Sono stati trovati 43 prodotti corrispondenti alla tua ricerca per elgin in 16 negozi:

Ambrato scuro. Al naso note vanigliate, accompagnate da dolci note di miele e sentori di rovere. Al palato risulta persistente , accompagnato da dolci aromi di miele percepito al naso, note vanigliate, sentori di rovere.

Al naso dolci sentori vanigliati, accompagnato da sentori di malto. Zucchero al palato, con leggeri sentori speziati e liquirizia. Finale speziato.

Le uve provengono da Elgin, la regione vinicola più fresca di Città del Capo, circondata da catene montuose e che beneficia di inverni freddi con abbondanti precipitazioni, seguiti da fresche brezze marine in estate. Queste condizioni climatiche permettono una maturazione lenta degli acini che conferisce al vino carattere, complessità, eleganza e un'eccellente purezza. Mountain Vineyards Pinot Noir svela delicati aromi terrosi combinati a sentori di frutti rossi e neri. Al palato, le caratteristiche si combinano a note deliziose. Questo 100% Pinot Noir è il compagno ideale quando si tratta di abbinamenti. Insomma, non ti resta che scoprirlo!

Abbigliamento uomo Felpe Pepe Jeans. Elgin Sweatshirt

Abbigliamento uomo Felpe Pepe Jeans. Elgin Sweatshirt

Abbigliamento uomo Felpe Pepe Jeans. Elgin Sweatshirt

The development of an epistemology that explains how science and art embody and convey understanding.\n\nPhilosophy valorizes truth, holding that there can never be epistemically good reasons to accept a known falsehood, or to accept modes of justification that are not truth conducive. How can this stance account for the epistemic standing of science, which unabashedly relies on models, idealizations, and thought experiments that are known not to be true? In True Enough, Catherine Elgin argues that we should not assume that the inaccuracy of models and idealizations constitutes an inadequacy. To the contrary, their divergence from truth or representational accuracy fosters their epistemic functioning. When effective, models and idealizations are, Elgin contends, felicitous falsehoods that exemplify features of the phenomena they bear on. Because works of art deploy the same sorts of felicitous falsehoods, she argues, they also advance understanding.\n\nElgin develops a holistic epistemology that focuses on the understanding of broad ranges of phenomena rather than knowledge of individual facts. Epistemic acceptability, she maintains, is a matter not of truth-conduciveness, but of what would be reflectively endorsed by the members of an idealized epistemic community-a quasi-Kantian realm of epistemic ends.

The development of an epistemology that explains how science and art embody and convey understanding.\n\nPhilosophy valorizes truth, holding that there can never be epistemically good reasons to accept a known falsehood, or to accept modes of justification that are not truth conducive. How can this stance account for the epistemic standing of science, which unabashedly relies on models, idealizations, and thought experiments that are known not to be true? In True Enough, Catherine Elgin argues that we should not assume that the inaccuracy of models and idealizations constitutes an inadequacy. To the contrary, their divergence from truth or representational accuracy fosters their epistemic functioning. When effective, models and idealizations are, Elgin contends, felicitous falsehoods that exemplify features of the phenomena they bear on. Because works of art deploy the same sorts of felicitous falsehoods, she argues, they also advance understanding.\n\nElgin develops a holistic epistemology that focuses on the understanding of broad ranges of phenomena rather than knowledge of individual facts. Epistemic acceptability, she maintains, is a matter not of truth-conduciveness, but of what would be reflectively endorsed by the members of an idealized epistemic community-a quasi-Kantian realm of epistemic ends.

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Set in the twenty-second century after the repeal of the Nineteenth Amendment, the novel reveals a world where women are once again property, denied civil rights, and banned from public life. In this world, Earth's wealth relies on interplanetary commerce, for which the population depends on linguists, a small, clannish group of families whose women breed and become perfect translators of all the galaxies' languages. The linguists wield power, but live in isolated compounds, hated by the population, and in fear of class warfare. But a group of women is destined to challenge the power of men and linguists.\n\n Nazareth, the most talented linguist of her family, is exhausted by her constant work translating for the government, supervising the children's language education in the Alien-in-Residence interface chambers, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth does not yet know is that a clandestine revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them of men's domination. Their secret must, above all, be kept until the language is ready for use. The women's language, Laadan, is only one of the brilliant creations found in this stunningly original novel, which combines a page-turning plot with challenging meditations on the tensions between freedom and control, individuals and communities, thought and action.

