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Slavoj Žižek is one of the most interesting and important philosophers working today, known chiefly for his theoretical explorations of popular culture and contemporary politics. This book focuses on the generally neglected and often overshadowed philosophical core of Žižek’s work—an essential component in any true appreciation of this unique thinker’s accomplishment.             His central concern, Žižek has proclaimed, is to use psychoanalysis (especially the teachings of Jacques Lacan) to redeploy the insights of late-modern German philosophy, in particular, the thought of Kant, Schelling, and Hegel.  By taking this avowal seriously, Adrian Johnston finally clarifies the philosophical project underlying Žižek’s efforts. His book charts the interlinked ontology and theory of subjectivity constructed by Žižek at the intersection of German idealism and Lacanian theory.  Johnston also uses Žižek’s combination of philosophy and psychoanalysis to address two perennial philosophical problems: the relationship of mind and body, and the nature of human freedom. By bringing together the past two centuries of European philosophy, psychoanalytic metapsychology, and cutting-edge work in the natural sciences, Johnston develops a transcendental materialist theory of subjectivity—in short, an account of how more-than-material forms of subjectivity can emerge from a corporeal being. His work shows how an engagement with Žižek’s philosophy can produce compelling answers to today’s most vexing and urgent questions as inherited from the history of ideas.  

Slavoj Žižek has been called an "academic rock star." As public visibility of the Slovenian philosopher and psychoanalyst increases, so too does the depth of his engagement with Christian theology. Žižek's recent work includes extended treatments of key Christian thinkers from Paul, Pascal, and Kierkegaard to G. K. Chesterton and C. S. Lewis, while Christology and other theological themes have provided crucial points of reference. Žižek has even said that "to become a true dialectical materialist, one should go through the Christian experience." But Žižek's work on Christianity often overwhelms students of theology. To be sure, Žižek's style of argumentation is unusual and his concepts are complex. But the more basic problem is that his work on Christianity is a further development of a broader intellectual project established in many volumes produced in the course of the 1990s. This book will bring students of theology up to speed on this broader intellectual project, with an eye toward what brings Žižek to an explicit engagement with Christianity and how both his earlier and more recent works are relevant for theological reflection.

A critical introduction to the political thought of one of the most important, original and enigmatic philosophers writing today.

Žižek and Heidegger offers a radical new interpretation of the work of Slavoj Žižek, one of the world's leading contemporary thinkers, through a study of his relationship with the work of Martin Heidegger. Thomas Brockelman argues that Žižek's oeuvre is largely a response to Heidegger's philosophy of finitude, an immanent critique of it which pulls it in the direction of revolutionary praxis. Brockelman also finds limitations in Žižek's relationship with Heidegger, specifically in his ambivalence about Heidegger's techno-phobia. Brockelman's critique of Žižek departs from this ambivalence - a fundamental tension in Žižek's work between a historicist critical theory of techno-capitalism and an anti-historicist theory of revolutionary change. In addition to clarifying what Žižek has to say about our world and about the possibility of radical change in it, Žižek and Heidegger explores the various ways in which this split at the center of his thought appears within it - in Žižek's views on history or on the relationship between the revolutionary leader and the proletariat or between the analyst and the analysand.

Žižek as comedian: jokes in the service of philosophy.“A serious and good philosophical work could be written consisting entirely of jokes.”―Ludwig WittgensteinThe good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek's Jokes contains the set-ups and punch lines―as well as the offenses and insults―that Žižek is famous for, all in less than 200 pages.So what's the bad news? There is no bad news. There's just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida...“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache” classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let's have some sex to refresh me!” A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene” version of the famous “aristocrats” joke has the family offering a short course in Hegelian thought rather than a display of unspeakables.Žižek's Jokes contains every joke cited, paraphrased, or narrated in Žižek's work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek's seriousness.

