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One of the most remarkable memoirs ever written.\n \n\n\n The diary of Jean-Dominique Bauby who, with his left eyelid (the only surviving muscle after a massive stroke) dictated a remarkable book about his experiences locked inside his body. A masterpiece and a bestseller in France.\n\n\n In December 1995, Jean-Dominique Bauby, editor-in-chief of French Elle and the father of two young children, suffered a massive stroke and found himself paralysed and speechless. But his mind remained as active and alert as it had ever been.\n\n\n Using his only functioning muscle - his left eyelid - he was determined to tell his remarkable story, painstakingly spelling it out letter by letter.\n\n\n The Diving-Bell and the Butterfly records Bauby's lonely existence but also the ability to invent a life for oneself in the most appalling of circumstances. It one of the most extraordinary books about the triumph of the human spirit ever written.

L'8 dicembre 1995 un ictus getta Jean-Dominique Bauby in coma profondo. Quando ne esce, tutte le sue funzioni motorie sono deteriorate. Colpito da quella che la medicina chiama locked-in syndrome, e che lascia perfettamente lucidi ma prigionieri del proprio corpo inerte, Bauby non può più muoversi, mangiare, parlare o anche semplicemente respirare senza aiuto. In quel corpo rigido e incontrollabile come lo scafandro di un palombaro, solo un occhio si muove. Quell'occhio, il sinistro, è il suo legame con il mondo, con gli altri, con la vita. Sbattendo una volta le palpebre del suo occhio Bauby dice di sì, due volte significano un no. Sempre con un battito di ciglia, ferma un interlocutore su una lettera dell'alfabeto che gli viene recitato secondo l'ordine di frequenza della lingua francese: \"E, S; A, R, I, N, T...\". E, lettera dopo lettera, Bauby detta parole, frasi, pagine intere... Con il suo occhio Bauby scrive questo libro: per settimane intere, ogni mattina prima dell'alba, pensa e memorizza un capitolo che più tardi detta a una redattrice del suo editore. Così, da dietro l'oblò del suo scafandro, invia le cartoline di un mondo che si può solo immaginare, dove vola leggera la farfalla del suo spirito.

One of the most remarkable memoirs ever written.\n \n\n\n The diary of Jean-Dominique Bauby who, with his left eyelid (the only surviving muscle after a massive stroke) dictated a remarkable book about his experiences locked inside his body. A masterpiece and a bestseller in France.\n\n\n In December 1995, Jean-Dominique Bauby, editor-in-chief of French Elle and the father of two young children, suffered a massive stroke and found himself paralysed and speechless. But his mind remained as active and alert as it had ever been.\n\n\n Using his only functioning muscle - his left eyelid - he was determined to tell his remarkable story, painstakingly spelling it out letter by letter.\n\n\n The Diving-Bell and the Butterfly records Bauby's lonely existence but also the ability to invent a life for oneself in the most appalling of circumstances. It one of the most extraordinary books about the triumph of the human spirit ever written.

L'8 dicembre 1995 un ictus getta Jean-Dominique Bauby in coma profondo. Quando ne esce, tutte le sue funzioni motorie sono deteriorate. Colpito da quella che la medicina chiama locked-in syndrome, e che lascia perfettamente lucidi ma prigionieri del proprio corpo inerte, Bauby non può più muoversi, mangiare, parlare o anche semplicemente respirare senza aiuto. In quel corpo rigido e incontrollabile come lo scafandro di un palombaro, solo un occhio si muove. Quell'occhio, il sinistro, è il suo legame con il mondo, con gli altri, con la vita. Sbattendo una volta le palpebre del suo occhio Bauby dice di sì, due volte significano un no. Sempre con un battito di ciglia, ferma un interlocutore su una lettera dell'alfabeto che gli viene recitato secondo l'ordine di frequenza della lingua francese: \"E, S; A, R, I, N, T...\". E, lettera dopo lettera, Bauby detta parole, frasi, pagine intere... Con il suo occhio Bauby scrive questo libro: per settimane intere, ogni mattina prima dell'alba, pensa e memorizza un capitolo che più tardi detta a una redattrice del suo editore. Così, da dietro l'oblò del suo scafandro, invia le cartoline di un mondo che si può solo immaginare, dove vola leggera la farfalla del suo spirito.

