Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per ahlberg in 2 negozi:

Mums and Dads, breakfasts and bedtimes, pets and toys and prams and swings - and lots and lots of other fascinating things! The Baby's Big Box of Little Books includes everything that is familiar to a young child.\n\nFrom Janet and Allan Ahlberg, the creators of Burglar Bill and The Jolly Postman and adapted from their classic picture book, The Baby's Catalogue, this little collection is perfect for babies at any and all times of their busy day.\n\nJanet Ahlberg's iconic illustrations present a vast array of baby paraphernalia that should be instantly recognizable and absorbing to a young child. The liberal sprinkling of wit and charm will appeal to every adult too!\n\nBooks in the box: Mornings, Night-times, Toys, Baby, Games, Family, Inside, Outside and Pets.

Mums and Dads, breakfasts and bedtimes, pets and toys and prams and swings - and lots and lots of other fascinating things! The Baby's Big Box of Little Books includes everything that is familiar to a young child.\n\nFrom Janet and Allan Ahlberg, the creators of Burglar Bill and The Jolly Postman and adapted from their classic picture book, The Baby's Catalogue, this little collection is perfect for babies at any and all times of their busy day.\n\nJanet Ahlberg's iconic illustrations present a vast array of baby paraphernalia that should be instantly recognizable and absorbing to a young child. The liberal sprinkling of wit and charm will appeal to every adult too!\n\nBooks in the box: Mornings, Night-times, Toys, Baby, Games, Family, Inside, Outside and Pets.

This is how the story begins.\nOn a dark dark hill\nthere was a dark dark town.\nIn the dark dark town\nthere was a dark dark street . . .\n\nThis new edition of the classic story includes an accompanying CD, featuring the story read by acclaimed comic actor Stephen Mangan.\n\nJanet and Allan's frightfully funny Hallowe'en classic tells the story of three skeletons - a big skeleton, a little skeleton and a dog skeleton - who venture out of their cellar one night to find someone to scare, only to find that everyone is in bed. Who will they scare now?!

This is how the story begins.\nOn a dark dark hill\nthere was a dark dark town.\nIn the dark dark town\nthere was a dark dark street . . .\n\nThis new edition of the classic story includes an accompanying CD, featuring the story read by acclaimed comic actor Stephen Mangan.\n\nJanet and Allan's frightfully funny Hallowe'en classic tells the story of three skeletons - a big skeleton, a little skeleton and a dog skeleton - who venture out of their cellar one night to find someone to scare, only to find that everyone is in bed. Who will they scare now?!

The acclaimed duo behind The Runaway Dinner and Previously imagine the comical world that comes to life when a pencil starts to draw…\n\n“A hilarious and utterly enchanting new classic” The Times\n\nA special fifteenth anniversary edition of a modern classic. The Pencil is a playful, witty, wonderfully quirky story about the power of imagination. Say hi to Banjo! Once a pencil draws him, there's no telling what will come next – a dog, a cat, a chase (of course), and a paintbrush to colour in an ever-expanding group of family and friends. But it's not long before the complaints begin – \"This hat looks silly!\" \"My ears are too big!\" – until the poor pencil has no choice but to draw … a rubber. Oh no! In the hands of Allan Ahlberg and Bruce Ingman, can anything but havoc and hilarity ensue? With gorgeous golden foil on the cover and spine, this edition is one to share and treasure.

The acclaimed duo behind The Runaway Dinner and Previously imagine the comical world that comes to life when a pencil starts to draw…\n\n“A hilarious and utterly enchanting new classic” The Times\n\nA special fifteenth anniversary edition of a modern classic. The Pencil is a playful, witty, wonderfully quirky story about the power of imagination. Say hi to Banjo! Once a pencil draws him, there's no telling what will come next – a dog, a cat, a chase (of course), and a paintbrush to colour in an ever-expanding group of family and friends. But it's not long before the complaints begin – \"This hat looks silly!\" \"My ears are too big!\" – until the poor pencil has no choice but to draw … a rubber. Oh no! In the hands of Allan Ahlberg and Bruce Ingman, can anything but havoc and hilarity ensue? With gorgeous golden foil on the cover and spine, this edition is one to share and treasure.

Now here’s another story for you, full of such fun and exciting stuff, you will surely love it...\nAllan Ahlberg and Bruce Ingman are back! Hold on tight for a funny and quirky new story set in the same world as their celebrated classics, The Pencil and The Runaway Dinner.\n\nOne morning, Banjo is helping his dad to wash the car. His little sister Elsie comes running up. \"There's an egg in my egg cup!\" she yells. \"And a great big grey thing ... UNDER THE TABLE!\" Brimming over with Allan Ahlberg's idiosyncratic voice, charm and character, and perfectly matched with Bruce Ingman's bold and playful illustrations, Under the Table is an irresistible read-aloud full of surprises ... oh, does Elsie discover such wonderful (and unexpected!) new friends in her lively and happy home!

