Sono stati trovati 44 prodotti corrispondenti alla tua ricerca per beaulieu in 5 negozi:

Gant Ivy EdT For Men: con un luminoso accordo di ederaCon Ivy For Men Gant apre un nuovo capitolo di fragranze. Il marchio cattura lo stile della East Coast americana dal 1949. Elite Per questa fresca Eau de Toilette, il profumiere Nicolas Beaulieu si è affidato a note senza tempo che trasportano ad ogni spruzzo nel cuore di un'università. La composizione si apre con gli aromi aciduli e speziati di pepe nero, pompelmo e salvia. Uno stravagante accordo di edera ricorda le mura dell'università, densamente coltivate, ed è sinonimo di eleganza e lusso. Essenz Geranio e legno di cedro enfatizzano il verde prima che la creazione si spenga con patchouli, vetiver e pelle di saffiano. Il flacone si ispira alle giacche dei college americani e si presenta come una toppa sul petto di colore verde edera. Cosa significa G-patch? PerGant!

Jackson Corey Beaulieu King V 7 TR USA, Electric Guitar, USA Series, 7-String, V-Style, Alder body, Maple neck through body, Neck binding, Ebony fretboard, Scale: 648 mm, 24 Frets, Small pearloid Sharkfin inlays, 2x Seymour Duncan Blackouts humbucker pickups AHB7, Floyd Rose double locking 2 point tremolo, Finish: Transparent red, Incl. case

Ti aspetta una meravigliosa parentesi di relax nel cuore delle Alpi francesi! Soggiorna in un’incantevole struttura dallo stile alpino per 1 notte con colazione e accesso Spa per 2 persone. L’Hotel Beaulieu ti aspetta nel villaggio montano di La Clusaz, in Francia, nei pressi delle stazioni sciistiche. Dai il meglio di te in pista e poi rilassati nell’area benessere dell’Hotel Carlina, a soli 30 metri dal tuo hotel. Dimentica lo stress tra piscina, sauna, hammam e vasca idromassaggio e poi riposa in una calda camera dagli arredi in legno. Per un soggiorno all’insegna del relax nel cuore delle Alpi!

Ceda is the youngest pit fighter in the history of the great desert city of Sharakhai. In this brilliant new story, a prequel to Twelve Kings, she has already made her name in the arena as the fearsome, undefeated White Wolf. None but her closest friends and allies know her true identity.\n\nBut this all changes when she crosses the path of Rumayesh, one of the sadistic creatures known as ehrekh which were forged long ago by the god of chaos. They are usually desert dwellers, but this one lurks in the dark corners of Sharakhai, toying with and preying on humans. As Rumayesh works to unmask the White Wolf and claim Ceda for her own, Ceda's struggle becomes a battle for her friends, her life, and her very soul.

Gant Ivy EdT For Men: con un luminoso accordo di ederaCon Ivy For Men Gant apre un nuovo capitolo di fragranze. Il marchio cattura lo stile della East Coast americana dal 1949. Elite Per questa fresca Eau de Toilette, il profumiere Nicolas Beaulieu si è affidato a note senza tempo che trasportano ad ogni spruzzo nel cuore di un'università. La composizione si apre con gli aromi aciduli e speziati di pepe nero, pompelmo e salvia. Uno stravagante accordo di edera ricorda le mura dell'università, densamente coltivate, ed è sinonimo di eleganza e lusso. Essenz Geranio e legno di cedro enfatizzano il verde prima che la creazione si spenga con patchouli, vetiver e pelle di saffiano. Il flacone si ispira alle giacche dei college americani e si presenta come una toppa sul petto di colore verde edera. Cosa significa G-patch? PerGant!

Ceda is the youngest pit fighter in the history of the great desert city of Sharakhai. In this brilliant new story, a prequel to Twelve Kings, she has already made her name in the arena as the fearsome, undefeated White Wolf. None but her closest friends and allies know her true identity.\n\nBut this all changes when she crosses the path of Rumayesh, one of the sadistic creatures known as ehrekh which were forged long ago by the god of chaos. They are usually desert dwellers, but this one lurks in the dark corners of Sharakhai, toying with and preying on humans. As Rumayesh works to unmask the White Wolf and claim Ceda for her own, Ceda's struggle becomes a battle for her friends, her life, and her very soul.

Concediti una pausa benessere nel cuore delle Alpi! L’Hotel Beaulieu ti aspetta nell’incantevole villaggio montano di La Clusaz, in Francia, per 2 notti con colazione e 2 accessi Spa per 2 persone. Immergiti in un’oasi di serenità tra le Alpi francesi, vicino alle stazioni sciistiche. Soggiorna in una camera calda e accogliente, dallo stile alpino e dagli arredi in legno. Approfitta di due accessi giornalieri all’area benessere dell’Hotel Carlina, a soli 30 metri dal tuo hotel, e rilassati tra piscina, sauna, hammam e vasca idromassaggio. L’ideale dopo una giornata sulle piste!

