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One of the most important series of drawings in late-sixteenth-century Italian art—the twenty large sheets by Federico Zuccaro (ca. 1541–1609) showing the early life of his older brother, Taddeo (1529–1566)—was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo’s trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right. This volume—published to coincide with an exhibition at the J. Paul Getty Museum to be held from October 2, 2007, to January 6, 2008—presents Federico Zuccaro’s twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists. 

One of the most important series of drawings in late-sixteenth-century Italian art—the twenty large sheets by Federico Zuccaro (ca. 1541–1609) showing the early life of his older brother, Taddeo (1529–1566)—was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo’s trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right. This volume—published to coincide with an exhibition at the J. Paul Getty Museum to be held from October 2, 2007, to January 6, 2008—presents Federico Zuccaro’s twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists. 

Art, Theory and Culture in Sixteenth-Century Italy offers a critical overview of the literature on the visual arts produced during the High and Late Renaissance. Analyzing and interpreting texts by such writers as Vasari, Lomazzo, Zuccaro, and Tasso, Robert Williams demonstrates how these works offer insight into the experience of contemporary viewers, thus permitting a clearer view of the relationship between abstract thought and lived experience. By focusing on a heretofore neglected, but important body of literature, Williams shows how an understanding of it can transform our knowledge and appreciation of the Renaissance.

Art, Theory and Culture in Sixteenth-Century Italy offers a critical overview of the literature on the visual arts produced during the High and Late Renaissance. Analyzing and interpreting texts by such writers as Vasari, Lomazzo, Zuccaro, and Tasso, Robert Williams demonstrates how these works offer insight into the experience of contemporary viewers, thus permitting a clearer view of the relationship between abstract thought and lived experience. By focusing on a heretofore neglected, but important body of literature, Williams shows how an understanding of it can transform our knowledge and appreciation of the Renaissance.

Federico Zuccaros Dante-Zeichnungen. Diese Gesamtdeutung des Dante-Zyklus berücksichtigt neben der bildnarrativen Strategie Zuccaros auch dessen Beitrag zur Rezeption der "Commedia". Die beigefügte CD-ROM "Dante historiato" macht dazu wichtige Materialien als PDF zugänglich, insbesondere Federico Zuccaros Commedia-Edition, das "Dante historiato". Im Jahre 1607 publizierte Federico Zuccaro die Schrift "L?Idea de? Pittori, Scultori et Architetti". Der Traktat dokumentiert in Form einer Rückschau die kunsttheoretischen Diskussionen des späten 16. Jahrhunderts, auf deren Hintergrund Zuccaro seine eigene Position entwickelt. Im Mittelpunkt steht der Begriff des "Disegno", den Zuccaro über seine kunstimmanente Bedeutung hinaus zu einem Fundament der menschlichen Intelligenz und zur wahren Instanz der Gottesähnlichkeit erklärt. Diese Universallehre über den Menschen, sein künstlerisches Schaffen und seine Beziehung zu Gott setzte Zuccaro in keinem seiner Werke so überzeugend um wie in seinem Zyklus zu Dante Alighieris "Commedia". Das Konvolut an Zeichnungen und Textblättern, das so genannte "Dante historiato da Federico Zuccaro", entstand in den Jahren zwischen 1585 und 1593. Mit seinem komplexen Bild-Text-System markiert es nicht nur eine wichtige Station der kunstreflexiven Laufbahn Zuccaros, sondern zeigt den Künstler zugleich als Philologen und hervorragenden Dante-Kenner. 319 Seiten mit 86 Farb- und 27 s/w-Abb. auf 59 Tafeln sowie eine CD-ROM mit einer 172 Seiten umfassenden PDF-Datei als Beilage in Rückentasche, broschiert (Studien zur Kunstgeschichte; Band 190/Georg Olms Verlag 2011). Statt EUR 62,00. Gewicht: 651 g - Softcover/Taschenbuch - Sprache: Deutsch