A comprehensive overview of Slavoj Zizek's thought, including all of his published works to date. Provides a solid basis in the work of an engaging thinker and teacher whose ideas will continue to inform philosophical, psychological, political, and cultural discourses well into the future Identifies the major currents in Zizek's thought, discussing all of his works and providing a background in continental philosophy and psychoanalytic theory necessary to its understanding Explores Zizek's growing popularity through his engagement in current events, politics, and cultural studies Pertains to a variety of fields, including contemporary philosophy, psychology, cultural studies, sociology, political science, esthetics, literary theory, film theory, and theology

A comprehensive overview of Slavoj Zizek's thought, including all of his published works to date. Provides a solid basis in the work of an engaging thinker and teacher whose ideas will continue to inform philosophical, psychological, political, and cultural discourses well into the future Identifies the major currents in Zizek's thought, discussing all of his works and providing a background in continental philosophy and psychoanalytic theory necessary to its understanding Explores Zizek's growing popularity through his engagement in current events, politics, and cultural studies Pertains to a variety of fields, including contemporary philosophy, psychology, cultural studies, sociology, political science, esthetics, literary theory, film theory, and theology

Žižek is hailed as the most significant interdisciplinary thinker of modern times. His work is a powerful, often explosive combination of Lacanian psychoanalysis and philosophy which tests key psychoanalytical concepts against the ideas of major European thinkers, especially Hegel. It has ignited enthusiasm and stimulated new approaches across a vast range of disciplines, and seems to be attracting an ever-growing readership. In part, this is because Žižek himself has a panoramic range of interests encompassing film studies, literature, cyber culture, ethics, theology and, above all, politics. It is also because he is a highly entertaining writer, having a flair for anecdote, a smutty sense of humour and the knack of capturing complex ideas in concrete form. Sarah Kay’s book provides a lucid and comprehensive introduction to Žižek’s work. His writings to date are presented and evaluated here for the first time, together with an outline of their development and explanations of his key premises, themes and terms. This book will be essential reading for students of cultural studies, literary studies, philosophy and social and political theory.

Žižek and Heidegger offers a radical new interpretation of the work of Slavoj Žižek, one of the world's leading contemporary thinkers, through a study of his relationship with the work of Martin Heidegger. Thomas Brockelman argues that Žižek's oeuvre is largely a response to Heidegger's philosophy of finitude, an immanent critique of it which pulls it in the direction of revolutionary praxis. Brockelman also finds limitations in Žižek's relationship with Heidegger, specifically in his ambivalence about Heidegger's techno-phobia. Brockelman's critique of Žižek departs from this ambivalence - a fundamental tension in Žižek's work between a historicist critical theory of techno-capitalism and an anti-historicist theory of revolutionary change. In addition to clarifying what Žižek has to say about our world and about the possibility of radical change in it, Žižek and Heidegger explores the various ways in which this split at the center of his thought appears within it - in Žižek's views on history or on the relationship between the revolutionary leader and the proletariat or between the analyst and the analysand.

Žižek as comedian: jokes in the service of philosophy.“A serious and good philosophical work could be written consisting entirely of jokes.”―Ludwig WittgensteinThe good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek's Jokes contains the set-ups and punch lines―as well as the offenses and insults―that Žižek is famous for, all in less than 200 pages.So what's the bad news? There is no bad news. There's just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, “There is an old Jewish joke, loved by Derrida...“ For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the “Not tonight, dear, I have a headache” classic: first the wife claims a migraine; then the husband does; then the wife exclaims, “Darling, I have a terrible migraine, so let's have some sex to refresh me!” A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a “truly obscene” version of the famous “aristocrats” joke has the family offering a short course in Hegelian thought rather than a display of unspeakables.Žižek's Jokes contains every joke cited, paraphrased, or narrated in Žižek's work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek's seriousness.

Slavoj Žižek has been called an "academic rock star." As public visibility of the Slovenian philosopher and psychoanalyst increases, so too does the depth of his engagement with Christian theology. Žižek's recent work includes extended treatments of key Christian thinkers from Paul, Pascal, and Kierkegaard to G. K. Chesterton and C. S. Lewis, while Christology and other theological themes have provided crucial points of reference. Žižek has even said that "to become a true dialectical materialist, one should go through the Christian experience." But Žižek's work on Christianity often overwhelms students of theology. To be sure, Žižek's style of argumentation is unusual and his concepts are complex. But the more basic problem is that his work on Christianity is a further development of a broader intellectual project established in many volumes produced in the course of the 1990s. This book will bring students of theology up to speed on this broader intellectual project, with an eye toward what brings Žižek to an explicit engagement with Christianity and how both his earlier and more recent works are relevant for theological reflection.

