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StarTech. com ARMCBCLB. Peso massimo (capacità) : 8 kg, Capienza massima dimensioni dello schermo: 81,3 cm (32'), Compatibilità interfaccia di montaggio (min) : 75 x 75 mm, Compatibilità interfaccia di montaggio (max) : 100 x 100 mm. Inclinazione: -10 - 10°, Angolo di rotazione: -10 - 10°, Angolo di rotazione: 180°. Colore del prodotto: Argento

Base della lampadina:LED integrato; Tipo di lampada:LED; Ambiente ideale:Camera da letto; Tipologie:Lampade da Parete per Interni; Stile:Moderno,Stile Nordico; Direzione della luce:Faretto; Sorgente luminosa inclusa o no:Sorgente luminosa a LED...

Base della lampadina:LED integrato; Tipo di lampada:LED; Ambiente ideale:Camera da letto; Tipologie:Lampade da Parete per Interni; Stile:Moderno,Stile Nordico; Direzione della luce:Faretto; Sorgente luminosa inclusa o no:Sorgente luminosa a LED...

In The Blue Armchair, his third collection, John Froy seeks to rediscover his mother after her death in poems widely and wildly various. But which mother? The inspiring painter he hardly saw, a reckless mother he saw too much of? Or an ill, unhappy woman? These complications provide the background, but others too often take centre stage. We meet father, siblings, step-parents, a grandmother and a tragic grandfather, lovers and friends.\n\nIn poems written over twenty years that don't flinch from pain, loss, and mental health issues, we also find much family love, art, colour, scented flowers, food and wine. We travel across the world, encounter the earth mother, Gaia, get up to hear the dawn chorus. An artist stepfather shines through, as we end with the joys in being a grandfather.

Inspired by the first Porsche '356' cars from the 1950s, Diabla's '365' collection brings together aerodynamic sensibilities with 100% recyclable polyethylene for a series of furniture that is ergonomic, comfortable and durable. This red armchair is designed for the outdoors and, when combined with multiple identical pieces, can be used to create a sofa. Defined by a rounded shape and stylish curves, the armchair shares the same aesthetic as the rest of the collection, and can be paired with several of its pieces for a seamless setup.

In The Blue Armchair, his third collection, John Froy seeks to rediscover his mother after her death in poems widely and wildly various. But which mother? The inspiring painter he hardly saw, a reckless mother he saw too much of? Or an ill, unhappy woman? These complications provide the background, but others too often take centre stage. We meet father, siblings, step-parents, a grandmother and a tragic grandfather, lovers and friends.\n\nIn poems written over twenty years that don't flinch from pain, loss, and mental health issues, we also find much family love, art, colour, scented flowers, food and wine. We travel across the world, encounter the earth mother, Gaia, get up to hear the dawn chorus. An artist stepfather shines through, as we end with the joys in being a grandfather.

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Conceived in 2011 by Catharina Lorenz and Steffen Kaz for Colé Italia, 'Secreto' is a brilliantly modern riff on the Windsor chair. A series of uniform vertical rods, each applied by hand, are a defining feature of 'Secreto', while four thick and angular legs offer unwavering stability and a seamless continuity of the armchair's clean and precise lines.

Inspired by the first Porsche '356' cars from the 1950s, Diabla's '365' collection brings together aerodynamic sensibilities with 100% recyclable polyethylene for a series of furniture that is ergonomic, comfortable and durable. This white armchair is designed for the outdoors and, when combined with multiple identical pieces, can be used to create a sofa. Defined by a rounded shape and stylish curves, the armchair shares the same aesthetic as the rest of the collection, and can be paired with several of its pieces for a seamless setup.

Gerrit Rietveld's 'Red & Blue' is a sculptural seat with a pure and rationalist form, and is often counted among the leading examples of Neoplasticism promoted by the Dutch De Stijl movement. Designed by Rietveld in 1918, the chair reflects the artist's will to organise space using the same colours for similar components, which is mirrored in the employment of a black base and a coloured seat in shades of black and blue.

In amongst Charles and Ray Eames' iconic 'Plastic Chairs' family, the 'Rocking Armchair Rod Base' (RAR) stands out the most. A fibreglass-reinforced plastic seat is mounted on wooden runners for an even more comfortable version of the iconic chair. Designed in 1950 and presented at New York's Museum of Modern Art competition, 'Low Cost Furniture Design', the chair adds a self-assured accent to any environment.

Designed by Gastone Rinaldi in 1954, the 'Du 55' armchair was born from an exploration of rounded geometries, thicknesses and padding, and the relationship between solids and voids. The result is a chair full of personality, where consistency, originality and elegance manifest by way of a curved shell upholstered in Pelle Frau® Nest leather in 'Ambra' and slender black lacquered steel feet. Relaxing and comfortable, the Poltrona Frau-produced armchair is also reassuringly stable and durable.

Designed by Gastone Rinaldi in 1954, the 'Du 55' armchair was born from an exploration of rounded geometries, thicknesses and padding, and the relationship between solids and voids. The result is a chair full of personality, where consistency, originality and elegance manifest by way of a curved shell upholstered in Pelle Frau® Nest leather in 'Mattone' and slender black lacquered steel feet. Relaxing and comfortable, the Poltrona Frau-produced armchair is also reassuringly stable and durable.

In amongst Charles and Ray Eames' iconic 'Plastic Chairs' family, the 'Rocking Armchair Rod Base' (RAR) stands out the most. A fibreglass-reinforced plastic seat is mounted on wooden runners for an even more comfortable version of the iconic chair. Designed in 1950 and presented at New York's Museum of Modern Art competition, 'Low Cost Furniture Design', the chair adds a self-assured accent to any environment.

Tasked with the momentous assignment of reinterpreting Poltrona Frau's iconic '1919' armchair, designer Roberto Lazzeroni approached the Poltrona Frau Style & Design Centre designed seat with respect and affection. The 100-year-old original — an immediate classic thanks to its hand padding, complex leather upholstery and famous capitonné motif — featured proportions that were perhaps out of touch with modern day notions of comfort. Accordingly, Lazzeroni's '2019' extracts all the keys features of its predecessor while applying updated dimensions and proportions. Supported by a solid seasoned beech frame that is joined by hand-tied steel biconical springs on the seat, backrest and armrest, '2019' places comfort at its fore. Pelle Frau® ColorSphere® leather upholstery in 'Tortora' with manual capitonné detailing, and a leather trim offer a matching dose of elegance, and are rounded out with four feet in solid ash wood in a moka stain. The most flattering of tributes.

Out of the Woods takes you on a revelatory ramble through country and city - from woodlands of majestic oak and ash to mean streets lined with cherries.\n\nContaining myriad tips for recognition and rich in tree-biography and gossip, this book will enable you to tell your birch from your beech as you pass at 70mph, and will inspire even the most unreformed couch potato to pull on the wellies and brave the local park in search of the national treasures scattered all around us.