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Mozart, Wolfgang AmadeusThe Magic Flute K. 620German opera in two acts DetailsEdition no.: BA 4553-90 ISMN: 9790006450510 Arranger: Schelhaas, Martin Language(s) of work: German Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XXIII, 245 S. - 27,0 x 19,0 cm This new vocal score is based on the Urtext score from the "New Mozart Edition" (NMA II/5/19) edited by Gernot Gruber and Alfred Orel as well as on the latest scholarly research from the Critical Commentary by Rudolf Faber published in 2006. The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder's Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna . It was a kind of people's theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept 'machine-comedy' refers to the theatrical genre to which "The Magic Flute" owes its origins, and to which the work originally belonged. The premiere was given on 30 September 1791, conducted by Mozart. With this new edition, Bärenreiter has now published vocal scores to all Mozart's stage works in revised or new editions. These editions offer a historically grounded working basis and will be decisive for Mozart reception for the forthcoming decades.- Vocal score based on the Urtext of the "New Mozart Edition"- Incorporates latest scholarly findings from the Critical Commentary of 2006 - Clear and legible music layout, easy-to-play piano reduction - Extensive foreword in two languages (Ger/Eng) by Dietrich Berke with notes on the work and performance practice

Mozart, Wolfgang AmadeusThe Magic Flute K. 620German opera in two acts DetailsEdition no.: BA 4553-90 ISMN: 9790006450510 Arranger: Schelhaas, Martin Language(s) of work: German Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XXIII, 245 S. - 27,0 x 19,0 cm This new vocal score is based on the Urtext score from the "New Mozart Edition" (NMA II/5/19) edited by Gernot Gruber and Alfred Orel as well as on the latest scholarly research from the Critical Commentary by Rudolf Faber published in 2006. The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder's Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna . It was a kind of people's theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept 'machine-comedy' refers to the theatrical genre to which "The Magic Flute" owes its origins, and to which the work originally belonged. The premiere was given on 30 September 1791, conducted by Mozart. With this new edition, Bärenreiter has now published vocal scores to all Mozart's stage works in revised or new editions. These editions offer a historically grounded working basis and will be decisive for Mozart reception for the forthcoming decades.- Vocal score based on the Urtext of the "New Mozart Edition"- Incorporates latest scholarly findings from the Critical Commentary of 2006 - Clear and legible music layout, easy-to-play piano reduction - Extensive foreword in two languages (Ger/Eng) by Dietrich Berke with notes on the work and performance practice

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Neuware -DIE BERÜHMTESTE OPER DER MUSIKGESCHICHTE - NEU ENTSCHLÜSSELT Mozarts Zauberflöte gilt als großes Rätselwerk. So steil der Aufstieg dieser Oper gleich nach ihrer Uraufführung war, so rasch wuchs die Zahl der Versuche, ihr Geheimnis zu entschlüsseln. Der renommierte Musikwissenschaftler Laurenz Lütteken führt durch die großen Themen der Oper und erschließt sie konsequent aus Mozarts Epoche heraus. Daraus gewinnt er ein radikal neues Verständnis der Zauberflöte und ihrer überwältigenden Musik.Denn die Welt der Zauberflöte ist nicht einfach eine Phantasiewelt. Vielmehr spiegelt sich in ihr das Zeitalter der Aufklärung mit seinen drängenden Themen, von der guten Herrschaft über den Selbstmord bis hin zur entfesselten und gezähmten Natur. Mozart wurde in Wien mit einer bedingungslosen Form der Aufklärung intensiv vertraut - und nahm in seiner letzten Oper Abschied von ihr. Denn die Zauberflöte lebt, wie Laurenz Lütteken beeindruckend zeigt, von der bestürzenden Einsicht, dass die Vielgestaltigkeit der Welt sich nicht mehr von der einen Vernunft ordnen lässt. Nur die Musik kann diese Vielfalt überhaupt noch erfahrbar machen. So ist die Zauberflöte, eine der meistgespielten Opern überhaupt, bei aller Komik und Überdrehtheit, bei aller Rede von Tugend und Gerechtigkeit, durchweht von einer Melancholie, die das Scheitern einer Epoche anzeigt. 'Laurenz Lütteken ist Ungewöhnliches gelungen: Indem er Mozart als eine Zentralfigur der Aufklärung darstellt, eröffnet er neue Perspektiven.' Alfred Brendel über Laurenz Lütteken, 'Mozart' Die meistgespielte Oper im deutschsprachigen Raum und eines der rätselhaftesten Werke der Musikgeschichte Brillant erschlossen von Laurenz Lütteken Mozarts 'Zauberflöte' als Spiegel und Ende ihrer Epoche 272 pp. Deutsch

"...it is the evident quiet approbation which best pleases me! It is apparent that this opera is rising rapidly and steadily in estimation." — Mozart, letter to his wife, October 7-8, 1791.Unfortunately, his tragic death a scant two months later prevented Mozart from ever realizing the full accuracy of this observation, made a few performances after the cool reception given The Magic Flute at its Viennese premiere.In May 1791, Mozart's friend Emanuel Schikaneder commissioned The Magic Flute. In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist — both Freemasons — grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.

This volume demonstrates for the first time that Mozart's opera Die Zauberflöte is an enactment of the alchemical opus magnum, in the form of a chemical wedding. Towards the end of the 18th century, alchemy was still a prominent mystical current within the Order of Freemasons of which Mozart and his librettists were members.The central part focuses on the opera's alchemical structure, whereas the historical and mythological backgrounds are also dealt with extensively. The book comes with 3 CD's offering a rendition of the integral opera, in contrast to the common practice of leaving out major parts of the libretto. The Magic Flute is a fascinating journey of discovery, an initiation into Initiation.With complete original libretto and over 100 pictures.

Book is in NEW condition. 0.18

Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology

Contents: Handel: V'adoro pupille (Giulio Cesare) – Mozart: Porgi, amor (Le Nozze di Figaro) Dove sono (Le Nozze Figaro)Deh vieni, non tardar (Le Nozze di Figaro) Bester Jüngling (Der Schauspieldirektor) Batti, batti, bel Masetto (Don Giovanni) Vedrai carino (Don Giovanni)  Ach, ich fühl's (Die Zauberflöte) – Beethoven: O wär' ich schon mit dir vereint (Fidelio) – C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischütz) – Verdi: Caro nome (Rigoletto)  Saper vorr

Mozart's 'Die Zauberflöte' (The Magic Flute) in full orchestral score. Breitkopf & Härtel edition.

In this volume, Father M. Owen Lee writes for the 21st-century operagoer, briskly and stylishly telling the stories of 100 of the world's greatest music dramas – from Aïda to Die Zauberflöte. The stories told in music by Mozart, Wagner, Verdi, Puccini and Strauss are brought to life here with wit, insight and boundless enthusiasm. When compiling and composing this pocket-sized handbook, Fr. Lee considered the unique needs of the modern operagoer. Contemporary text-translating services have made pure synopses somewhat redundant. Fr. Lee, therefore, has focused his commentaries less on the comings and goings of plot than on subtext, motivation and background information. He also suggests his single favorite recording for each of the 100 operas discussed. In all, he has written a guide that will prove invaluable to the opera novice and useful even for the aficionado.

Mozart's 'Die Zauberflöte' (The Magic Flute) in full orchestral score. Breitkopf & Härtel edition.