pursuits and romantic illusions. While socially acceptable marriages were arranged and often loveless, brothels offered men accomplished courtesans who served as both enchanting companions and sensual lovers. These professional sirens dressed in the latest styles and dripped with gold, silver, and jewels. From an early age, they were taught to excel at various arts and graces, which transformed the brothel into a kind of club for men to meet, exchange gossip, and smoke opium at their leisure.The Fool's fable follows five sworn brothers and their respective relationships with Yangzhou courtesans, revealing in acute detail the lurid materialism of this dangerous world―its violence and corruption as well as its seductive but illusory promise. Never before translated into English, Courtesans and Opium offers a brilliant window into the decadence of nineteenth-century China.

Luo Ping was one of the most versatile, original, and celebrated artists in 18th-century China. While LuoÂ's early works reflect the thriving and innovative artistic climate of his hometown Yangzhou, his late oeuvre produced in Beijing provides evidence for the art-historical and antiquarian interests that he shared with his friends and patrons, many of whom were among the most prominent representatives of the intellectual and political life of the day. This book, published in association with an exhibition at the Metropolitan Museum of Art, illustrates works from leading museums in China. It includes rarely seen masterpieces as well as overlooked or previously unpublished works, providing a broad spectrum of LuoÂ's multiple talents and extraordinary pictorial prowess, including portraits, colorful landscapes, Buddhist images, and witty depictions of animals and plants, most notably plum blossoms.

This book examines cities of the Jiangnan region of south-central China between the twelfth and nineteenth centuries, an area considered to be the model of a successfully developing regional economy. The six studies focus on the urban centers of Suzhou, Hangzhou, Yangzhou, and Shanghai.Emphasizing the regional focus, the authors explore the interconnections and sequential relationships between these major cities and analyze common themes such as the development of handicraft industry, transport and commerce, class structure, ethnic diversity and internal immigration, and the social and political pressures generated by developments in manufacturing, taxes, and government politics. The book provides a valuable resource on commercial development and internal economic and social development in pre-modern China, particularly on specific regional development and the historical role of traditional Chinese cities.

This book examines cities of the Jiangnan region of south-central China between the twelfth and nineteenth centuries, an area considered to be the model of a successfully developing regional economy. The six studies focus on the urban centers of Suzhou, Hangzhou, Yangzhou, and Shanghai.Emphasizing the regional focus, the authors explore the interconnections and sequential relationships between these major cities and analyze common themes such as the development of handicraft industry, transport and commerce, class structure, ethnic diversity and internal immigration, and the social and political pressures generated by developments in manufacturing, taxes, and government politics. The book provides a valuable resource on commercial development and internal economic and social development in pre-modern China, particularly on specific regional development and the historical role of traditional Chinese cities.