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Louis E. Fenech offers a compelling new examination of one of the only Persian compositions attributed to the tenth Sikh Guru, Guru Gobind Singh (1666-1708): the Zafar-namah or 'Epistle of Victory.' Written as a masnavi, a Persian poem, this letter was originally sent to the Mughal emperor Aurangzeb (d. 1707) rebuking his most unbecoming conduct. Incredibly, Guru Gobind Singh's letter is included today within the Sikh canon, one of only a very small handful of Persian-language texts granted the status of Sikh scripture. As such, its contents are sung on special Sikh occasions. Perhaps equally surprising is the fact that the letter appears in the tenth Guru's book or the Dasam Granth in the standard Gurmukhi script (in which Punjabi is written) but retains its original Persian language, a vernacular few Sikhs know.Drawing out the letter's direct and subtle references to the Iranian national epic, the Shah-namah, and to Shaikh Sa'di's thirteenth-century Bustan, Fenech demonstrates how this letter served as a form of Indo-Islamic verbal warfare, ensuring the tenth Guru's moral and symbolic victory over the legendary and powerful Mughal empire. Through analysis of the Zafar-namah, Fenech resurrects an essential and intriguing component of the Sikh tradition: its Islamicate aspect.

Louis E. Fenech offers a compelling new examination of one of the only Persian compositions attributed to the tenth Sikh Guru, Guru Gobind Singh (1666-1708): the Zafar-namah or 'Epistle of Victory.' Written as a masnavi, a Persian poem, this letter was originally sent to the Mughal emperor Aurangzeb (d. 1707) rebuking his most unbecoming conduct. Incredibly, Guru Gobind Singh's letter is included today within the Sikh canon, one of only a very small handful of Persian-language texts granted the status of Sikh scripture. As such, its contents are sung on special Sikh occasions. Perhaps equally surprising is the fact that the letter appears in the tenth Guru's book or the Dasam Granth in the standard Gurmukhi script (in which Punjabi is written) but retains its original Persian language, a vernacular few Sikhs know.Drawing out the letter's direct and subtle references to the Iranian national epic, the Shah-namah, and to Shaikh Sa'di's thirteenth-century Bustan, Fenech demonstrates how this letter served as a form of Indo-Islamic verbal warfare, ensuring the tenth Guru's moral and symbolic victory over the legendary and powerful Mughal empire. Through analysis of the Zafar-namah, Fenech resurrects an essential and intriguing component of the Sikh tradition: its Islamicate aspect.

The principal aim of analysis of tensors is to investigate those relations which remain valid when we change from one coordinate system to another. This book on Tensors requires only a knowledge of elementary calculus, differential equations and classical mechanics as pre-requisites. It provides the readers with all the information about the tensors along with the derivation of all the tensorial relations/equations in a simple manner. The book also deals in detail with topics of importance to the study of special and general relativity and the geometry of differentiable manifolds with a crystal clear exposition. The concepts dealt within the book are well supported by a number of solved examples. A carefully selected set of unsolved problems is also given at the end of each chapter, and the answers and hints for the solution of these problems are given at the end of the book. The applications of tensors to the fields of differential geometry, relativity, cosmology and electromagnetism is another attraction of the present book. This book is intended to serve as text for postgraduate students of mathematics, physics and engineering. It is ideally suited for both students and teachers who are engaged in research in General Theory of Relativity and Differential Geometry.

"The Last Mughal" is the most definitive account of events centered on Bahadut Shah Zafar and the great Indian mutiny in and around Delhi in 1857-58. Based upon an immense amount of empirical research, often unearthing archival material hitherto untouched by historians, Dalrymple achieves and admirable balance between fairness and a moving empathy with the subjects of his book.

