Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per danez in 5 negozi:

'A deeply personal collection... and provocative and moving meditation on friendship, sex and blackness,' Guardian\n\n'In its cutting compassion, Homie is as much a celebration of loved ones' lives as it is a lament for their loss, equally a war cry for kinship and the burial dirge after the battle' Amanda Gorman\n\nA mighty anthem about the saving grace of friendship, Danez Smith's highly anticipated collection Homie is rooted in their search for joy and intimacy in a time where both are scarce. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family - blood and chosen - arrives with just the right food and some redemption.\n\nPart friendship diary, part bright elegy, part war cry, Homie is written for friends: for Danez's friends, for yours.\n\n'This is a book full of the turbulence of thought and desire, piloted by a writer who never loses their way' New York Times

*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018*\n*A Finalist for the National Book Award for Poetry 2017*\n\n*A Financial Times and Telegraph Book of the Year 2018*\n\n'[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker \n\nAward-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis. \n\n'Some of us are killed / in pieces,' Smith writes, 'some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.

*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018*\n*A Finalist for the National Book Award for Poetry 2017*\n\n*A Financial Times and Telegraph Book of the Year 2018*\n\n'[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker \n\nAward-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis. \n\n'Some of us are killed / in pieces,' Smith writes, 'some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.

'A deeply personal collection... and provocative and moving meditation on friendship, sex and blackness,' Guardian\n\n'In its cutting compassion, Homie is as much a celebration of loved ones' lives as it is a lament for their loss, equally a war cry for kinship and the burial dirge after the battle' Amanda Gorman\n\nA mighty anthem about the saving grace of friendship, Danez Smith's highly anticipated collection Homie is rooted in their search for joy and intimacy in a time where both are scarce. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family - blood and chosen - arrives with just the right food and some redemption.\n\nPart friendship diary, part bright elegy, part war cry, Homie is written for friends: for Danez's friends, for yours.\n\n'This is a book full of the turbulence of thought and desire, piloted by a writer who never loses their way' New York Times

Genere:Per donna,Per uomo; Contenuto della confezione:Maschera; Tipi:Maschera; Vacanze:Halloween,Carnevale; Stile:Costume divertente; Materiale:Lattice; Fascia d'età:Per adulto; Caratteri:Haganezuka; Cosplay funziona:Demon Slayer: Kimetsu no Yaiba;...

Ibanez JEM Pin, Pin, Material: Nickel-plated brass, Dimensions (W x L x H): 12.4 x 38 x 10 mm

Ibanez TS9, Tube Screamer Treble Booster Pedal@+When it comes to the classic pedals of rock music, the Tubescreamer is one of the most renowned. At the end of the 70s, the Ibanez Tube Screamer 808 appeared, an overdrive with truly tube-like characteristics, creating a sensation. Its successor, the TS 9, was also well received and has appeared since then on innumerable Pedalboards of the very biggest guitarists. Two prominent representatives deserve to be mentioned here: Stevie Ray Vaughan combined his Fender amps principle with a TS, setting a new standard for guitar sounds, and Gary Moore got the best out of his Marshals by firing them up with a TS. The TS is not overly distorted, but raises the volume and "tickles" the Amp more. Ideal for amplifiers that do not distort so much. One step on the pedal, and you have a harmonious, balanced and sustainable lead sound. The pedal has the classic Ibanez look of the early 80s.@+, Legendary treble booster pedal with overdrive circuitry, Robust construction, Controls: Drive, Tone, Level, Power supply via 9 V battery (included) or via mains adapter Art.#409939# (not included)

From the author of Magical Negro, Winner of the National Book Critic's Circle Award\n\n'Hilarious and hard-hitting . . . it ripples with energy, insight, and searing music' Tracy K. Smith, author of Wade in the Water\n\nOther People's Comfort Keeps Me Up at Night - the book that launched the career of one of our most important young American poets - is now in print for the first time in the UK, featuring a new introduction from Danez Smith.\n\nThe debut collection from award-winning poet Morgan Parker demonstrates why she's become one of the most beloved writers working today. Her command of language is on full display. Parker bobs and weaves between humor and pathos, grief and anxiety, Gwendolyn Brooks and Jay-Z, the New York School and reality television. She collapses any foolish distinctions between the personal and the political, the 'high' and the 'low'. Other People's Comfort Keeps Me Up at Night not only introduced an essential new voice to the world, it contains everything readers have come to love about Morgan Parker's work.

