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The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the decadent revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, and Will Rogers. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits―including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928)―several of which were adapted for the silver screen.In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources―including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia―the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.

The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the decadent revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, and Will Rogers. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits―including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928)―several of which were adapted for the silver screen.In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources―including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia―the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.

In the first decades of the twentieth century, Broadway teemed with showgirls, but only the Ziegfeld Girl has survived in American popular culture—as a figure of legend, nostalgia, and camp. Featured in Florenz Ziegfeld Jr.’s renowned revues, which ran on Broadway from 1907 to 1931, the Ziegfeld Girl has appeared in her trademark feather headdresses, parading and posing, occasionally singing and dancing, in numerous musicals and musical films paying direct or indirect homage to the intrepid producer and his glorious Girl. Linda Mizejewski analyzes the Ziegfeld Girl as a cultural icon and argues that during a time when American national identity was in flux, Ziegfeld Girls were both products and representations of a white, upscale, heterosexual national ideal. Mizejewski traces the Ziegfeld Girl’s connections to turn-of-the-century celebrity culture, black Broadway, the fashion industry, and the changing sexual and gender identities evident in mainstream entertainment during the Ziegfeld years. In addition, she emphasizes how crises of immigration and integration made the identity and whiteness of the American Girl an urgent issue on Broadway’s revue stages during that era. Although her focus is on the showgirl as a “type,” the analysis is intermingled with discussions of figures like Anna Held, Fanny Brice, and Bessie McCoy, the Yama Yama girl, as well as Ziegfeld himself. Finally, Mizejewski discusses the classic American films that have most vividly kept this showgirl alive in both popular and camp culture, including The Great Ziegfeld, Ziegfeld Girl, and the Busby Berkeley musicals that cloned Ziegfeld’s showgirls for decades. Ziegfeld Girl will appeal to scholars and students in American studies, popular culture, theater and performance studies, film history, gender studies, gay and lesbian studies, and social history.

A look at the life and work of the legendary Broadway producer traces his life, his triumphs and failures, and his lavish productions

Mary Nolan (1905-1948), also known as Imogene "Bubbles" Wilson, was the subject of two infamous court cases--one with Frank Tinney and the other with Eddie Mannix--in the 1920s. Like many Ziegfeld Follies girls, she had the beginnings of a promising career, but by the 1930s it had been destroyed by adultery, drugs and physical abuse. This biography follows Nolan's life from the backwoods of Kentucky to her death in 1948. Included is a series of newspaper articles published in 1941 that were to be expanded into her memoir, which she was unable to complete before her death.

Book by Earle, Marcelle, Homme, Arthur, Jr.

Loaded with color and black and white illustrations.

Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role in Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.

Mary Nolan (1905-1948), also known as Imogene "Bubbles" Wilson, was the subject of two infamous court cases--one with Frank Tinney and the other with Eddie Mannix--in the 1920s. Like many Ziegfeld Follies girls, she had the beginnings of a promising career, but by the 1930s it had been destroyed by adultery, drugs and physical abuse. This biography follows Nolan's life from the backwoods of Kentucky to her death in 1948. Included is a series of newspaper articles published in 1941 that were to be expanded into her memoir, which she was unable to complete before her death.

Book by Earle, Marcelle, Homme, Arthur, Jr.

268 pages, illustrations. "Will Rogers at the Ziegfeld Follies features the humorist's writings and poignant observations on society during World War I and the Roaring Twenties. Included in this unique collection are two of Rogers' most popular books, The Cowboy Philosopher on the Peace Conference and The Cowboy Philosopher on Prohibition. In selections from his weekly articles and The Illiterate Digest, Rogers lampoons the leading figures of the day, from Henry Ford and William Jennings Bryan to Presidents Wilson, Harding, and Coolidge."

Paperback. Anna Held (1870?-1918), a petite woman with an hourglass figure, was America's most popular musical comedy star during the two decades preceding World War I. In the colorful world of New York theater during La Belle Epoque, she epitomized everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway. Overcoming an impoverished life as an orphan to become a music-hall star in Paris, Held rocketed to fame in America. From 1896 to 1910, she starred in hit after hit and quickly replaced Lillian Russell as the darling of the theatrical world. The first wife of legendary producer Florenz Ziegfeld Jr., Held was the brains and inspiration behind his Follies and shared his knack for publicity. Together, they brought the Paris scene to New York, complete with lavish costumes and sets and a chorus of stunningly beautiful women, dubbed ""The Anna Held Girls."" While Held was known for a champagne giggle as well as for her million-dollar bank account, there was a darker side to her life. She concealed her Jewish background and her daughter from a previous marriage. She suffered through her two husbands' gambling problems and Ziegfeld's blatant affairs with showgirls. With the outbreak of fighting in Europe, Held returned to France to support the war effort. She entertained troops and delivered medical supplies, and she was once briefly captured by the German army.Anna Held and the Birth of Ziegfeld's Broadway reveals one of the most remarkable women in the history of theatrical entertainment. With access to previously unseen family records and photographs, Eve Golden has uncovered the details of an extraordinary woman in the vibrant world of 1900s New York. The remarkable story of Anna Held, Americas most popular musical comedy star in the 1900s, told for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

" Anna Held (1870?-1918), a petite woman with an hourglass figure, was America's most popular musical comedy star during the two decades preceding World War I. In the colorful world of New York theater during La Belle Époque, she epitomized everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway. Overcoming an impoverished life as an orphan to become a music-hall star in Paris, Held rocketed to fame in America. From 1896 to 1910, she starred in hit after hit and quickly replaced Lillian Russell as the darling of the theatrical world. The first wife of legendary producer Florenz Ziegfeld Jr., Held was the brains and inspiration behind his Follies and shared his knack for publicity. Together, they brought the Paris scene to New York, complete with lavish costumes and sets and a chorus of stunningly beautiful women, dubbed ""The Anna Held Girls."" While Held was known for a champagne giggle as well as for her million-dollar bank account, there was a darker side to her life. She concealed her Jewish background and her daughter from a previous marriage. She suffered through her two husbands' gambling problems and Ziegfeld's blatant affairs with showgirls. With the outbreak of fighting in Europe, Held returned to France to support the war effort. She entertained troops and delivered medical supplies, and she was once briefly captured by the German army. Anna Held and the Birth of Ziegfeld's Broadway reveals one of the most remarkable women in the history of theatrical entertainment. With access to previously unseen family records and photographs, Eve Golden has uncovered the details of an extraordinary woman in the vibrant world of 1900s New York.