In Zizek and Politics, Geoff Boucher and Matthew Sharpe go beyond standard introductions to spell out a new approach to reading Zizek, one that can be highly critical as well as deeply appreciative. They show that Zizek has a raft of fundamental positions that enable his theoretical positions to be put to work on practical problems. Explaining these positions with clear examples, they outline why Zizek's confrontation with thinkers such as Derrida, Foucault and Deleuze has so radically changed how we think about society. They then go on to track Zizek's own intellectual development during the last twenty years, as he has grappled with theoretical problems and the political climate of the War on Terror. This book is a major addition to the literature on Zizek and a crucial critical introduction to his thought.

Alain Badiou and Slavoj Žižek together have emerged as two of Europe’s most significant living philosophers. In a shared spirit of resistance to global capitalism, both are committed to bringing philosophical reflection to bear upon present-day political circumstances. These thinkers are especially interested in asking what consequences the supposed twentieth-century demise of communism entails for leftist political theory in the early twenty-first century.Badiou, Žižek, and Political Transformations examines Badiouian and Žižekian depictions of change, particularly as deployed at the intersection of philosophy and politics. The book details the origins of Badiou’s concept of the event and Žižek’s concept of the act as related theoretical visions of revolutionary happenings, delineating a number of difficulties arising from these similar concepts. Johnston finds that Badiou and Žižek tend to favor models of transformation that risk discouraging in advance precisely the efforts at changing the world of today that these uncompromising leftists so ardently desire. Badiou, Žižek, and Political Transformations will surely join Johnston’s Žižek’s Ontology as an instant classic in its field.

'When I read Ian Parker's manuscript, I experienced an underlying solidarity: despite obvious differences, we share the same basic political concerns and visions. And this makes his critical remarks always pertinent!' Slavoj Zizek 'This is not simply the best critical introduction to Zizek - in a much more radical sense, this is the only critical introduction to Zizek. Parker's study is much more than an important contribution to the ongoing debate: it redefines its very terms.' Yannis Stavrakakis, author of 'Lacan and the Political' 'A sharp, clear and radical analysis.' Christian Ingo Lenz Dunker, Professor of Psychoanalytic Theory and Lacanian Psychoanalyst, Sao Paulo, Brazil. Since the publication of his first book in English in 1989, Slavoj Zizek has quickly become one of the most widely read and contentious intellectuals alive today. With dazzling wit and tremendous creativity he has produced innovative and challenging explorations of Lacan, Hegel and Marx, and used his insights to exhilarating effect in analyses of popular culture. While Zizek is always engaging, he is also elusive and even contradictory. It can be very hard to finally determine where he stands on a particular issue. Is Zizek Marxist or Post-Marxist? How seriously should we take his recent turn to Christianity? Slavoj Zizek: A Critical Introduction shows the reader a clear path through the twists and turns of Zizek's writings. Ian Parker takes Zizek's treatment of Hegel, Lacan and Marx in turn and outlines and assesses Zizek's interpretation and extension of these thinkers' theories. While Parker is never hastily dismissive of Zizek's innovations, he remains critical throughout, aware that the energy of Zizek's writing can be bewitching and beguiling as well as engaging and profound.

In these 15 taster essays you will discover the key concepts and critical approaches of the theorists who have had the most significant impact on the humanities since 1990. On completing each chapter, you will find suggestions for further reading so that you can find out more and start applying the ideas in question. In addition to chapters on individuals such as Badiou, Rancière and Spivak, there are chapters on Laclau and Mouffe, and a chapter on Green critical theorists.

In this new book, Slavoj Žižek and Glyn Daly engage in a series of entertaining conversations which illustrate the originality of Žižek’s thinking on psychoanalysis, philosophy, multiculturalism, popular/cyber culture, totalitarianism, ethics and politics. An excellent introduction to one of the most engaging and controversial cultural theorists writing today. Žižek is a Slovenian sociologist who trained as a Lacanian and uses Lacan to analyse popular culture and politics. Illustrates the originality of Žižek’s thinking on psychoanalysis, philosophy, multi-culturalism, popular/cyber culture, totalitarianism, ethics and politics. Provides a unique glimpse of Žižek’s humour and character and offers new material and fresh perspectives which will be of interest to followers of Žižek’s writings.