The Mughal Empire dominated India politically, culturally, socially, economically and environmentally, from its foundation by Babur, a Central Asian adventurer, in 1526 to the final trial and exile of the last emperor Bahadur Shah Zafar at the hands of the British in 1858. Throughout the empire's three centuries of rise, preeminence and decline, it remained a dynamic and complex entity within and against which diverse peoples and interests conflicted. The empire's significance continues to be controversial among scholars and politicians with fresh and exciting new insights, theories and interpretations being put forward in recent years. This book engages students and general readers with a clear, lively and informed narrative of the core political events, the struggles and interactions of key individuals, groups and cultures, and of the contending historiographical arguments surrounding the Mughal Empire.

The Mughal Empire dominated India politically, culturally, socially, economically and environmentally, from its foundation by Babur, a Central Asian adventurer, in 1526 to the final trial and exile of the last emperor Bahadur Shah Zafar at the hands of the British in 1858. Throughout the empire’s three centuries of rise, preeminence and decline, it remained a dynamic and complex entity within and against which diverse peoples and interests conflicted. The empire’s significance continues to be controversial among scholars and politicians with fresh and exciting new insights, theories and interpretations being put forward in recent years. This book engages students and general readers with a clear, lively and informed narrative of the core political events, the struggles and interactions of key individuals, groups and cultures, and of the contending historiographical arguments surrounding the Mughal Empire.

She faced years of abuse after arriving in Canada as a teenage bride in a hastily arranged marriage, but nothing could stop Samra Zafar from pursuing her dreamsAt 15, Samra Zafar had big dreams for herself. She was going to go to university, and forge her own path. Then with almost no warning, those dreams were pulled away from her when she was suddenly married to a stranger at 17 and had to leave behind her family in Pakistan to move to Canada. Her new husband and his family promised that the marriage and the move would be a fulfillment of her dream, not a betrayal of it. But as the walls of their home slowly became a prison, Samra realized the promises were empty ones. Desperate to get out, and refusing to give up, she hatched an escape plan for herself and her two daughters. Somehow she found the strength to not only build a new future, but to walk away from her past, ignoring the pleas of her family and risking cultural isolation by divorcing her husband. A Good Wife tells her harrowing and inspiring story, following her from a young girl with big dreams, through finding strength in the face of oppression and then finally battling through to empowerment. 

This anthology brings together English translations of twenty-six Urdu short stories by mostly renowned Pakistani writers. All the stories were written between 1947 and the present time. Authors range from the celebrated Saadat Hasan Manto to Dr Shershah Syed and Mehmood Zafar. Not all of these stories are necessarily the most famous works of their authors, and most of them have not been translated into English before. However, their exquisite depiction of diverse experiences and social realities justifies calling them unforgettable gems of Urdu short story writing. Selected and translated by Amina Azfar, these stories will delight the general reader and will also be found useful by students and scholars studying South Asian literature, culture, and history.

Volume 6 in this series explores the emergence and flowering of modernism in the U.S. David Minter provides a cultural history of the American novel from World War I to the Great Depression, Rafia Zafar tells the story of the Harlem Renaissance and Werner Sollors examines canonical texts and original immigrant writing. These narratives cover the entire range of literary prose written in the first half of the twentieth century.

Paperback. On a dark evening in November 1862, a cheap coffin is buried in eerie silence. There are no lamentations or panegyrics, for the British Commissioner in charge has insisted, 'No vesting will remain to distinguish where the last of the Great Mughals rests.' This Mughal is Bahadur Shah Zafar II, one of the most tolerant and likeable of his remarkable dynasty who found himself leader of a violent and doomed uprising. The Siege of Delhi was the Raj's Stalingrad, the end of both Mughal power and a remarkable culture. A stunning and bloody history of nineteenth-century India and the reign of the Last Mughal by the bestselling author of White Mughals Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

This is the first collection of Urdu poetry by Zafar Khan. It has about 80 poems (in nazm and ghazal genres).

A fictionalized version of George Harrison's first visit to India, THE GURU is the story of a British rock star who makes a sojourn to India to learn the sitar from the master guru Ustad Zafar Khan. The spiritual serenity of the guru's home is then wrecked by a seige of female would-be students who want more of the rock star than the sitar.