L'8 dicembre 1995 un ictus getta Jean-Dominique Bauby in coma profondo. Quando ne esce, tutte le sue funzioni motorie sono deteriorate. Colpito da quella che la medicina chiama locked-in syndrome, e che lascia perfettamente lucidi ma prigionieri del proprio corpo inerte, Bauby non può più muoversi, mangiare, parlare o anche semplicemente respirare senza aiuto. In quel corpo rigido e incontrollabile come lo scafandro di un palombaro, solo un occhio si muove. Quell'occhio, il sinistro, è il suo legame con il mondo, con gli altri, con la vita. Sbattendo una volta le palpebre del suo occhio Bauby dice di sì, due volte significano un no. Sempre con un battito di ciglia, ferma un interlocutore su una lettera dell'alfabeto che gli viene recitato secondo l'ordine di frequenza della lingua francese: \"E, S; A, R, I, N, T...\". E, lettera dopo lettera, Bauby detta parole, frasi, pagine intere... Con il suo occhio Bauby scrive questo libro: per settimane intere, ogni mattina prima dell'alba, pensa e memorizza un capitolo che più tardi detta a una redattrice del suo editore. Così, da dietro l'oblò del suo scafandro, invia le cartoline di un mondo che si può solo immaginare, dove vola leggera la farfalla del suo spirito.

Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nTwenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father’s ashes. Over the course of a weekend, Patrick’s remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge – desperate always to stay one step ahead of his rapidly encroaching past.\n\nBad News was originally published, along with Never Mind and Some Hope, as part of a three book omnibus also called Some Hope.

Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nTwenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father’s ashes. Over the course of a weekend, Patrick’s remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge – desperate always to stay one step ahead of his rapidly encroaching past.\n\nBad News was originally published, along with Never Mind and Some Hope, as part of a three book omnibus also called Some Hope.

Some Hope is the third of Edward St Aubyn's semi-autobiographical series, The Patrick Melrose Novels, filmed for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nPatrick Melrose, cleaned-up and world-weary, is a reluctant guest at a glittering party deep in the English countryside. Amid a crowd of flitting social dragonflies, he finds his search for redemption and capacity for forgiveness challenged by his observation of the cruelties around him. Armed with his biting wit and a newly fashioned openness, can Patrick, who has been to the furthest limits of experience and back again, find release from the savageries of his childhood?\n\nThis title was originally published, along with Never Mind and Bad News, as part of a three book omnibus, also called Some Hope.

Some Hope is the third of Edward St Aubyn's semi-autobiographical series, The Patrick Melrose Novels, filmed for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nPatrick Melrose, cleaned-up and world-weary, is a reluctant guest at a glittering party deep in the English countryside. Amid a crowd of flitting social dragonflies, he finds his search for redemption and capacity for forgiveness challenged by his observation of the cruelties around him. Armed with his biting wit and a newly fashioned openness, can Patrick, who has been to the furthest limits of experience and back again, find release from the savageries of his childhood?\n\nThis title was originally published, along with Never Mind and Bad News, as part of a three book omnibus, also called Some Hope.

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Elettrodomestici > Grandi elettrodomestici > Cappe > Filtri per cappe, vhbw - the clever way Set, compatibile e di alta qualità, di 4 x filtro ai carboni attivi per cappe aspiranti Le cappe aspiranti servono a trattenere e filtrare gli odori e i vapori...

Winner of the Betty Trask Award, Never Mind is the first in Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nAt his mother’s family house in the south of France, Patrick Melrose has the run of a magical garden. Bravely imaginative and self-sufficient, five-year-old Patrick encounters the volatile lives of adults with care. His father, David, rules with considered cruelty, and Eleanor, his mother, has retreated into drink. They are expecting guests for dinner. But this afternoon is unlike the chain of summer days before, and the shocking events that precede the guests’ arrival tear Patrick’s world in two.\n\nNever Mind was originally published, along with Bad News and Some Hope, as part of a three book omnibus , also called Some Hope.

From the author of the Patrick Melrose novels, now a major Sky Atlantic television series starring Benedict Cumberbatch\n\nHenry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he handed over care of the corporation to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him to doubt the wisdom of past decisions.\n\n Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. Who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?

Each of the judges of the Elysian Prize for literature has a reason for accepting the job. For the chairman, MP Malcolm Craig, it is backbench boredom, media personality Jo Cross is on the hunt for a 'relevant' novel, and Oxbridge academic Vanessa Shaw is determined to discover good writing. But for Penny Feathers of the Foreign Office, it's all just getting in the way of writing her own thriller. Over the next few weeks they must read hundreds of submissions to find the best book of the year, and so the judges spar, cajole and bargain in order that their chosen title gets the recognition it deserves.\n\nMeanwhile, a host of authors are desperate for Elysian glory, including brilliant writer and serial heart-breaker Katherine Burns, lovelorn debut novelist Sam Black, and Sonny, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm.\n\nLost for Words is razor-sharp and fabulously entertaining. It cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.

