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The first comprehensive survey of contemporary artist Dustin Yellin, showcasing his surreal glass sculptures with fantastic dystopian themes. For the past decade, Dustin Yellin has been dazzling the art world with his large-scale glass sculptures, which transport collage to another dimension. These ambitious works are created through an innovative technique using the atmosphere itself as material. With a precise and painstaking process, multi-dimensional images grow from successive planes of multiple stacked panels of glass, each individually embellished with bizarre found objects and eccentric clippings from diverse sources—with references to historical events and popular culture—to create intricate, three-dimensional collages that bring to mind giant psychedelic paperweights. This elegant volume includes details of the works, which take on an abstract cinematic quality, as well as a sixteen-page acetate insert illustrating a cross section of one of the glass sculptures.

The first comprehensive survey of contemporary artist Dustin Yellin, showcasing his surreal glass sculptures with fantastic dystopian themes. For the past decade, Dustin Yellin has been dazzling the art world with his large-scale glass sculptures, which transport collage to another dimension. These ambitious works are created through an innovative technique using the atmosphere itself as material. With a precise and painstaking process, multi-dimensional images grow from successive planes of multiple stacked panels of glass, each individually embellished with bizarre found objects and eccentric clippings from diverse sources—with references to historical events and popular culture—to create intricate, three-dimensional collages that bring to mind giant psychedelic paperweights. This elegant volume includes details of the works, which take on an abstract cinematic quality, as well as a sixteen-page acetate insert illustrating a cross section of one of the glass sculptures.

Samuel Yellin, Metalworker is a photographic essay and documentation about the master artist-blacksmith Samuel Yellin representing the culmination of 19th-century wrought iron design and fabrication. This book is the only attempt to record carefully the evolution of this artistic giant. In Philadelphia, from 1909 to 1940, Yellin created wrought iron work for major clients and architects throughout the US. There are the historic photos of Yellin and those who worked in this famous shop. Better are the many pages of his wrought iron, each piece speaking volumes. There are gates, railings, keys, locks, fireplace sets, lighting devices, and whimsical creatures. The scale of this work is sometimes overwhelming. There is a complete list of Yellin's works recorded on job cards. These cards will help researchers in locating samples of this incredible work. Samuel Yellin's masterpieces remain an important subject to examine, not only for blacksmiths but also for artists, architects, interior designers, historians, and anyone who works with or enjoys metalwork.

Samuel Yellin, Metalworker is a photographic essay and documentation about the master artist-blacksmith Samuel Yellin representing the culmination of 19th-century wrought iron design and fabrication. This book is the only attempt to record carefully the evolution of this artistic giant. In Philadelphia, from 1909 to 1940, Yellin created wrought iron work for major clients and architects throughout the US. There are the historic photos of Yellin and those who worked in this famous shop. Better are the many pages of his wrought iron, each piece speaking volumes. There are gates, railings, keys, locks, fireplace sets, lighting devices, and whimsical creatures. The scale of this work is sometimes overwhelming. There is a complete list of Yellin's works recorded on job cards. These cards will help researchers in locating samples of this incredible work. Samuel Yellin's masterpieces remain an important subject to examine, not only for blacksmiths but also for artists, architects, interior designers, historians, and anyone who works with or enjoys metalwork.

Artists such as Maya Lin, Roxy Paine, and Dustin Yellin show the impact of human interventionon our ecosystem through a mix of installations, video, photography, and sculpture.Natural Wonders spotlights the works of thirteen artists who work in various media to depict themes of nature—both its beauty and its more disquieting aspects—from painting and sculpture to 3-D landscapes and botanical replications to dioramas and lenticular prints. The range of works encourages us to be more attentive to our natural surroundings and address timely issues such as habitat loss, environmental toxins, bioengineering, and increasing alienation from nature. Ramljak’s essay provides a broad cultural and historical context for the contemporary artworks, complemented by artist statements and an interview between environmentally minded artists Mark Dion and Alexis Rockman.

"My Life as an Artist Blacksmith" by Francis Whitaker as told to Gary Mansfield has his memories of his time with Samuel Yellin, his two years in Germany and then his years in California, Aspen and finally in Carbondale. This is a must-have for Artist Blacksmiths, along with Whitaker's other books: 'Beautiful Iron', and 'The ABCs of Blacksmithing'.

Riding Out the Tropical Depression: Selected Poems, 1975-198520 pp. A collection of thirteen poems written over a period of ten years, and printed here for the first (and only) time. Designed and printed by Herb Yellin and Carl Bennett, binding by Marianna Blau.Keywords: ELLEN GILCHRIST POEMS POETRY SIGNED FIRST EDITION

Between the 1880s and 1910s, thousands of African Americans passed civil service exams and became employed in the executive offices of the federal government. However, by 1920, promotions to well-paying federal jobs had nearly vanished for black workers. Eric S. Yellin argues that the Wilson administration's successful 1913 drive to segregate the federal government was a pivotal episode in the age of progressive politics. Yellin investigates how the enactment of this policy, based on Progressives' demands for whiteness in government, imposed a color line on American opportunity and implicated Washington in the economic limitation of African Americans for decades to come.Using vivid accounts of the struggles and protests of African American government employees, Yellin reveals the racism at the heart of the era's reform politics. He illuminates the nineteenth-century world of black professional labor and social mobility in Washington, D.C., and uncovers the Wilson administration's progressive justifications for unraveling that world. From the hopeful days following emancipation to the white-supremacist "normalcy" of the 1920s, Yellin traces the competing political ideas, politicians, and ordinary government workers who created "federal segregation."