Slavoj Zizek is no ordinary philosopher. Approaching critical theory and psychoanalysis in a recklessly entertaining fashion, Zizek's critical eye alights upon a bewildering and exhilarating range of subjects, from the political apathy of contemporary life, to a joke about the man who thinks he's a chicken, from the ethicial heroism of Keanu Reeves in Speed, to what toilet designs reveal about the national psyche. Tony Myers provides a clear and engaging guide to Zizek's key ideas, explaining the main influences on Zizek's thought (most crucially his engagement with Lacanian psychoanalysis) using examples drawn from popular culture and everyday life. Myers outlines the key issues that Zizek's work has tackled, including: What is a Subject and why is it so important? The Imaginary, the Symbolic and the Real What is so terrible about Postmodernity? How can we distinguish reality from ideology? What is the relationship between men and women? Why is Racism always a fantasy? Slavoj Zizek is essential reading for anyone wanting to understand the thought of the critic whom Terry Eagleton has described as "the most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged in Europe for some decades.

'When I read Ian Parker's manuscript, I experienced an underlying solidarity: despite obvious differences, we share the same basic political concerns and visions. And this makes his critical remarks always pertinent!' Slavoj Zizek 'This is not simply the best critical introduction to Zizek - in a much more radical sense, this is the only critical introduction to Zizek. Parker's study is much more than an important contribution to the ongoing debate: it redefines its very terms.' Yannis Stavrakakis, author of 'Lacan and the Political' 'A sharp, clear and radical analysis.' Christian Ingo Lenz Dunker, Professor of Psychoanalytic Theory and Lacanian Psychoanalyst, Sao Paulo, Brazil. Since the publication of his first book in English in 1989, Slavoj Zizek has quickly become one of the most widely read and contentious intellectuals alive today. With dazzling wit and tremendous creativity he has produced innovative and challenging explorations of Lacan, Hegel and Marx, and used his insights to exhilarating effect in analyses of popular culture. While Zizek is always engaging, he is also elusive and even contradictory. It can be very hard to finally determine where he stands on a particular issue. Is Zizek Marxist or Post-Marxist? How seriously should we take his recent turn to Christianity? Slavoj Zizek: A Critical Introduction shows the reader a clear path through the twists and turns of Zizek's writings. Ian Parker takes Zizek's treatment of Hegel, Lacan and Marx in turn and outlines and assesses Zizek's interpretation and extension of these thinkers' theories. While Parker is never hastily dismissive of Zizek's innovations, he remains critical throughout, aware that the energy of Zizek's writing can be bewitching and beguiling as well as engaging and profound.

This book is an exhaustive survey of the philosophy of tragedy from antiquity to the present. From Aristotle to Žižek the focal question has been: why, in spite of its distressing content, do we value tragic drama? What is the nature of the "tragic effect"? Some philosophers point to a certain kind of pleasure that results from tragedy. Others, while not excluding pleasure, emphasize the knowledge we gain from tragedy - of psychology, ethics, freedom, or immortality. Through a critical engagement with these and other philosophers, the book concludes by suggesting an answer to the question of what it is that constitutes tragedy "in its highest vocation." This book will be of equal interest to students of philosophy and of literature.

Playwright, literary theorist, fine analyst of the works of Shakespeare, the Brontës, Swift and Joyce, scourge of postmodernism, autobiographer — Terry Eagleton’s achievements are many and his combative intelligence widely admired and respected. His skill as a reviewer is particularly notable: never content merely to assess the ideas of a writer and the theses of a book, Eagleton, in his inimitable and often wickedly funny style, always paints a vivid theoretical and political fresco as the background to his engagement with the texts.In this collection of more than a decade of such bracing criticism, Eagleton comes face to face with Stanley Fish, Gayatri Spivak, Slavoj i ek, Edward Said, and even David Beckham. All are subjected to his pugnacious wit, scathing critical pen, and brilliant literary investigations.