Book is in NEW condition. 1.41

After a meteoric ascent on Broadway that began with Ziegfeld's 1910 Follies, Lillian Lorraine went on to become one of the most famous entertainers in America. Her passionately lived life made her a prime target for the tabloid gossip doyens of the day. This biography recounts the early West Coast life of this superstar as well as her coronation on Broadway, her work in silent film, and her sexual liaisons that helped her gain her notoriety. It also covers her eventual disappearance from public life, her alcoholism and her death, which went largely unnoticed. She was buried in 1955 in a pauper's grave. The book includes first-hand personal anecdotes and observations from recently discovered tapes, which were recorded by a confidante of Lorraine's.

After a meteoric ascent on Broadway that began with Ziegfeld's 1910 Follies, Lillian Lorraine went on to become one of the most famous entertainers in America. Her passionately lived life made her a prime target for the tabloid gossip doyens of the day. This biography recounts the early West Coast life of this superstar as well as her coronation on Broadway, her work in silent film, and her sexual liaisons that helped her gain her notoriety. It also covers her eventual disappearance from public life, her alcoholism and her death, which went largely unnoticed. She was buried in 1955 in a pauper's grave. The book includes first-hand personal anecdotes and observations from recently discovered tapes, which were recorded by a confidante of Lorraine's.

With Joseph and Charles Eaton As Told to J.R. Morris At age fourteen, Doris Eaton was the youngest performer in the Ziegfeld Follies, appearing with such legends as Eddie Cantor, Fanny Brice, Will Rogers, and Marilyn Miller. With two sisters and two brothers also appearing in the Follies in the years between 1918 and 1923, the Eatons became a well-known Broadway family. Beginning their careers in the Washington, D.C., and Baltimore area, the "Seven Little Eatons" became seasoned performers, working the stock-company circuit before arriving in New York City and being caught up in the golden age of Broadway. Doris and her two sisters, Pearl and Mary, became popular dancers, and throughout the twenties they were never out of work. Doris was the first Eaton to go to Hollywood, and there in 1929 she introduced the song "Singing in the Rain" in the Hollywood Music Box Review. Later, Doris left show business and went on to great success building a chain of eighteen Arthur Murray studios in Michigan, which she owned and operated for thirty years. In a refreshingly wise voice, The Days We Danced introduces readers to the successes and poignant sorrows of the Eaton family, including alcoholism, professional failures, early death, and even a tragic murder. With memories that span almost a century, Doris recalls the state of the American theater during World War I, the "roaring twenties," the Great Depression--as well as the legendary names of the rich and famous celebrities with whom the Eatons worked and played. Accompanied by scores of unique period photographs, this memoir details the life of a woman who never stopped dancing--even when the curtain fell.

Despite Prohibition, the '20s was the decade of jazz, flappers and hip flasks. While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls—the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer.

With Joseph and Charles Eaton As Told to J.R. Morris At age fourteen, Doris Eaton was the youngest performer in the Ziegfeld Follies, appearing with such legends as Eddie Cantor, Fanny Brice, Will Rogers, and Marilyn Miller. With two sisters and two brothers also appearing in the Follies in the years between 1918 and 1923, the Eatons became a well-known Broadway family. Beginning their careers in the Washington, D.C., and Baltimore area, the "Seven Little Eatons" became seasoned performers, working the stock-company circuit before arriving in New York City and being caught up in the golden age of Broadway. Doris and her two sisters, Pearl and Mary, became popular dancers, and throughout the twenties they were never out of work. Doris was the first Eaton to go to Hollywood, and there in 1929 she introduced the song "Singing in the Rain" in the Hollywood Music Box Review. Later, Doris left show business and went on to great success building a chain of eighteen Arthur Murray studios in Michigan, which she owned and operated for thirty years. In a refreshingly wise voice, The Days We Danced introduces readers to the successes and poignant sorrows of the Eaton family, including alcoholism, professional failures, early death, and even a tragic murder. With memories that span almost a century, Doris recalls the state of the American theater during World War I, the "roaring twenties," the Great Depression--as well as the legendary names of the rich and famous celebrities with whom the Eatons worked and played. Accompanied by scores of unique period photographs, this memoir details the life of a woman who never stopped dancing--even when the curtain fell.

Lauren Redniss, acclaimed author of the brilliant biography-in-collage Radioactive, delivers a stunning visual journey through the life of the last Ziegfeld girl, Doris Eaton Travis. Now in paperback for the first time, Century Girl spans the brightest moments in early show business, the major historical landmarks of the 20th century, and the intimate milestones of one woman’s long life. Incorporating hundreds of archival photos and personal clippings with inventive line drawings and a compelling, hand-written narrative, Century Girl is a more than a biography, more than a graphic novel, and more than an art book—it is a singularly original and major work of art that Slate magazine calls “a visually dazzling mélange . . . unlike anything . . . ever seen before” (Best Books of 2006).