Typography meets poetry at a Pink Floyd laser-light show\n\n\n\n\nIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are \"soaking in it!\"\n\n\n\nSurface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages.\n\n\n\n\n\"The striking compositions you'll find in Surface Tension are being presented sequentially in book form, yet that they wouldn't be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable...' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos.\" - Monica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959-1979\n\n\"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process.\" - Craig Dworkin, author of Radium of the Word: A Poetics of Materiality\n\n\"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu's question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension...

Typography meets poetry at a Pink Floyd laser-light show\n\n\n\n\nIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are \"soaking in it!\"\n\n\n\nSurface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages.\n\n\n\n\n\"The striking compositions you'll find in Surface Tension are being presented sequentially in book form, yet that they wouldn't be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable...' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos.\" - Monica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959-1979\n\n\"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process.\" - Craig Dworkin, author of Radium of the Word: A Poetics of Materiality\n\n\"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu's question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension...

Il libro espone modalità facilmente attuabili per interventi psicoterapeutici efficaci e concreti. Integrando numerosi modelli, facendo riferimento all'ipnosi ericksoniana, alla psicoterapia del problem-solving, alla terapia della realtà, alla programmazione neurolinguistica, alla teoria emotivorazionale, all'analisi transazionale, alla Gestalt e alla più recente teoria della pronazione, Danie Beaulieu sviluppa un approccio terapeutico personale.

Jackson Pro C. Beaulieu King V KV6Q WS, Electric Guitar, Corey Beaulieu (Trivium) signature model, Pro series, Body: Mahogany, Top: Quilted maple, Neck-thru-body: Maple, Fretboard: Ebony, Fetboard inlays: Pearloid sharkfins, 24 Jumbo frets, Scale: 648 mm (25.51"), Compound fretboard radius: 305 - 406 mm (12" - 16"), Nut width: 43 mm (1.69"), Floyd Rose 1000 series locking nut, Pickup: Seymour Duncan Blackouts AHB-1B (bridge) and Seymour Duncan Blackouts AHB-1N (neck) humbuckers, 1 Volume control, Switch: 3-Way, Milled Floyd Rose 1000 double locking tremolo, Jackson sealed die-cast machine heads, Black hardware, Ex-factory stringing: NPS .009 - .042, Colour: Winter Storm

Jackson Pro C. Beaulieu King V KV7Q WS, 7-String Electric Guitar, Corey Beaulieu (Trivium) signature model, Pro series, Body: Nyatoh (Palaquium rostratum), Top: Quilted maple, Neck-thru-body: Maple, Fretboard: Ebony (Diospyros ebenum), Fetboard inlays: Pearloid sharkfins, 24 Jumbo frets, Scale: 648 mm (25.51"), Compound fretboard radius: 305 - 406 mm (12"- 16"), Nut width: 44 mm (1.75"), Floyd Rose 1000 series locking nut, Pickup: Seymour Duncan Blackouts AHB-1B 7 (bridge) and Seymour Duncan Blackouts AHB-1N (neck) humbuckers, 1 Volume control, 3-Way toggle switch, Milled Floyd Rose 1000 double locking tremolo, Jackson sealed die-cast machine heads, Black hardware, Ex-factory stringing: NPS .009 - .056, Colour: Winter Storm

Il libro espone modalità facilmente attuabili per interventi psicoterapeutici efficaci e concreti. Integrando numerosi modelli, facendo riferimento all'ipnosi ericksoniana, alla psicoterapia del problem-solving, alla terapia della realtà, alla programmazione neurolinguistica, alla teoria emotivorazionale, all'analisi transazionale, alla Gestalt e alla più recente teoria della pronazione, Danie Beaulieu sviluppa un approccio terapeutico personale.

Provides a new narrative history of the ancient world, from the beginnings of civilization in the ancient Near East and Egypt to the fall of Constantinople\n\n Written by an expert in the field, this book presents a narrative history of Babylon from the time of its First Dynasty (1880-1595) until the last centuries of the city’s existence during the Hellenistic and Parthian periods (ca. 331-75 AD). Unlike other texts on Ancient Near Eastern and Mesopotamian history, it offers a unique focus on Babylon and Babylonia, while still providing readers with an awareness of the interaction with other states and peoples. Organized chronologically, it places the various socio-economic and cultural developments and institutions in their historical context. The book also gives religious and intellectual developments more respectable coverage than books that have come before it.\n\n A History of Babylon, 2200 BC – AD 75 teaches readers about the most important phase in the development of Mesopotamian culture. The book offers in-depth chapter coverage on the Sumero-Addadian Background, the rise of Babylon, the decline of the first dynasty, Kassite ascendancy, the second dynasty of Isin, Arameans and Chaldeans, the Assyrian century, the imperial heyday, and Babylon under foreign rule.\n\n \n\nFocuses on Babylon and Babylonia\nWritten by a highly regarded Assyriologist\nPart of the very successful Histories of the Ancient World series\nAn excellent resource for students, instructors, and scholars\n\n A History of Babylon, 2200 BC - AD 75 is a profound text that will be ideal for upper-level undergraduate and graduate courses on Ancient Near Eastern and Mesopotamian history and scholars of the subject.