Harriet Jacobs's Incidents in the Life of a Slave Girl remains the most-read woman's slave narrative of all time. Jean Fagan Yellin recounts the experiences that shaped Incidents-the years Jacobs spent hiding in her grandmother's attic from her sexually abusive master-as well as illuminating the wider world into which Jacobs escaped. Yellin's groundbreaking scholarship restores a life whose sorrows and triumphs reflect the history of the nineteenth century, from slavery to the Civil War, to Reconstruction and beyond. Winner of the 2004 Frederick Douglass Prize, presented by Yale University's Gilder-Lehrman Center for the Study of Slavery, Resistance, and Abolition, awarded to the year's best non-fiction book on slavery, resistance and abolition, the most prestigious award for the study of the black experience.

"My Life as an Artist Blacksmith" by Francis Whitaker as told to Gary Mansfield has his memories of his time with Samuel Yellin, his two years in Germany and then his years in California, Aspen and finally in Carbondale. This is a must-have for Artist Blacksmiths, along with Whitaker's other books: 'Beautiful Iron', and 'The ABCs of Blacksmithing'.

*A NATIONAL BESTSELLER!*The New York Post calls The Last Fighter Pilot a "must-read" book.From April to August of 1945, Captain Jerry Yellin and a small group of fellow fighter pilots flew dangerous bombing and strafe missions out of Iwo Jima over Japan. Even days after America dropped the atomic bombs on Hiroshima on August 6 and Nagasaki on August 9, the pilots continued to fly. Though Japan had suffered unimaginable devastation, the emperor still refused to surrender. Bestselling author Don Brown (Treason) sits down with Yelllin, now ninety-three years old, to tell the incredible true story of the final combat mission of World War II. Nine days after Hiroshima, on the morning of August 14th, Yellin and his wingman 1st Lieutenant Phillip Schlamberg took off from Iwo Jima to bomb Tokyo. By the time Yellin returned to Iwo Jima, the war was officially over—but his young friend Schlamberg would never get to hear the news. The Last Fighter Pilot is a harrowing first-person account of war from one of America's last living World War II veterans.

Between the 1880s and 1910s, thousands of African Americans passed civil service exams and became employed in the executive offices of the federal government. However, by 1920, promotions to well-paying federal jobs had nearly vanished for black workers. Eric S. Yellin argues that the Wilson administration's successful 1913 drive to segregate the federal government was a pivotal episode in the age of progressive politics. Yellin investigates how the enactment of this policy, based on Progressives' demands for whiteness in government, imposed a color line on American opportunity and implicated Washington in the economic limitation of African Americans for decades to come.Using vivid accounts of the struggles and protests of African American government employees, Yellin reveals the racism at the heart of the era's reform politics. He illuminates the nineteenth-century world of black professional labor and social mobility in Washington, D.C., and uncovers the Wilson administration's progressive justifications for unraveling that world. From the hopeful days following emancipation to the white-supremacist "normalcy" of the 1920s, Yellin traces the competing political ideas, politicians, and ordinary government workers who created "federal segregation."

Irresistible summer fun! Just then we heard a fella yellin?? He was sellin? watermelon! . . . We chomped and slurped And gulped and burped, Then Peter spit a seed at Sue. . . . Four friends turn a boring summer day into a rollicking, watermelon-seed?spitting adventure that takes them all the way into the town square, where everyone can?t help joining in on the fun. But when the mayor arrives, will she put a stop to it all? Energetic, begging-to-be-read-aloud text and boisterous, hilarious illustrations combine to form a picture book that celebrates simple, good-natured mischief.

In this remarkable biography, Jean Fagan Yellin recounts the full adventures of Harriet Jacobs, before and after slavery. Jacobs's Incidents in the Life of a Slave Girl , one of the most widely read slave narratives of all time, recounts through the pseudonymous character named "Linda" the adventures of a young female slave who spent seven years in her grandmother's attic hiding from her sexually abusive and cruel master. Jean Yellin takes us inside that attic with Harriet Jacobs and then follows her on her escape to the North, where she found safe haven with Quaker abolitionists.Drawing upon decades of original research with never-before-seen archival sources, Yellin creates a complete picture of the events that inspired Incidents and offers the first rounded picture of Jacobs's life in the thirty-six years after the book's publication. Harrassed by her former owner, living under threat of recapture until the end of the Civil War, Jacobs survived poverty, ran a boarding house, and built a career as a political writer and speaker, struggling all the while to provide for her family. Jean Yellin brings to life the struggles and triumphs of this extraordinary woman whose life reflected all the major changes of the nineteenth century, from slavery to the Civil War to Reconstruction to the origins of the modern Civil Rights movement.