Now here’s another story for you, full of such fun and exciting stuff, you will surely love it...\nAllan Ahlberg and Bruce Ingman are back! Hold on tight for a funny and quirky new story set in the same world as their celebrated classics, The Pencil and The Runaway Dinner.\n\nOne morning, Banjo is helping his dad to wash the car. His little sister Elsie comes running up. \"There's an egg in my egg cup!\" she yells. \"And a great big grey thing ... UNDER THE TABLE!\" Brimming over with Allan Ahlberg's idiosyncratic voice, charm and character, and perfectly matched with Bruce Ingman's bold and playful illustrations, Under the Table is an irresistible read-aloud full of surprises ... oh, does Elsie discover such wonderful (and unexpected!) new friends in her lively and happy home!

Join the Jolly Postman as he delivers letters in fairy-tale land in this fun, interactive story book!\n\nThe Jolly Postman is off on another adventure as he delivers letters around fairy-tale land! Children will love opening the envelopes to read a letter from Goldilocks, a postcard addressed to a giant up a beanstalk... and even a note for the Big Bad Wolf!\n\nDiscover the magic of letters with this much-loved rhyming tale, which has delighted readers for generations.\n\n\"Brilliantly designed with lots of little details to spot, this old favourite will be enjoyed time and time again.\" - Book Trust\n\nLook out for these other classics by Allan Ahlberg:\nEach Peach Pear Plum\nThe Jolly Pocket Postman\nDaisy Chains

Join the Jolly Postman as he delivers letters in fairy-tale land in this fun, interactive story book!\n\nThe Jolly Postman is off on another adventure as he delivers letters around fairy-tale land! Children will love opening the envelopes to read a letter from Goldilocks, a postcard addressed to a giant up a beanstalk... and even a note for the Big Bad Wolf!\n\nDiscover the magic of letters with this much-loved rhyming tale, which has delighted readers for generations.\n\n\"Brilliantly designed with lots of little details to spot, this old favourite will be enjoyed time and time again.\" - Book Trust\n\nLook out for these other classics by Allan Ahlberg:\nEach Peach Pear Plum\nThe Jolly Pocket Postman\nDaisy Chains

This nostalgic classic, including real letters, is a must-have for every child! This gorgeously illustrated, full-color classic celebrates a time before email by depicting amusing correspondence between fairy tale and Mother Goose characters. What could possibly be in a letter from Goldilocks to the Three Bears? Who would write to the Wicked Witch? Open this book, take out the letters, and discover what favorite characters would write to each other--and reimagine best-loved tales together.

This nostalgic classic, including real letters, is a must-have for every child! This gorgeously illustrated, full-color classic celebrates a time before email by depicting amusing correspondence between fairy tale and Mother Goose characters. What could possibly be in a letter from Goldilocks to the Three Bears? Who would write to the Wicked Witch? Open this book, take out the letters, and discover what favorite characters would write to each other--and reimagine best-loved tales together.

Nella notte fredda fredda, sotto stelle a mille e mille, c'è una slitta che sobbalza - Iuhuuu! - e uno scheletro che scivola... e scivola... finché non va a sbattere! Quando si perde una gamba bianca nella neve, è difficile ritrovarla. Una gatta nera, invece, è facile da trovare nella neve. Ma cosa ci fa una gatta qui? Età di lettura: da 5 anni.

Talk about fast food! A hilarious, high-speed tale from the inimitable Allan Ahlberg – catch it if you can!\n\nThe celebrated Allan Ahlberg is in his element in this fast-paced, funny story about what happens when dinner decides that it doesn't fancy being eaten. Just as hungry little boy Banjo is about to tuck into his sausage, it jumps right up off the plate and runs away! But the sausage – whose name is Melvin – isn't alone... He's followed by the fork, the knife, the table, the French fries and even the peas. And so the chase is on! Will Banjo ever catch up with his runaway dinner? And what (gulp) happens to Melvin if he does? Gloriously illustrated by the award-winning Bruce Ingman, this is a whacky, whimsical romp perfect for reading aloud.

Talk about fast food! A hilarious, high-speed tale from the inimitable Allan Ahlberg – catch it if you can!\n\nThe celebrated Allan Ahlberg is in his element in this fast-paced, funny story about what happens when dinner decides that it doesn't fancy being eaten. Just as hungry little boy Banjo is about to tuck into his sausage, it jumps right up off the plate and runs away! But the sausage – whose name is Melvin – isn't alone... He's followed by the fork, the knife, the table, the French fries and even the peas. And so the chase is on! Will Banjo ever catch up with his runaway dinner? And what (gulp) happens to Melvin if he does? Gloriously illustrated by the award-winning Bruce Ingman, this is a whacky, whimsical romp perfect for reading aloud.

