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It’s a simple idea, really. 1. Wear a uniform; 2. Protect who you love, what you care about; 3. Let nothing get in your way.\n\nSomeone mugged Bruce’s mum and he is not having it. The shock is still visible in her trembling fingers, rippling out across the calm waters of their lives. He grabs his hoodie, his uniform, his cape and goes out to find the culprit. Smithy wants everyone to stay inside, Uhuru wants everyone out. Tanya thinks it’s boyish fun and games until, very suddenly, it isn’t.\n\nInua Ellams's play questions the boundaries between our right to self-defense and taking the law into our own hands. Told with five roles spanning from young people to adults, it deals with themes that young people face today: the role of boundaries and what happens when someone 'crosses the line'; fear and the use of self-defense; and examining different perspectives on a situation.\n\nOriginally commissioned by Synergy Theatre Project Cape premiered at London's Unicorn Theatre in 2013 and went on to tour schools, prisons and a young offender institution. \n\nThis new edition, published within Methuen Drama's Plays For Young People series features notes for teachers and exercises for students for practical use in the classroom.

It’s a simple idea, really. 1. Wear a uniform; 2. Protect who you love, what you care about; 3. Let nothing get in your way.\n\nSomeone mugged Bruce’s mum and he is not having it. The shock is still visible in her trembling fingers, rippling out across the calm waters of their lives. He grabs his hoodie, his uniform, his cape and goes out to find the culprit. Smithy wants everyone to stay inside, Uhuru wants everyone out. Tanya thinks it’s boyish fun and games until, very suddenly, it isn’t.\n\nInua Ellams's play questions the boundaries between our right to self-defense and taking the law into our own hands. Told with five roles spanning from young people to adults, it deals with themes that young people face today: the role of boundaries and what happens when someone 'crosses the line'; fear and the use of self-defense; and examining different perspectives on a situation.\n\nOriginally commissioned by Synergy Theatre Project Cape premiered at London's Unicorn Theatre in 2013 and went on to tour schools, prisons and a young offender institution. \n\nThis new edition, published within Methuen Drama's Plays For Young People series features notes for teachers and exercises for students for practical use in the classroom.

Osram HMI575W/DXS, Lamp, HMI 575 W, Double-ended, 1000 h, 95 V, 6500 K, SFc 10,, *Special lamp:*, This lamp is intended for stage and theatre applications., This lamp is not suitable for household room lighting.

1988: at four-years-old, he short-circuited his home with a silver spoon and a Betamax video player.\n\n1989: stopped a 700-strong student assembly with a tantrum.\n\n1995: was chased through jungle growth by a crazed, frustrated French teacher called Monsieur Batcock...Misfit? Apparently – until a little family research reveals a pattern of mischief reaching as far back as a great grandfather, and so the story begins:\n\nI'm from a long line of trouble makers, of ash skinned Africans, born with clenched fists and a natural thirst for battle only quenched by breast milk. They'd suckle as if the white silk sliding between gums were liquid peace treaties from mums. The 14th Tale is a beautiful mellifluous narrative that tells the hilarious exploits of a natural born mischief, growing from the clay streets of Nigeria to rooftops in Dublin and finally to London by award-winning writer and performer Inua Ellams.

1988: at four-years-old, he short-circuited his home with a silver spoon and a Betamax video player.\n\n1989: stopped a 700-strong student assembly with a tantrum.\n\n1995: was chased through jungle growth by a crazed, frustrated French teacher called Monsieur Batcock...Misfit? Apparently – until a little family research reveals a pattern of mischief reaching as far back as a great grandfather, and so the story begins:\n\nI'm from a long line of trouble makers, of ash skinned Africans, born with clenched fists and a natural thirst for battle only quenched by breast milk. They'd suckle as if the white silk sliding between gums were liquid peace treaties from mums. The 14th Tale is a beautiful mellifluous narrative that tells the hilarious exploits of a natural born mischief, growing from the clay streets of Nigeria to rooftops in Dublin and finally to London by award-winning writer and performer Inua Ellams.

Un figlio e un padre si amano, si odiano, si perdono e si ritrovano attraverso una vita intera. In mezzo, lungo gli anni, la storia della famiglia del protagonista: una madre incline alle fantasticherie che ha fatto dell'ammirazione per il marito il riferimento costante delle proprie giornate, una sorella e due fratelli mai del tutto compresi, infine una moglie, bellissima e indecifrabile, che scompiglierà? i loro già? fragili equilibri. È infatti proprio con l'arrivo di Serena, detestata ugualmente da entrambi i genitori dell'io narrante di questo originale ed estroso romanzo, che il lungo conflitto tra padre e figlio curiosamente inizia a rivelare elementi di una imprevista, e comica, affinità che porterà infine i due a conoscere una fase davvero inaspettata del loro contrastato rapporto. Sorprendente ritorno di uno degli scrittori più? singolari della narrativa italiana contemporanea, Il vecchio figlio racconta questo dissidio anche grazie a una brillante, e a tratti ossessiva, analisi del linguaggio paterno, così che il libro si rivela parimenti una meditata riflessione sulla lingua con esiti ironici e imprevisti, perché? alla fine - come diceva Kafka - la rivolta contro il padre è una commedia, non una tragedia.

Un figlio e un padre si amano, si odiano, si perdono e si ritrovano attraverso una vita intera. In mezzo, lungo gli anni, la storia della famiglia del protagonista: una madre incline alle fantasticherie che ha fatto dell'ammirazione per il marito il riferimento costante delle proprie giornate, una sorella e due fratelli mai del tutto compresi, infine una moglie, bellissima e indecifrabile, che scompiglierà? i loro già? fragili equilibri. È infatti proprio con l'arrivo di Serena, detestata ugualmente da entrambi i genitori dell'io narrante di questo originale ed estroso romanzo, che il lungo conflitto tra padre e figlio curiosamente inizia a rivelare elementi di una imprevista, e comica, affinità che porterà infine i due a conoscere una fase davvero inaspettata del loro contrastato rapporto. Sorprendente ritorno di uno degli scrittori più? singolari della narrativa italiana contemporanea, Il vecchio figlio racconta questo dissidio anche grazie a una brillante, e a tratti ossessiva, analisi del linguaggio paterno, così che il libro si rivela parimenti una meditata riflessione sulla lingua con esiti ironici e imprevisti, perché? alla fine - come diceva Kafka - la rivolta contro il padre è una commedia, non una tragedia.

Are you angry with policing or Polyneices?\nThem, we can change. He, is dead. Speak\nto Creon... Ask him to release Polyneices...\nwe will bury him quietly, peacefully, together.\n\nA torn family. A hostile state. One heroic brother. One misguided son. One conflicted sister, and the second is on the run. \n\nThis is a blistering retelling of Sophocles' epic story from the writer of Barber Shop Chronicles, Inua Ellams.\n\nAntigone first premiered at Regent Park's Open Air Theatre in September 2022. This revised edition was published in June 2023.

Are you angry with policing or Polyneices?\nThem, we can change. He, is dead. Speak\nto Creon... Ask him to release Polyneices...\nwe will bury him quietly, peacefully, together.\n\nA torn family. A hostile state. One heroic brother. One misguided son. One conflicted sister, and the second is on the run. \n\nThis is a blistering retelling of Sophocles' epic story from the writer of Barber Shop Chronicles, Inua Ellams.\n\nAntigone first premiered at Regent Park's Open Air Theatre in September 2022. This revised edition was published in June 2023.

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From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.\n \n\n\n There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note.\n\n\n His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals.\n\n\n She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.

From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.\n \n\n\n There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note.\n\n\n His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals.\n\n\n She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.