Sono stati trovati 42 prodotti corrispondenti alla tua ricerca per audible in 5 negozi:

Con le storie originali di Masha e Orso tratte da "I racconti di Masha" e "Le storie di paura di Masha". Include 4 storie raccontate in Inglese. Appoggia il tuo personaggio preferito sullo speaker e potrai ascoltare tanti bellissimi racconti. Luce per ascoltare le tue fiabe preferite prima della nanna inclusa. Conforme alle più recenti normative sulla sicurezza. Non adatto ai bambini di età inferiore ai 12 mesi. Leggere le avvertenze sulla confezione.

Synthstrom Audible Deluge, Groovebox, Motore di sintesi (sottrattivo, wavetable e FM) con polifonia fino a 64 voci, Pieno supporto MPE per i controller MIDI collegati, Arpeggiatore, Motore di sintesi con LPF/HPF, FM, portamento, sincronizzazione...

Brainworx bx_clipper, Clipper-Plugin (Download), Diode and FET-style clipping modes, Knee control enables seamless transition between soft and hard clipping, Dual mono or MS processing, Up to 32x oversampling, Ambience switch: makes the difference between the processed and unprocessed signal audible, Clear user interface with various metering functions for precise mixing decisions, Scalable user interface

Decksaver Synthstrom Audible Deluge, Dust cover, Suitable for Synthstrom Audible Deluge, Protects against dust, dirt, liquids and impacts, Custom, Material: Polycarbonate, Milky transparent surface, Dimensions (L x W x H): 31,9 x 21,5 x 3,2 cm,...

Synthstrom Audible Deluge, Groovebox, Motore di sintesi (sottrattivo, wavetable e FM) con polifonia fino a 64 voci, Pieno supporto MPE per i controller MIDI collegati, Arpeggiatore, Motore di sintesi con LPF/HPF, FM, portamento, sincronizzazione degli oscillatori, modulazione ad anello, scordatura unisono, LFO e inviluppi, Filtro a 12 dB/ottava e 24 dB/ottava con modalità filter-drive opzionale, Effetti: Delay, Reverb, Chorus, Flanger, Phaser, Bitcrusher, effetto Sidechain, Live Stutter e altri, Scale preimpostate o definite dall'utente o modalità cromatica, Sequencer: sequenze tipo piano roll su 128 pad RGB (16×8) con scorrimento e zoom, Modalità pattern euclideo, Uscita simultanea di sequenze separate su tutti i 16 canali MIDI, 2 canali CV/gate e 2 uscite gate aggiuntive, Uscita dei comandi Program Change e Bank Select, Campionatore con polifonia fino a 90 voci, I campioni vengono trasmessi in streaming direttamente dalla scheda SD, Multisampling, Time Stretching e Pitch Shifting, Visualizzazione della forma d'onda sui pad principali, con scorrimento, zoom e modifica dei punti di loop, Altoparlante interno, Microfono integrato, Batteria agli ioni di litio ricaricabile (6+ ore di durata), Alimentazione tramite USB-B (cavo incluso nella fornitura) o alimentatore (non incluso), Alimentatore disponibile separatamente: 9 - 12 V, polo centro-negativo, 500 mA, Dimensioni: 305 x 208 x 46 mm, Peso: 1,5 kg@+*Collegamenti:*, 2 uscite di linea: jack da 6,3 mm, Uscita stereo per cuffie: jack da 3,5 mm, Ingresso microfonico: jack da 3,5 mm, Ingresso di linea jack da 6,3 mm, 2 uscite CV, 4 uscite gate/trigger e uscita/ingresso DIN MIDI e USB, 1 slot SD (1 scheda SD da 32 GB e velocità V10 inclusa nella fornitura)

This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016.\n\nThis important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016. Throughout his career, Swiss Poet Klaus Merz has been praised as an artisan of the understatement, and it is precisely in these smallest of details that the great unexpected has the potential to be illuminated. As Merz himself has said: \"The poetry nudges toward a secret, hopefully without ostentation, rather through the power of its own alphabet.\" This seminal volume brings together selections from Merz's fifteen collections of poetry (1963-2016).\n\n\"Reading Merz' spare illuminating poems is like entering Plato's cave and witnessing the light behind the shadows.\" -Nin Andrews\n\"Merz takes careful notes, thinking and feeling himself into his subject as if from fragments. A strange exhilaration, curiously impersonal yet packed with personality.\" -Brian Swann\n\"Merz' world is a shimmering window onto beauty and insight, so precisely understated that many of the poems border on the hypnotic and can be read time and time again. It's no wonder that so many are short, eight or ten lines or less: his eye and ear are both so incisive that if he wrote at too great length the resultant intensity could be painful. Merz is a poet who expands and deepens with his conciseness, who embodies imagism's implied aesthetic of 'less is more.'\"-Lit Pub\n\"An artisan of the understatement, a craftsman of finely-tuned precision.\" -Neue Zuricher Zeitung\n\nKlaus Merz was born in 1945 in Aarau and lives in Unterkulm, Switzerland. He has won many literary awards including the Hermann Hesse Prize for Literature, Swiss Schiller Foundation Poetry Prize and the Friedrich Hoelderlin Prize in 2012. He has published over 35 works of poetry and fiction. His latest novel is The Argentinian (Der Argentine, Haymon, 2009) and his recent collections of verse are Out of the Dust (Aus dem Staub, Haymon, 2010), Unexpected Development (Unerwarteter Verlauf, Haymon, 2013), What Helios Hauls (Helios Transport, Haymon 2016) and firm (firma, Haymon, 2019)\n\nMarc Vincenz is a poet, translator, fiction writer, editor, musician and artist. He has published over 30 books of poetry, fiction and translation. His work has been published in The Nation, Ploughshares, Raritan, Colorado Review and The Los Angeles Review of Books. He is publisher and editor of MadHat Press and publisher of New American Writing. His newest books are There Might Be a Moon or a Dog (Gazebo, Australia, 2022) and The Pearl Diver of Irunmani (White Pine Press, forthcoming 2023).