Ovunque si trovino, scheletro grande e scheletro piccolo continuano a sbattere l’uno sull’altro e perdere qualche osso: si scontrano sulla porta di casa, mentre dipingono, mentre giocano a calcio al parco, è una notte di botte! C’è solo una cosa da fare, in questi casi: chiamare il dottor Osso. Età di lettura: da 3 anni.

Edward Dahlberg è stato un irriducibile eccentrico della letteratura. Fin dalla sua giovinezza in America, passata fra avventure di vagabondo e il meglio della letteratura di quegli anni (D.H. Lawrence fu il suo padrino letterario), aveva qualcosa di ispido e brado rispetto ai suoi amici e nemici. Poi, col tempo, apparve il suo segreto: Dahlberg è lunico americano del secolo che abbia immerso nella sua prosa lincanto dei grandi classici, greci e latini, riscoperti come da un barbaro. Il risultato è sorprendente: così la Kansas City dove, in questo libro, che è il suo più bello, la madre dellautore tira avanti una vita difficile facendo la barbiera e la callista, questa «città selvaggia, concupiscente, dove quasi nessuno pensa alla morte finché non è vecchio o malato», raggiunge nelle sue parole la dimensione di un epos miserabile e solenne: «Cataloghi pure Harma il bardo di Smirne, le scogliere e anfratti di Itaca, le vergini nutrite di latte dellAcaia, Tisbe coi suoi stormi di colombi o i boschi di Onchesto; io canto le strade intitolate alle Querce, ai Noci, ai Castani, agli Aceri e agli Olmi. Ftia era un silos di frumento, Kansas City una florida fattoria di grano. Forse le puttane dei quartieri bassi di Corinto, Efeso o Tarso sapevano congegnare un gemito o sospirare più svelto di quanto potessero farlo le cosce con fossette delle ragazze di St. Joseph o Topeka?». Centrale, in questo libro, è il personaggio della madre, «figura umile e favolosa, picaresca e antica, toccante e insopportabile, che non ha rivali nella letteratura americana di questi anni» (Paolo Milano). Intorno a lei ronzano come mosche le disavventure, gli amanti malandrini, i pochi denari e i molti desideri. Ma una prorompente, carnale vitalità la trascina, «di qua e di là al capriccio del vento» e si trasmette infine alla prosa del figlio, che di lei ci ha lasciato un ritratto «implacabile, dettagliato, amorevole, come un tardo Rembrandt» (Herbert Read). Poiché ero carne è apparso nel 1964.

Edward Dahlberg è stato un irriducibile eccentrico della letteratura. Fin dalla sua giovinezza in America, passata fra avventure di vagabondo e il meglio della letteratura di quegli anni (D.H. Lawrence fu il suo padrino letterario), aveva qualcosa di ispido e brado rispetto ai suoi amici e nemici. Poi, col tempo, apparve il suo segreto: Dahlberg è lunico americano del secolo che abbia immerso nella sua prosa lincanto dei grandi classici, greci e latini, riscoperti come da un barbaro. Il risultato è sorprendente: così la Kansas City dove, in questo libro, che è il suo più bello, la madre dellautore tira avanti una vita difficile facendo la barbiera e la callista, questa «città selvaggia, concupiscente, dove quasi nessuno pensa alla morte finché non è vecchio o malato», raggiunge nelle sue parole la dimensione di un epos miserabile e solenne: «Cataloghi pure Harma il bardo di Smirne, le scogliere e anfratti di Itaca, le vergini nutrite di latte dellAcaia, Tisbe coi suoi stormi di colombi o i boschi di Onchesto; io canto le strade intitolate alle Querce, ai Noci, ai Castani, agli Aceri e agli Olmi. Ftia era un silos di frumento, Kansas City una florida fattoria di grano. Forse le puttane dei quartieri bassi di Corinto, Efeso o Tarso sapevano congegnare un gemito o sospirare più svelto di quanto potessero farlo le cosce con fossette delle ragazze di St. Joseph o Topeka?». Centrale, in questo libro, è il personaggio della madre, «figura umile e favolosa, picaresca e antica, toccante e insopportabile, che non ha rivali nella letteratura americana di questi anni» (Paolo Milano). Intorno a lei ronzano come mosche le disavventure, gli amanti malandrini, i pochi denari e i molti desideri. Ma una prorompente, carnale vitalità la trascina, «di qua e di là al capriccio del vento» e si trasmette infine alla prosa del figlio, che di lei ci ha lasciato un ritratto «implacabile, dettagliato, amorevole, come un tardo Rembrandt» (Herbert Read). Poiché ero carne è apparso nel 1964.