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Now produced by Vitra, the House Bird was part of the Eames household for years. Charles and Ray Eames liked collecting items from their travels and this black wooden bird, an artefact of American folk art, soon became a staple accessory in their home and work life.

Taking centre stage and a permanent place in the Los Angeles home of Charles and Ray Eames was a huge wooden whale measuring over two metres in length — just one of the many items the pair amassed from their travels. A work of American folk art, the massive whale has now been reproduced, albeit on a much smaller scale, by Vitra whose hand painted alder wood incarnation pays a pretty decent homage to the Eames' prized original.

Now produced by Vitra, the House Bird was part of the Eames household for years. Charles and Ray Eames liked collecting items from their travels and this wooden bird in walnut wood, an artefact of American folk art, soon became a staple accessory in their home and work life.

Altezza: 27.6cm Larghezza: 27.8cm Profondità: 8.9cm. Design di Charles e Ray Eames. Ontano massiccio. Finitura laccata nera. Zampe in acciaio nero

Taking centre stage and a permanent place in the Los Angeles home of Charles and Ray Eames was a huge wooden whale measuring over two metres in length — just one of the many items the pair amassed from their travels. A work of American folk art, the massive whale has now been reproduced, albeit on a much smaller scale, by Vitra whose hand painted alder wood incarnation pays a pretty decent homage to the Eames' prized original.

Charles (1907-1978) and Ray (1912-1988) Eames are among the most important designers of the 20th century, and the story of the Eames Office is that of visual and material culture in the post-war, modern period. The World of Charles and Ray Eames charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. \n\nThis definitive monograph explores the era-defining work of the Eames Office, a `laboratory' active for over four decades, where the Eameses and their collaborators produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education. Themes include `The Eames Office: Life in Work', `At Home with the Eameses', `Information Machines', `The Seeing Eye', `Office USA: Communicating \"America\" at Home and Abroad', and `The Art of Living'. Alongside newly commissioned texts by leading design experts, The World of Charles and Ray Eames will include contemporaneous reviews and magazine articles, writings by Charles and Ray Eames themselves, personal correspondence and a comprehensive reference section.

'Hand it all' is a coat rack with a twist. Its arms’ round ball endings replace the traditional hooks, making the item child-friendly, while its clever arrangement allows space for extra storage. Designed by Charles and Ray Eames and produced by Vitra, this is a piece for children of all ages.

When waking from your dream means living your nightmare...\n\nThe last time the dream came, Sam was seven years old; and that was the night her parents were to die.\n\nTwenty-five years later, Sam's nightmares are starting to come true once more. Now a successful TV commercials producer, juggling her roles of career woman, wife and mother, she attempts to shut them out.\n\nBut soon Sam is faced with the reality of dreams in which her life and that of her family are threatened. In desperation, she consults the experts: a psychiatrist; a clairvoyant ... but to no avail. \n\nSam is being inexorably drawn into a vortex of terror from which there is no escape...\n\n'Britain's closest equivalent to Stephen King.' Sunday Times \n\n'Peter James is getting better with every book.' Times\n\nRead more from the multi-million copy bestselling author of the Roy Grace novels:\n\nPossession \nDreamer\nSweet Heart \nTwilight \nProphecy \nHost \nAlchemist \nDenial \nThe Truth \nFaith \n\n* Each Peter James novel can be read as a standalone*

'Hand it all' is a coat rack with a twist. Its arms’ round ball endings replace the traditional hooks, making the item child-friendly, while its clever arrangement allows space for extra storage. Designed by Charles and Ray Eames and produced by Vitra, this is a piece for children of all ages.

Charles (1907-1978) and Ray (1912-1988) Eames are among the most important designers of the 20th century, and the story of the Eames Office is that of visual and material culture in the post-war, modern period. The World of Charles and Ray Eames charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. \n\nThis definitive monograph explores the era-defining work of the Eames Office, a `laboratory' active for over four decades, where the Eameses and their collaborators produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education. Themes include `The Eames Office: Life in Work', `At Home with the Eameses', `Information Machines', `The Seeing Eye', `Office USA: Communicating \"America\" at Home and Abroad', and `The Art of Living'. Alongside newly commissioned texts by leading design experts, The World of Charles and Ray Eames will include contemporaneous reviews and magazine articles, writings by Charles and Ray Eames themselves, personal correspondence and a comprehensive reference section.

