Sono stati trovati 136 prodotti corrispondenti alla tua ricerca per compelling in 3 negozi:

An evolution of a design originally created for New York's Four Seasons restaurant, the 'Last Order' lamp is a compelling interior accent equally suited to domestic and commercial spaces. Defined by a central fluted solid crystal base that nods to the shape of ancient columns, the Michael Anastassiades-designed portable lamp is topped by a polished brass cap that may be removed for a new guise. Charged via USB-C and offering up to six hours of light per charge, the lamp also features a three step dimmer, activated with an optical sensor. The bulb is included.

Beautifully sculptural and drawing inspiration from archetypal geometry, 101 Copenhagen's 'Guggenheim' vase collection is compelling for both its sculptural qualities and optical illusions, thanks to a thoughtful fusion of geometry with sharp lines and thin silhouettes. Designed by Nicolaj Nøddesbo and Tommy Hyldahl, the darkly coloured vases are handmade from ceramic and each present their own unique variations in tone and texture for a family of truly one-of-a-kind vessels.

Serax presents 'Le Mère', designer Marie Michielssen's first ceramic tableware line and an ode to womanhood. Defined by organic, hand molded shapes that are finished in an off-white, warm dark brown or Venetian red glaze, the collection's pieces each present a compelling vertical structure that works equally as part of a wider ensemble or as a standalone piece. This off-white serving bowl is unexpected and slightly nostalgic yet wholly functional and suited to formal and informal dining settings alike.

Simple yet compelling, the 'Laps' collection by Alain Gilles is defined by the application of star trail circles to varying objects, including this large black-coloured wine cooler. Cut from aluminium, the container is also distinct for its geometric bevelled edges, which create a play on light and shadow, and also recall brutalist aesthetics. This large bucket can comfortably hold several bottles and is suited to events.

Simple yet compelling, the 'Laps' collection by Alain Gilles is defined by the application of star trail circles to varying objects, including this medium-sized brass-coloured wine cooler. Cut from aluminium, the container is also distinct for its geometric edges, which create a play on light and shadow, and also recall brutalist aesthetics. This medium-sized cooler can comfortably hold several bottles and is suited to both domestic and restaurant environments.

Envisioned by Ron Gilad and produced by Cassina, the 'Deadline' mirror series combines premier engineering with high quality carpentry skills. Comprising two sheets of glass 12mm apart, this mirror presents a silvered front face and a blue clouded back, which is reflected in the second mirror for a compelling interplay of graphic shapes. Fitted with visible joints that demonstrate the craftsmanship of this item and deconstructable so that the mirrors may be cleaned, this version of 'Deadline' is enclosed within an ash wood frame.

Serax presents 'Le Mère', designer Marie Michielssen's first ceramic tableware line and an ode to womanhood. Defined by organic, hand molded shapes that are finished in an off-white, warm dark brown or Venetian red glaze, the collection's pieces each present a compelling vertical structure that works equally as part of a wider ensemble or as a standalone piece. This Venetian red serving bowl is unexpected and slightly nostalgic yet wholly functional and suited to formal and informal dining settings alike.

Beautifully sculptural and drawing inspiration from archetypal geometry, 101 Copenhagen's 'Guggenheim' vase collection is compelling for both its sculptural qualities and optical illusions, thanks to a thoughtful fusion of geometry with sharp lines and thin silhouettes. Designed by Nicolaj Nøddesbo and Tommy Hyldahl, the darkly coloured vases are handmade from ceramic and each present their own unique variations in tone and texture for a family of truly one-of-a-kind vessels.

Envisioned by Ron Gilad and produced by Cassina, the 'Deadline' mirror series combines premier engineering with high quality carpentry skills. Comprising two sheets of glass 12mm apart, this mirror presents a silvered front face and a red coloured back, which is reflected in the second mirror for a compelling interplay of graphic shapes. Fitted with visible joints that demonstrate the craftsmanship of this item and deconstructable so that the mirrors may be cleaned, this version of 'Deadline' is enclosed within an ash wood frame.

'You can only find out the rights and wrongs by Reasoning - never by being rude about your opponent's psychology.' For C. S. Lewis, reason and logic are the sensible way to approach faith and ethics. Much of the 20th century's ills are caused by ill-founded beliefs and opinions.\n\n\n Lewis's original approach remains as vital today as ever. He is able to take the most convoluted subject, turn it side on and shed bright illumination on it. To be able to see along things rather than at them - just like a beam of sunlight that invades the darkness of a toolshed - is, to Lewis, the way to understanding.\n\n\n Written variously between 1940 and 1962, this collection of essays represents the best of Lewis's considerable wisdom on the great ethical and theological concerns of the day.

Envisioned by Ron Gilad and produced by Cassina, the 'Deadline' mirror series combines premier engineering with high quality carpentry skills. Comprising two sheets of glass 12mm apart, this mirror presents a silvered front face and a red coloured back, which is reflected in the second mirror for a compelling interplay of graphic shapes. Fitted with visible joints that demonstrate the craftsmanship of this item, and deconstructable so that the mirrors may be cleaned, this version of 'Deadline' is enclosed within an ash wood frame.

'You can only find out the rights and wrongs by Reasoning - never by being rude about your opponent's psychology.' For C. S. Lewis, reason and logic are the sensible way to approach faith and ethics. Much of the 20th century's ills are caused by ill-founded beliefs and opinions.\n\n\n Lewis's original approach remains as vital today as ever. He is able to take the most convoluted subject, turn it side on and shed bright illumination on it. To be able to see along things rather than at them - just like a beam of sunlight that invades the darkness of a toolshed - is, to Lewis, the way to understanding.\n\n\n Written variously between 1940 and 1962, this collection of essays represents the best of Lewis's considerable wisdom on the great ethical and theological concerns of the day.