Ambientato nel ventiduesimo secolo dopo l’abolizione del XIX emendamento, si racconta di un mondo in cui alle donne sono ancora una volta negati i diritti civili. La popolazione dipende dai Linguisti, famiglie i cui infanti sono allevati per diventare interpreti di tutte le lingue umanoidi della galassia e permettere il commercio interplanetario, fonte di ricchezza. I Linguisti detengono il potere ma vivono isolati, odiati dal resto della popolazione e nel timore costante di una rivolta sociale. Un gruppo di donne è destinato a sfidare il potere degli uomini e dei Linguisti. Nazareth, bambina prodigio, intraprendente, studiosa e tenace, tiene un taccuino segreto su cui prende nota dei suoi esperimenti linguistici e che la porterà inconsapevolmente ad essere parte della Storia. Una silenziosa rivoluzione, infatti, sta sorgendo nella Casa Sterile; lì le donne stanno creando una lingua nuova, fatta di “parole giuste”, una “lingua che funziona”. Il Làadan si struttura nel corso della narrazione mettendo a disposizione nuove categorie interpretative e quindi nuovi modi per comprendere e raccontare la realtà. Scritto nel 1984 e sorprendentemente attuale, Lingua nativa combina una trama entusiasmante con dense riflessioni linguistiche sui modi in cui le parole modellano la nostra politica, la nostra cultura, la percezione di sé e come possono essere maneggiate per riformare quelle strutture o per sovvertirle.

Ambientato nel ventiduesimo secolo dopo l’abolizione del XIX emendamento, si racconta di un mondo in cui alle donne sono ancora una volta negati i diritti civili. La popolazione dipende dai Linguisti, famiglie i cui infanti sono allevati per diventare interpreti di tutte le lingue umanoidi della galassia e permettere il commercio interplanetario, fonte di ricchezza. I Linguisti detengono il potere ma vivono isolati, odiati dal resto della popolazione e nel timore costante di una rivolta sociale. Un gruppo di donne è destinato a sfidare il potere degli uomini e dei Linguisti. Nazareth, bambina prodigio, intraprendente, studiosa e tenace, tiene un taccuino segreto su cui prende nota dei suoi esperimenti linguistici e che la porterà inconsapevolmente ad essere parte della Storia. Una silenziosa rivoluzione, infatti, sta sorgendo nella Casa Sterile; lì le donne stanno creando una lingua nuova, fatta di “parole giuste”, una “lingua che funziona”. Il Làadan si struttura nel corso della narrazione mettendo a disposizione nuove categorie interpretative e quindi nuovi modi per comprendere e raccontare la realtà. Scritto nel 1984 e sorprendentemente attuale, Lingua nativa combina una trama entusiasmante con dense riflessioni linguistiche sui modi in cui le parole modellano la nostra politica, la nostra cultura, la percezione di sé e come possono essere maneggiate per riformare quelle strutture o per sovvertirle.

Set in the twenty-second century after the repeal of the Nineteenth Amendment, the novel reveals a world where women are once again property, denied civil rights, and banned from public life. In this world, Earth's wealth relies on interplanetary commerce, for which the population depends on linguists, a small, clannish group of families whose women breed and become perfect translators of all the galaxies' languages. The linguists wield power, but live in isolated compounds, hated by the population, and in fear of class warfare. But a group of women is destined to challenge the power of men and linguists.\n\n Nazareth, the most talented linguist of her family, is exhausted by her constant work translating for the government, supervising the children's language education in the Alien-in-Residence interface chambers, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth does not yet know is that a clandestine revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them of men's domination. Their secret must, above all, be kept until the language is ready for use. The women's language, Laadan, is only one of the brilliant creations found in this stunningly original novel, which combines a page-turning plot with challenging meditations on the tensions between freedom and control, individuals and communities, thought and action.