This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016.\n\nThis important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016. Throughout his career, Swiss Poet Klaus Merz has been praised as an artisan of the understatement, and it is precisely in these smallest of details that the great unexpected has the potential to be illuminated. As Merz himself has said: \"The poetry nudges toward a secret, hopefully without ostentation, rather through the power of its own alphabet.\" This seminal volume brings together selections from Merz's fifteen collections of poetry (1963-2016).\n\n\"Reading Merz' spare illuminating poems is like entering Plato's cave and witnessing the light behind the shadows.\" -Nin Andrews\n\"Merz takes careful notes, thinking and feeling himself into his subject as if from fragments. A strange exhilaration, curiously impersonal yet packed with personality.\" -Brian Swann\n\"Merz' world is a shimmering window onto beauty and insight, so precisely understated that many of the poems border on the hypnotic and can be read time and time again. It's no wonder that so many are short, eight or ten lines or less: his eye and ear are both so incisive that if he wrote at too great length the resultant intensity could be painful. Merz is a poet who expands and deepens with his conciseness, who embodies imagism's implied aesthetic of 'less is more.'\"-Lit Pub\n\"An artisan of the understatement, a craftsman of finely-tuned precision.\" -Neue Zuricher Zeitung\n\nKlaus Merz was born in 1945 in Aarau and lives in Unterkulm, Switzerland. He has won many literary awards including the Hermann Hesse Prize for Literature, Swiss Schiller Foundation Poetry Prize and the Friedrich Hoelderlin Prize in 2012. He has published over 35 works of poetry and fiction. His latest novel is The Argentinian (Der Argentine, Haymon, 2009) and his recent collections of verse are Out of the Dust (Aus dem Staub, Haymon, 2010), Unexpected Development (Unerwarteter Verlauf, Haymon, 2013), What Helios Hauls (Helios Transport, Haymon 2016) and firm (firma, Haymon, 2019)\n\nMarc Vincenz is a poet, translator, fiction writer, editor, musician and artist. He has published over 30 books of poetry, fiction and translation. His work has been published in The Nation, Ploughshares, Raritan, Colorado Review and The Los Angeles Review of Books. He is publisher and editor of MadHat Press and publisher of New American Writing. His newest books are There Might Be a Moon or a Dog (Gazebo, Australia, 2022) and The Pearl Diver of Irunmani (White Pine Press, forthcoming 2023).

Sommer Cable Colonel Incredible, Instrument Cable, Sommer Cable Offroad series, 2-Wire configuration, 2x 0.35 mm², PVC jacket, Sheath diameter: 7.2 mm, Conductor resistance per 1 km: 55 Ohm, Colour: Olive, Sold by the metre

Decksaver Synthstrom Audible Deluge, Dust cover, Suitable for Synthstrom Audible Deluge, Protects against dust, dirt, liquids and impacts, Custom, Material: Polycarbonate, Milky transparent surface, Dimensions (L x W x H): 31,9 x 21,5 x 3,2 cm, Weight: 0.26 kg, Synthstrom Audible Deluge not included in delivery

That Audible Slippage invokes a poetics of active listening and environmental sound to investigate the ways in which we interact with the world, balancing perception and embodiment alongside a hypnagogic terrain of grief and mortality. Audibility is a primary theme of this collection—what can be heard, what is obstacled, and what remains unheard. Many of the poems included in the collection try to hold spaces open for the slipperiness of the heard and unheard and the not-yet heard and their associated problems: error, insufficiency, loss, incompleteness, and other affects such as fear and avoidance. “A Branch of Happen,” the opening section of award-winning poet Margaret Christakos’ collection, explores interior listening to both the self as sensation machine and the collaged external soundscape we both hear and fail to hear within the assailing violences and inequities of the news. A second suite, “Heart is a Guest Whippet Resting on a Firm Trunk,” is troubled by memories of deceased loved-ones amid the North Saskatchewan River valley and the many-layered history of amiskwaciwâskahikan (Edmonton). The fragmentary “Listening Line Notebook” multiplies the treatment of listening as a situated perceptual, sensory, and ethical process. A final long poem called “The Incubation” navigates ideas of being asleep and awake, altered and attuned, as well as spiritually dis/located in time and space. Poised within and beyond both established and emergent traditions of ecocriticism, contemporary feminisms, and experimental lyric, this intriguing and probing work of sound-illuminated poems welcomes readers into its overlapping worlds with grace.