6 products were found matching your search for òsun in 1 shops:

Òsun is a brilliant deity whose imagery and worldwide devotion demand broad and deep scholarly reflection. Contributors to the ground-breaking Africa’s Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Òsun across the Waters continues this exploration of Yoruba religion by documenting Òsun religion. Òsun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora.The 17 contributors to Òsun across the Waters delineate the special dimensions of Òsun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Òsun traditions takes us across the waters and back again. Òsun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.

An authoritative introduction to the ritual orature, sacred songs, and festival drama of Osun Seegesi, and the urgent, contemporary meaning behind her mythology.

An authoritative introduction to the ritual orature, sacred songs, and festival drama of Osun Seegesi, and the urgent, contemporary meaning behind her mythology.

Omi Osun Joni L. Jones provides the first full-length study of an artistic form, the theatrical jazz aesthetic, that draws on the jazz principles of ensemble—the break, the bridge, and the blue note. Theatrical Jazz:  Performance, À??, and the Power of the Present Moment is a study of the use of jazz aesthetics in theatre as created by major practitioners of the form, giving particular attention to three innovative artists: Laurie Carlos, Daniel Alexander Jones, and Sharon Bridgforth.  Theatrical Jazz examines how artists are made and how artists make art. In charting their overlapping artistic genealogies, the book also discusses the work of veteran artists Aishah Rahman, Robbie McCauley, Sekou Sundiata, Ntozake Shange, and Erik Ehn, as well as the next generation of theatrical jazz innovators, Grisha Coleman, Walter Kitundu, Florinda Bryant, and Zell Miller III. Using autocritography as a primary methodology, the author draws on her role as performer, collaborator, audience/witness, and dramaturg in theatrical jazz, and her experiences with Yoruba spiritual traditions, to excavate the layers and nuances of this performance form.  Jones’s use of performative writing, a blend of intellectual, artistic, and sensory experiences, allows scholars and students not only to read but also to “hear” the principles of theatrical jazz on the page.  

El volumen aborda las diferentes caracterÃsticas de Oy_ y el proceso de la consagracin, asà como las diferentes espiritualidades que coexisten con ella. Los atributos y sus correspondientes cargas se describen suficientemente, asà como el Osain y el osun general y el osun interior de Oy_. Se explica en el tratado el contenido de sus ash»s, describiendo cada uno sus componentes. Se detalla la ceremonia de ab a Oy_, asà como su rezo.

Why has the home of a Yoruba river goddess become a UNESCO World Heritage site and a global attraction? Every year, tens of thousands of people from around the world visit the sacred grove of Osun, Osogbo’s guardian deity, to attend her festival. Peter Probst takes readers on a riveting journey to Osogbo. He explores the history of the Osogbo School, which helped introduce one style of African modern art to the West, and investigates its intimate connection with Osun, the role of art and religion in the changing world of Osogbo, and its prominence in the global arena.