Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per euripide in 2 negozi:

E se la guerra di Troia fosse stata combattuta per niente? L'idea di partenza di questa commedia di travolgente modernità appoggia sull'ipotesi paradossale che a Troia, rapita da Paride, non sia andata Elena ma una sua immagine fatta di nuvola, mentre l'originale viene confinata dagli dèi in Egitto. È da questa angolazione eccentrica che Euripide guarda il mito come fonte di menzogne, perche Elena resta una moglie fedele, una povera donna tradita dalla vita, un animo nobile marchiato da un'ingiusta calunnia. Una favola a lieto fine, pertanto: caratterizzata dal comico e attraversata dal civile grido di protesta del \"pacifista\" Euripide.

E se la guerra di Troia fosse stata combattuta per niente? L'idea di partenza di questa commedia di travolgente modernità appoggia sull'ipotesi paradossale che a Troia, rapita da Paride, non sia andata Elena ma una sua immagine fatta di nuvola, mentre l'originale viene confinata dagli dèi in Egitto. È da questa angolazione eccentrica che Euripide guarda il mito come fonte di menzogne, perche Elena resta una moglie fedele, una povera donna tradita dalla vita, un animo nobile marchiato da un'ingiusta calunnia. Una favola a lieto fine, pertanto: caratterizzata dal comico e attraversata dal civile grido di protesta del \"pacifista\" Euripide.

Con traduzione libera e forme verbali.

THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)\n\nEuripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.\n\nMedea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...\n\nSuitable for the general reader as well as for students and performers.\n\n'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright\n\n'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville\n\n'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

'She's chucked out like an old coat that nae langer fits him…'\n\n\n\nMedea and Jason, clinging together as refugees in Corinth, have struggled to bring up their beloved offspring in this alien and unsympathetic society. Now Jason has a plan to better integrate himself. Unfortunately, this involves abandoning his wife, the mother of his children…\n\n\n\nSpurned, destitute, desperate, Medea exacts her terrible retribution.\n\n\n\nLiz Lochhead's Scots-inflected version of Euripides' classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.

A student edition of this challenging and popular tragedy with notes and commentary. The most controversial of the Greek tragedians, Euripedes is also the most modern in his sympathies, a dramatist who handles the complex emotions of his characters with extraordinary depth and insight. Wronged and discarded by her husband, Medea gradually reveals her revenge in its increasing horror, while the audience is led to understand the incomprehensible; a woman who murders her own children. Since its first production (431 BC), the play has exerted an irresistible attraction for actors and directors alike. Translated by J.Michael Walton.

Tragedia di cupo fascino e rara intensità, l’Eracle mette in scena la catastrofe dell’eroe. Di ritorno dall’Ade, teatro della sua ultima fatica, Eracle salva la moglie e i figli dall’usurpatore di Tebe ma, reso folle da Era, sarà poi lui stesso a trucidarli. Cessato il delirio, vede la macchia indelebile di quel crimine sulla sua carriera eroica e, sconvolto dall’ostilità e dall’indifferenza degli dèi, rinnega la paternità di Zeus in favore di quella di Anfitrione, l’uomo che ha diviso con il dio l’amore di Alcmena e, nella versione euripidea del mito, ha contribuito a generarlo (non si parla più, come nella tradizione, del frutto umano di quel connubio, il gemello Ificle). Con l’amore del padre mortale e la solidarietà dell’amico Teseo, Eracle potrà riscoprire la radice umana della sua virtù. Il saggio introduttivo di Maria Serena Mirto addita il significato profondo del dramma in questa originale rilettura del racconto mitico.

I choose to take back my life.\nMy life.\n\nMedea is a wife and a mother. For the sake of her husband, Jason, she's left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear.\n\nBen Power's version of Euripides' tragedy Medea premiered at the National Theatre, London, in July 2014.

Jason, in exile in Corinth, is marrying the king's daughter. It looks as though his problems are over, though it's hard on Medea, who has betrayed her family for him, followed him all the way from Colchis, killed for him, and borne him two sons.\n\n\nEuripides' Medea is a compelling study of love turned to hatred and a rejected woman's burning desire for revenge. Its central, shocking, act of infanticide comes as the climax of a psychological thriller in which Euripides' dramaturgical skills are shown at their finest and the audience's emotions are ruthlessly manipulated. Medea's conflicting urges and her dazzling rhetoric have exercised an enduring fascination over audiences and readers since the play was first performed in 431 BC. This edition examines a wide range of aspects of the play, including text, performance, interpretation, Euripides' sources, other lost plays about Medea and Euripides' portrayal of character and gender. Greek text with facing-page translation, introduction and commentary.

World premiere of a new version of Euripides' classic Medea. Plays in London as part of the Almeida's Greek Season.\n\nMedea's marriage is breaking up. And so is everything else. Testing the limits of revenge and liberty, Euripides' seminal play cuts to the heart of gender politics and asks what it means to be a woman and a wife. One of world drama's most infamous characters is brought to controversial new life by Almeida Artistic Director Rupert Goold (The Merchant of Venice, King Charles III, American Psycho) and award-winning writer Rachel Cusk (Outline, Aftermath).

I choose to take back my life.\nMy life.\n\nMedea is a wife and a mother. For the sake of her husband, Jason, she's left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear.\n\nBen Power's version of Euripides' tragedy Medea premiered at the National Theatre, London, in July 2014.

THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)\n\nEuripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.\n\nMedea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...\n\nSuitable for the general reader as well as for students and performers.\n\n'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright\n\n'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville\n\n'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

World premiere of a new version of Euripides' classic Medea. Plays in London as part of the Almeida's Greek Season.\n\nMedea's marriage is breaking up. And so is everything else. Testing the limits of revenge and liberty, Euripides' seminal play cuts to the heart of gender politics and asks what it means to be a woman and a wife. One of world drama's most infamous characters is brought to controversial new life by Almeida Artistic Director Rupert Goold (The Merchant of Venice, King Charles III, American Psycho) and award-winning writer Rachel Cusk (Outline, Aftermath).