Modern, durable and versatile, Charles & Ray Eames 'DSR' chair presents a unique simplicity that lends itself to a multitude of spaces. Balanced atop an Eiffel Tower base — so-called because of its intricate black steel wire construction — sits a large, organically-shaped seat cut from hardwearing green polypropylene, one of many colour options from the series, which can be presented together or independently for equal impact. The Vitra-produced chair features dark glides for use on carpet.

When waking from your dream means living your nightmare...\n\nThe last time the dream came, Sam was seven years old; and that was the night her parents were to die.\n\nTwenty-five years later, Sam's nightmares are starting to come true once more. Now a successful TV commercials producer, juggling her roles of career woman, wife and mother, she attempts to shut them out.\n\nBut soon Sam is faced with the reality of dreams in which her life and that of her family are threatened. In desperation, she consults the experts: a psychiatrist; a clairvoyant ... but to no avail. \n\nSam is being inexorably drawn into a vortex of terror from which there is no escape...\n\n'Britain's closest equivalent to Stephen King.' Sunday Times \n\n'Peter James is getting better with every book.' Times\n\nRead more from the multi-million copy bestselling author of the Roy Grace novels:\n\nPossession \nDreamer\nSweet Heart \nTwilight \nProphecy \nHost \nAlchemist \nDenial \nThe Truth \nFaith \n\n* Each Peter James novel can be read as a standalone*

Modern, durable and versatile, Charles & Ray Eames 'DSW' chair presents a unique simplicity that lends itself to a multitude of spaces. Balanced atop an Eiffel Tower base — so-called because of its intricate chrome and wood construction — sits a large, organically-shaped seat cut from hardwearing white polypropylene, one of many colour options from the series, which can be presented together or independently for equal impact. The Vitra-produced chair features dark glides for use on carpet.

Now produced by Vitra, the House Bird was part of the Eames household for years. Charles and Ray Eames liked collecting items from their travels and this black wooden bird, an artefact of American folk art, soon became a staple accessory in their home and work life.

Modern, durable and versatile, Charles & Ray Eames 'DSR' chair presents a unique simplicity that lends itself to a multitude of spaces. Balanced atop an Eiffel Tower base — so-called because of its intricate chrome wire construction — sits a large, organically-shaped seat cut from hardwearing dark grey fiberglass, one of many colour options from the series, which can be presented together or independently for equal impact. The Vitra-produced chair features dark glides for use on carpet.

Now produced by Vitra, the House Bird was part of the Eames household for years. Charles and Ray Eames liked collecting items from their travels and this wooden bird in walnut wood, an artefact of American folk art, soon became a staple accessory in their home and work life.

In amongst Charles and Ray Eames' iconic 'Plastic Chairs' family, the 'Rocking Armchair Rod Base' (RAR) stands out the most. A fibreglass-reinforced plastic seat is mounted on wooden runners for an even more comfortable version of the iconic chair. Designed in 1950 and presented at New York's Museum of Modern Art competition, 'Low Cost Furniture Design', the chair adds a self-assured accent to any environment.

The Danube is Europe's Amazon. It flows through more countries than any other river on Earth - from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the Continent's bloodiest history and its most pressing issues of race and identity.\n\nAs he travels - by bicycle, horse, boat and on foot - Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila and getting up close and personal with a bull in rural Romania. He meets would-be kings and walks with gypsies, and finally rows his way beyond the borders of Europe entirely...

Modern, durable and versatile, Charles & Ray Eames 'DSR' chair presents a unique simplicity that lends itself to a multitude of spaces. Balanced atop an Eiffel Tower base — so-called because of its intricate chrome wire construction — sits a large, organically-shaped seat cut from hardwearing white polypropylene, one of many colour options from the series, which can be presented together or independently for equal impact. The Vitra-produced chair features dark glides for use on carpet.

Altezza: 41.5cm Larghezza: 78.5cm Profondità: 41cm. Design di Charles e Ray Eames del 1945. Polipropilene tinto. Finitura opaca