Sono stati trovati 41 prodotti corrispondenti alla tua ricerca per barney in 6 negozi:

Neutri o personalizzati Borsa termica, rivestimento interno in PEVA, scomparto aggiuntivo sulla parte superiore, tracolla regolabile, chiusura a lampo, in polycanvas 600 D. Dimensioni: 26 x 26 x 17.5 cm.

THE BRO CODE provides men with all the rules they need to know in order to become a \"bro\" and behave properly among other bros. THE BRO CODE has never been published before. Few know of its existence, and the code, until now, has been verbally communicated between those in the 'bro'. Containing approximately 150 \"unspoken\" rules, this code of conduct ranges from the simple (bros before hos) to the complex (the hot-to-crazy ratio, complete with bar graphs and charts). With helpful sidebros THE BRO CODE will help any ordinary guy become the best bro he can be. Let ultimate bro and co-author Barney Stinson and his book, THE BRO CODE share their wisdom, lest you be caught making eye contact in a devil's three-way (two dudes, duh.) Sample Articles from THE BRO CODE: Article 1: Regardless of veracity, a Bro never admits familiarity with a Broadway show or musical. Article 53: A Bro will, whenever possible, provide his Bro with prophylactic protection.Article 57: A Bro may not speculate on the expected Bro / chick ratio of a party or venue without first disclosing the present-time observed ratio.

Tina Barney’s keenly observed portraits offer a window into a rarified world of privilege with sixty large-format works imbued with a spontaneity and intimacy that remind us of what we hold in common.\n\n\t\n\nIn the late 1970s, Tina Barney began a decades-long exploration of the everyday but often hidden life of the New England upper class, of which she and her family belonged. Photographing close relatives and friends, she became an astute observer of the rituals common to the intergenerational summer gatherings held in picturesque homes along the East Coast. Developing her portraiture further in the 1980s, she began directing her subjects, giving an intimate scale to her large-format photographs. These personal, often surreal, scenes present a secret world of the haute bourgeoisie—a landscape of hidden tension found in microexpressions and in, what Barney calls, the subtle gestures of “disruption” that belie the dreamlike worlds of patrician tableaux.\n\nFamily Ties collects sixty large-format portraits from the three decades that defined Barney’s career—accompanying the first retrospective exhibition of the artist in Europe at the Jeu de Paume, Paris. The book includes an essay by Quentin Bajac, the exhibition’s commissioner and director, as well as an interview with the artist by Sarah Meister, the executive director of Aperture, and a text by the artist James Welling. These texts illuminate the artist’s approach to large-format photography, her ongoing interest in the rituals of families, and her personal ideas of composition, color, and the complex relationship between photography and painting.\n\nTina Barney: Family Ties is copublished by Aperture and Atelier EXB.

Comodini e comò cosma caratteristiche: colore: bianco / marrone larghezza: 100 cm profondità: 45 cm altezza: 90 cm peso: 32 kg mobile bianco con 3 cassetti con decoro color naturale dimensioni: cm 100 x 45 x 90 h informazioni: materiale: truciolare bilaminato colore: bianco / marrone marcatura ce altezza: 90 cm larghezza: 100 cm profondità: 45 cm peso: 32 kg imballo: larghezza: 102 cm profondità: 47 cm altezza: 79 cm peso: 33 kg packaging: carton box . ..

Tina Barney’s keenly observed portraits offer a window into a rarified world of privilege with sixty large-format works imbued with a spontaneity and intimacy that remind us of what we hold in common.\n\n\t\n\nIn the late 1970s, Tina Barney began a decades-long exploration of the everyday but often hidden life of the New England upper class, of which she and her family belonged. Photographing close relatives and friends, she became an astute observer of the rituals common to the intergenerational summer gatherings held in picturesque homes along the East Coast. Developing her portraiture further in the 1980s, she began directing her subjects, giving an intimate scale to her large-format photographs. These personal, often surreal, scenes present a secret world of the haute bourgeoisie—a landscape of hidden tension found in microexpressions and in, what Barney calls, the subtle gestures of “disruption” that belie the dreamlike worlds of patrician tableaux.\n\nFamily Ties collects sixty large-format portraits from the three decades that defined Barney’s career—accompanying the first retrospective exhibition of the artist in Europe at the Jeu de Paume, Paris. The book includes an essay by Quentin Bajac, the exhibition’s commissioner and director, as well as an interview with the artist by Sarah Meister, the executive director of Aperture, and a text by the artist James Welling. These texts illuminate the artist’s approach to large-format photography, her ongoing interest in the rituals of families, and her personal ideas of composition, color, and the complex relationship between photography and painting.\n\nTina Barney: Family Ties is copublished by Aperture and Atelier EXB.

THE BRO CODE provides men with all the rules they need to know in order to become a \"bro\" and behave properly among other bros. THE BRO CODE has never been published before. Few know of its existence, and the code, until now, has been verbally communicated between those in the 'bro'. Containing approximately 150 \"unspoken\" rules, this code of conduct ranges from the simple (bros before hos) to the complex (the hot-to-crazy ratio, complete with bar graphs and charts). With helpful sidebros THE BRO CODE will help any ordinary guy become the best bro he can be. Let ultimate bro and co-author Barney Stinson and his book, THE BRO CODE share their wisdom, lest you be caught making eye contact in a devil's three-way (two dudes, duh.) Sample Articles from THE BRO CODE: Article 1: Regardless of veracity, a Bro never admits familiarity with a Broadway show or musical. Article 53: A Bro will, whenever possible, provide his Bro with prophylactic protection.Article 57: A Bro may not speculate on the expected Bro / chick ratio of a party or venue without first disclosing the present-time observed ratio.