The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.\n\nWhich is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.\n\nWhat had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

'Who can resist a smart, resourceful and independent Regency heroine? Prepare to fall head over heels' \n Good Housekeeping\n \n 'Told with zip and humour…most enjoyable' Historical Novel Society on The Persephone Code\n\n\n \n 1812\n \n\n\n Lord Elgin’s Greek marbles are the talk of London society, so when a death threat arrives, the earl hires actress Dora Fitz-Pennington and the honourable Dr Jacob Sandys to investigate. They plunge into the scandals of society’s most eminent members, from the Byron circle to the secret world of collectors.\n\n\n As danger lurks around London’s every corner, in the most exclusive ballrooms and the roughest taverns, Dora and Jacob will face not only what has been left unsaid simmering between them but the threat of silent assassins, traitorous acquaintances and the darkest of secrets…\n\n\n Praise for Julia Golding\n ‘I won't lie, I picked this book up because of the cover – absolutely stunning…it was a perfect read’ ?????\n\n\n ‘This book was so good, I couldn't put it down’ ?????\n\n\n ‘Simply delicious! This book is absolutely glorious…in the midst of a lot of Regency retellings, it stands out … There is a wry wit throughout which balances beautifully with the dark themes’ ?????\n\n\n ‘This book is absolutely fantastic!!! I was so caught up in reading it that I missed lunch, and it was past time to start dinner. Only the rumbling of my stomach made me put it down for a quick meal, after which I resumed my reading’ ?????\n\n\n ‘Starts with a bang, never really pauses for breath, and has two main protagonists who are instantly likeable and easy to cheer for!’ ????\n\n\n ‘A roller-coaster ride with plenty of twists’ ????\n\n\n ‘What a compelling read! I found it a captivating, dynamic and enthralling book that kept me glued to the pages from beginning to end’ ????\n\n\n ‘The writing of this book was exquisite … I was hanging on to every last word’ ????

The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.\n\nWhich is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.\n\nWhat had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

'Who can resist a smart, resourceful and independent Regency heroine? Prepare to fall head over heels' \n Good Housekeeping\n \n 'Told with zip and humour…most enjoyable' Historical Novel Society on The Persephone Code\n\n\n \n 1812\n \n\n\n Lord Elgin’s Greek marbles are the talk of London society, so when a death threat arrives, the earl hires actress Dora Fitz-Pennington and the honourable Dr Jacob Sandys to investigate. They plunge into the scandals of society’s most eminent members, from the Byron circle to the secret world of collectors.\n\n\n As danger lurks around London’s every corner, in the most exclusive ballrooms and the roughest taverns, Dora and Jacob will face not only what has been left unsaid simmering between them but the threat of silent assassins, traitorous acquaintances and the darkest of secrets…\n\n\n Praise for Julia Golding\n ‘I won't lie, I picked this book up because of the cover – absolutely stunning…it was a perfect read’ ?????\n\n\n ‘This book was so good, I couldn't put it down’ ?????\n\n\n ‘Simply delicious! This book is absolutely glorious…in the midst of a lot of Regency retellings, it stands out … There is a wry wit throughout which balances beautifully with the dark themes’ ?????\n\n\n ‘This book is absolutely fantastic!!! I was so caught up in reading it that I missed lunch, and it was past time to start dinner. Only the rumbling of my stomach made me put it down for a quick meal, after which I resumed my reading’ ?????\n\n\n ‘Starts with a bang, never really pauses for breath, and has two main protagonists who are instantly likeable and easy to cheer for!’ ????\n\n\n ‘A roller-coaster ride with plenty of twists’ ????\n\n\n ‘What a compelling read! I found it a captivating, dynamic and enthralling book that kept me glued to the pages from beginning to end’ ????\n\n\n ‘The writing of this book was exquisite … I was hanging on to every last word’ ????

Ogni giorno un uomo passeggia in città, siede al caffè, sfama le anatre al parco, guarda le vetrine dei negozi, fa la spesa e a sera torna a casa per prepararsi la cena. Tu che cosa pensi? \"Che uomo triste e solo...\". Ma l'uomo solo e triste è felice. Felice perché sa apprezzare le piccole grandi cose della realtà di ogni giorno: il fuoco acceso nel caminetto, la luna e le stelle che brillano nel cielo, i bambini che giocano nel parco. Stare soli non vuol dire essere soli. E quando la sera spegniamo la luce prima di dormire, siamo tutti uguali. Tutti insieme dentro il magico flusso della vita. Età di lettura: da 7 anni.