From the author of the Patrick Melrose novels, now a major Sky Atlantic television series starring Benedict Cumberbatch\n\nHenry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he handed over care of the corporation to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him to doubt the wisdom of past decisions.\n\n Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. Who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?

Winner of the Betty Trask Award, Never Mind is the first in Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.\n\nAt his mother’s family house in the south of France, Patrick Melrose has the run of a magical garden. Bravely imaginative and self-sufficient, five-year-old Patrick encounters the volatile lives of adults with care. His father, David, rules with considered cruelty, and Eleanor, his mother, has retreated into drink. They are expecting guests for dinner. But this afternoon is unlike the chain of summer days before, and the shocking events that precede the guests’ arrival tear Patrick’s world in two.\n\nNever Mind was originally published, along with Bad News and Some Hope, as part of a three book omnibus , also called Some Hope.

Each of the judges of the Elysian Prize for literature has a reason for accepting the job. For the chairman, MP Malcolm Craig, it is backbench boredom, media personality Jo Cross is on the hunt for a 'relevant' novel, and Oxbridge academic Vanessa Shaw is determined to discover good writing. But for Penny Feathers of the Foreign Office, it's all just getting in the way of writing her own thriller. Over the next few weeks they must read hundreds of submissions to find the best book of the year, and so the judges spar, cajole and bargain in order that their chosen title gets the recognition it deserves.\n\nMeanwhile, a host of authors are desperate for Elysian glory, including brilliant writer and serial heart-breaker Katherine Burns, lovelorn debut novelist Sam Black, and Sonny, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm.\n\nLost for Words is razor-sharp and fabulously entertaining. It cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.

Via d'uscita attesta già «la cruda, ironica ricchezza del mondo di St Aubyn e la densità filosofica delle sue pagine.» (Zadie Smith)\r\n«La tragedia (oggettiva) insita nella vicenda si accompagna a un pervasivo humor nero, che rende sinistramente spiritoso il protagonista.» - Franco Marcoaldi, D di Repubblica\r\n«Personaggi memorabili, umorismo nero e una scrittura sublime.» - Library Journal\r\n«Uno dei grandi scrittori comici del nostro tempo.» - The New York Times Reviews of Books\r\n«St Aubyn è uno dei più grandi prosatori di lingua inglese.» - Alice Sebold\r\nSei mesi di vita. Sei mesi soltanto in questo mondo per Charlie Fairburn, sceneggiatore cinematografico di Alieni dal cuore umano, film visto da ben cinquantatré milioni di persone. Quando ha pronunciato la sentenza, il medico ha abbozzato un sorriso pieno di indulgenza, poi, con la sua costosa penna nera, ha prescritto il palliativo: prozac.\r\nNessuna pillola, iniezione, nessun libro consolatorio o colloquio con qualche cappellano militare possono però lenire i tormenti di Charlie Fairburn. In effetti, che cosa può fare un uomo in simili circostanze se non pensare ossessivamente alla sua morte? E che cosa può fare uno scrittore se non scrivere di questa sua ossessione e smettere di narrare di Ted, Carol, Bob o Alice?\r\nCharlie Fairburn parte cosí per New York a illustrare al suo agente l’idea della sua ultima opera: un romanzo sulla morte, anzi che abbia al centro l’io davanti alla morte, un io senza orpelli, un io che sia come una colonna butterata che si erge solitaria tra le rovine. L’agente, che si vanta di non essere una spalla su cui piangere, bolla come deprimente l’idea e, ficcandosi in bocca una forchettata gocciolante di spaghetti alle vongole, sbotta: «Fanculo la morte!».\r\nA Charlie Fairburn non resta perciò che liberarsi di ogni legame su questa terra e uscire di scena nella maniera più limpida e pura. Vende la villetta rosa con i cancelli bianchi comprata a St Tropez e, col denaro raccattato, decide di andare a Montecarlo a buttarlo ai pesci nelle Salles des Jeux, in un magnifico declino a cinque stelle.\r\nUna via d’uscita impeccabile, se Charlie non si imbattesse un giorno in Angelique, una giovane donna con gli occhi a mandorla che lanciano scintille verdi.

90 gr di sapone a forma di palla rotonda con la fragranza arancione e vaniglia. Questo sapone è confezionato in una bella scatola di latta rotonda.

90 gr di sapone a forma di palla rotonda con la fragranza arancione e vaniglia. Questo sapone è confezionato in una bella scatola di latta rotonda.