From the author of Magical Negro, Winner of the National Book Critic's Circle Award\n\n'Hilarious and hard-hitting . . . it ripples with energy, insight, and searing music' Tracy K. Smith, author of Wade in the Water\n\nOther People's Comfort Keeps Me Up at Night - the book that launched the career of one of our most important young American poets - is now in print for the first time in the UK, featuring a new introduction from Danez Smith.\n\nThe debut collection from award-winning poet Morgan Parker demonstrates why she's become one of the most beloved writers working today. Her command of language is on full display. Parker bobs and weaves between humor and pathos, grief and anxiety, Gwendolyn Brooks and Jay-Z, the New York School and reality television. She collapses any foolish distinctions between the personal and the political, the 'high' and the 'low'. Other People's Comfort Keeps Me Up at Night not only introduced an essential new voice to the world, it contains everything readers have come to love about Morgan Parker's work.

Ibanez Logo Pin, Pin, Material: Nickel-plated brass, Dimensions (L x W x H): 38 x 10.5 x 10 mm

Ibanez PGM50-BK, Electric guitar, Paul Gilbert Signature Model, Body: Basswood, Bolt-on 5-piece neck: Maple/Walnut, Fingerboard: Rosewood, Fingerboard inlays: White dots, Fretboard radius: 400 mm, Nut width: 43 mm, Scale: 648 mm, 22 Medium frets, Pickups: 2 DiMarzio Air Classic Humbuckers (neck and bridge) and DiMarzio PGM Single Coil (middle), Controls: Volume, 5-Way switch, Bridge: F106, Gotoh MG-T Locking machine heads, Gold coloured hardware, Finish: Black, Includes gig bag

Ibanez TS808, Effect Pedal for Electric Guitar, The original Tube Screamer, Sound and look like the original, With JRC 4558D OPamp Chip, Controls: Overdrive, Tone, Level, Power supply via 9 V battery or AC power supply unit (not included) - suitable power supply unit: Art.#409939#, Including special adapter to jack for power supply operation

Ibanez PCE9H-SH, Set of Picks, Thickness: 1.0 mm, Material: Celluloid, Shape: Small Teardrop, Quantity: 6 pieces, Made in Japan

Ibanez TS808 HW V2, Effetc Pedal for Electric Guitar, Overdrive, Next generation hand-wired tube screamer with additional boost and MOGAMI OFC cables, Controls: OVERDRIVE, TONE and LEVEL, DC Jack: Standard 2.1 mm DC Jack (Centre Negative), I/O sockets: INPUT, OUTPUT, Required current: 7 mA @ 9 V / 11 mA @ 18 V, Power supply: Battery operation or an external AC adapter, only DC 9-18V, centre-negative (not included), Batteries required: 1x 9V (not included), Dimensions (L x W x H): 133 x 77 x 60 mm, Made in Japan

Ibanez M300C, Case, Suitable for Ibanez RG, RGA, RGD, RG7, S, S7, SA models, Exterior length: 1065 mm, Exterior width: 430 mm, Exterior height: 135 mm, Interior overall length: 1000mm, Instrument body length: 410mm, Instrument body depth: 35mm, Weight: 4.75kg

Ibanez TS9DX, Effect@+When it comes to the classic pedals of the rock music, the Tubescreamer has to have a very high ranking. At the end of the 70s, the Ibanez Tube Screamer 808 appeared, an overdrive with real tube-like characteristics, back then a sensation. His successor, the TS 9, has since been found on countless pedalboards of all the great guitar players - here just two representatives are mentioned: Stevie Ray Vaughan basically overdrove his Fender Amps with a TS, thus setting a new standard for guitar sounds, and Gary Moore took the best out of his Marshall amps for many years by feeding them with a TS signal. The TS is not too distorted, but the volume is boosted thus getting more from the amp. Ideal for amplifiers that don't have that much distortion. Just a kick on the pedal, and you have a harmoniously balanced and assertive lead sound.@+@+For those who want to torment their amps a bit more, there are 3 more available beside of the TS mode, namely "+", "hot" and "turbo". More gain and bass can be produced here, without losing the classic tubescreamer charm. Settings with higher gain naturally sound also great.@+@+The ideal TS for people who want to have "more"., The legendary Tube Screamer + 3 sounds, Power supply via 9V battery (included) or with optional power supply available under Article Nr #409939#

Ibanez Low Pro Edge Gold, Complete Floyd Rose Tremolo, Low Pro Edge, Colour: Gold

Ibanez 2LE2-B, Tremolo Height Adjustment Screw, For 'EDGE' Tremolos, Thread: Approximately 7.82 x 19 mm, Head: 4 mm hex, Colour: Black, Priced per unit