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Gio Ponti's 'Superleggera' is one of those rare successful combinations of an architect's personal quest and manufacturing excellence. A Cassina catalogue stalwart since 1957, the 'Superleggera' chair is an homage to traditional artisanal skills and high quality materials, and its complex construction is a testament to the talent of the craftspeople at Cassina's Meda-based workshops. The result is a supremely elegant hand-finished chair with an inherent lightness thanks to an ingenious cross section of legs that allows the seat to weigh just 1.7kg — an impressive feat, especially taking into account the application of lacquered ash wood and India cane throughout.

Will there be a library catalogue in the future and, if so, what will it look like? \n In the last 25 years, the library catalogue has undergone an evolution, from card catalogues to OPACs, discovery systems and even linked data applications making library bibliographic data accessible on the web. At the same time, users expectations of what catalogues will be able to offer in the way of discovery have never been higher. \n This groundbreaking edited collection brings together some of the foremost international cataloguing practitioners and thought leaders, including Lorcan Dempsey, Emmanuelle Bermès, Marshall Breeding and Karen Calhoun, to provide an overview of the current state of the art of the library catalogue and look ahead to see what the library catalogue might become. \n Practical projects and cutting edge concepts are showcased in discussions of:\n\n\n\nlinked data and the Semantic Web\nuser expectations and needs\nbibliographic control\nthe FRBRization of the catalogue\ninnovations in search and retrieval\nnext-generation discovery products and mobile catalogues. \n\nReadership: Cataloguers and metadata specialists, library adminstrators and managers responsible for planning and strategy, systems librarians, user services managers, electronic resources librarians, and digital library project managers, students on cataloguing, information management and digital library courses.

Gio Ponti's 'Superleggera' is one of those rare successful combinations of an architect's personal quest and manufacturing excellence. A Cassina catalogue stalwart since 1957, the 'Superleggera' chair is an homage to traditional artisanal skills and high quality materials, and its complex construction is a testament to the talent of the craftspeople at Cassina's Meda-based workshops. The result is a supremely elegant hand-finished chair with an inherent lightness thanks to an ingenious cross section of legs that allows the seat to weigh just 1.7kg — an impressive feat, especially taking into account the application of ash wood and India cane throughout.

Will there be a library catalogue in the future and, if so, what will it look like? \n In the last 25 years, the library catalogue has undergone an evolution, from card catalogues to OPACs, discovery systems and even linked data applications making library bibliographic data accessible on the web. At the same time, users expectations of what catalogues will be able to offer in the way of discovery have never been higher. \n This groundbreaking edited collection brings together some of the foremost international cataloguing practitioners and thought leaders, including Lorcan Dempsey, Emmanuelle Bermès, Marshall Breeding and Karen Calhoun, to provide an overview of the current state of the art of the library catalogue and look ahead to see what the library catalogue might become. \n Practical projects and cutting edge concepts are showcased in discussions of:\n\n\n\nlinked data and the Semantic Web\nuser expectations and needs\nbibliographic control\nthe FRBRization of the catalogue\ninnovations in search and retrieval\nnext-generation discovery products and mobile catalogues. \n\nReadership: Cataloguers and metadata specialists, library adminstrators and managers responsible for planning and strategy, systems librarians, user services managers, electronic resources librarians, and digital library project managers, students on cataloguing, information management and digital library courses.

Le pietre non sono arte in sé stesse, ma agli occhi dei cinesi simboleggiano la natura e il cosmo; le rocce, così come si trovano in natura, sono chiamate jiashanshi e non sono come altre opere d'arte bensì dei \"ready-made\", selezionate in natura dall'uomo che nel raccoglierle cerca la \"creazione divina\", una sorta di semi-religione, uno \"spirito\", non adorato ma che sta alle origini dell'universo. Sotto questa luce la roccia jiashanshi non può essere definita solamente dall'idea di \"arte\" perché è più un concetto, una prospettiva filosofica necessaria per la vita reale. Per oltre vent'anni il cinese Zhan Wang ha creato jiashanshi in acciaio inox, ottenendo eco internazionale; anche se la superficie di queste opere è \"artificiale\", l'interno è ancora una forma naturale, una \"verità\" celata.