Provides a new narrative history of the ancient world, from the beginnings of civilization in the ancient Near East and Egypt to the fall of Constantinople\n\n Written by an expert in the field, this book presents a narrative history of Babylon from the time of its First Dynasty (1880-1595) until the last centuries of the city’s existence during the Hellenistic and Parthian periods (ca. 331-75 AD). Unlike other texts on Ancient Near Eastern and Mesopotamian history, it offers a unique focus on Babylon and Babylonia, while still providing readers with an awareness of the interaction with other states and peoples. Organized chronologically, it places the various socio-economic and cultural developments and institutions in their historical context. The book also gives religious and intellectual developments more respectable coverage than books that have come before it.\n\n A History of Babylon, 2200 BC – AD 75 teaches readers about the most important phase in the development of Mesopotamian culture. The book offers in-depth chapter coverage on the Sumero-Addadian Background, the rise of Babylon, the decline of the first dynasty, Kassite ascendancy, the second dynasty of Isin, Arameans and Chaldeans, the Assyrian century, the imperial heyday, and Babylon under foreign rule.\n\n \n\nFocuses on Babylon and Babylonia\nWritten by a highly regarded Assyriologist\nPart of the very successful Histories of the Ancient World series\nAn excellent resource for students, instructors, and scholars\n\n A History of Babylon, 2200 BC - AD 75 is a profound text that will be ideal for upper-level undergraduate and graduate courses on Ancient Near Eastern and Mesopotamian history and scholars of the subject.

The final book in The Song of the Shattered Sands series closes the epic fantasy saga in a desert setting, filled with rich worldbuilding and pulse-pounding action.\n\nThe plans of the desert gods are coming to fruition. Meryam, the deposed queen of Qaimir, hopes to raise the buried elder god, Ashael, an event that would bring ruin to the desert.\n\nÇeda and Emre sail for their ancestral home to bring the traitor, Hamid, to justice. To their horror, they discover that the desert tribes have united under Hamid's banner. Their plan? A holy crusade to annihilate Sharakhai, a thing long sought by many in the tribes. In Sharakhai, meanwhile, the blood mage, Davud, examines the strange gateway between worlds, hoping to find a way to close it. And King Ihsan hunts for Meryam, but always finds himself two steps behind.\n\nWhen Meryam raises Ashael, all know the end is near. Ashael means to journey to the land that was denied to him an age ago, no matter the cost to the desert. It now falls to Çeda and her unlikely assortment of allies to find a way to unite not only the desert tribes and the people of Sharakhai, but the city's invaders as well. Even if they do, stopping Ashael will cost them dearly, perhaps more than all are willing to pay.

The final book in The Song of the Shattered Sands series closes the epic fantasy saga in a desert setting, filled with rich worldbuilding and pulse-pounding action.\n\nThe plans of the desert gods are coming to fruition. Meryam, the deposed queen of Qaimir, hopes to raise the buried elder god, Ashael, an event that would bring ruin to the desert.\n\nÇeda and Emre sail for their ancestral home to bring the traitor, Hamid, to justice. To their horror, they discover that the desert tribes have united under Hamid's banner. Their plan? A holy crusade to annihilate Sharakhai, a thing long sought by many in the tribes. In Sharakhai, meanwhile, the blood mage, Davud, examines the strange gateway between worlds, hoping to find a way to close it. And King Ihsan hunts for Meryam, but always finds himself two steps behind.\n\nWhen Meryam raises Ashael, all know the end is near. Ashael means to journey to the land that was denied to him an age ago, no matter the cost to the desert. It now falls to Çeda and her unlikely assortment of allies to find a way to unite not only the desert tribes and the people of Sharakhai, but the city's invaders as well. Even if they do, stopping Ashael will cost them dearly, perhaps more than all are willing to pay.

Death and danger await intrepid nun Hildegard of Meaux when she undertakes a secret mission for the good of her Order, in this eleventh action-packed installment of the medieval mystery series.\n\nFebruary, 1390. Hildegard is given a special assignment by the Prioress of Swyne to escort a young heiress from Beaulieu Abbey to the northern stronghold of Sir William atte Wood. What could be more pleasant than to join a betrothal party, especially as she will be accompanied on the long journey to the New Forest by the two monks militant, Gregory and Egbert.\n\nBut there is a more urgent and secret purpose for her mission.\n\nThe Western Church is in Schism, with two popes battling for power. The Cistercians are split between the pope in Rome - supported by King Richard - and the pope in Avignon, an ally of the king's French enemies. Which pope will Beaulieu decide to follow? England's future depends on it, and who better than Hildegard to discover Beaulieu's allegiance? But to question such powerful forces brings only death and danger - and even her two militant monks may not be enough to save her.\n\nThis action-packed, page-turning medieval mystery is a great choice for fans of holy sleuths like Peter Tremayne's Sister Fidelma and Paul Doherty's Brother Athelstan.