Sono stati trovati 43 prodotti corrispondenti alla tua ricerca per ferris in 7 negozi:

La stampa incorniciata Ferris Wheel - Fun è la scelta ideale per decorare gli ambienti domestici e dare un tocco di personalità. L'immagine in carta è perfetta per dare un tocco a tema bambino alle tue pareti. Dimensioni totali: larghezza 52 cm e altezza 77 cm. Prodotto fabbricato in Italia.. L'imballaggio ottimizzato consente di ridurre l'impatto sull'ambiente.

La stampa incorniciata Ferris Wheel – Merry decora la cameretta dei più piccoli con molta fantasia e disegni che evocano la creatività. L'immagine in carta è perfetta per dare un tocco a tema bambino alle tue pareti. L'asta in alluminio è larga 1 centimetro. La finitura è lucida e crea un effetto specchio, illuminando l'ambiente e accentuando i colori. Dimensioni totali: larghezza 52 cm e altezza 77 cm. Prodotto fabbricato in Italia.. Imballaggio ottimizzato: questo prodotto consente di aumentare l’efficienza dei trasporti, contribuendo a diminuire l'impatto sull’ambiente.

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On Glasgow's meanest streets life started well for the young Paul Ferris. How did he become Glasgow's most feared gangster, deemed a risk to national security?\n\nArthur Thompson, Godfather of the crime world and senior partner of the Krays, recruited young Ferris as a bagman, debt collector and equaliser. Feared for his capacity for extreme violence, respected for his intelligence, Ferris was the Godfather's heir apparent. But when gang warfare broke, underworld leaders traded in flesh, colluding with their partners - the police. Disgusted, Ferris left the Godfather and stood alone. \n\nThey gave him weeks to live.\n\nWhile Ferris was caged in Barlinnie Prison's segregation unit accused of murdering Thompson's son, Fatboy, his two friends were shot dead the night before the funeral and grotesquely displayed in a car on the cortége's route. Acquitted against all the odds, Ferris moved on, determined to make an honest living.\n\nThey would not let him.\n\nThe National Crime Squad, MI5, the police and two of the country's most powerful gangsters saw to that. A maximum-security prisoner, Ferris is known as 'Lucky' because he is still alive.\n\nThis is one man's unique insight into Britain's crime world and the inextricable web of corruption - a revealing story of official corruption and unholy alliances.

On Glasgow's meanest streets life started well for the young Paul Ferris. How did he become Glasgow's most feared gangster, deemed a risk to national security?\n\nArthur Thompson, Godfather of the crime world and senior partner of the Krays, recruited young Ferris as a bagman, debt collector and equaliser. Feared for his capacity for extreme violence, respected for his intelligence, Ferris was the Godfather's heir apparent. But when gang warfare broke, underworld leaders traded in flesh, colluding with their partners - the police. Disgusted, Ferris left the Godfather and stood alone. \n\nThey gave him weeks to live.\n\nWhile Ferris was caged in Barlinnie Prison's segregation unit accused of murdering Thompson's son, Fatboy, his two friends were shot dead the night before the funeral and grotesquely displayed in a car on the cortége's route. Acquitted against all the odds, Ferris moved on, determined to make an honest living.\n\nThey would not let him.\n\nThe National Crime Squad, MI5, the police and two of the country's most powerful gangsters saw to that. A maximum-security prisoner, Ferris is known as 'Lucky' because he is still alive.\n\nThis is one man's unique insight into Britain's crime world and the inextricable web of corruption - a revealing story of official corruption and unholy alliances.

A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS\n\nThey spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues.\n\nThere's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them.\n\nThen We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine.\n\n*Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.*\n\n'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work' The Times\n\n'As dazzling as Franzen's The Corrections and as confident as Tartt's The Secret History . . . Exceptional, very funny' Daily Telegraph\n\n'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world' Daily Mail

Una felpa girocollo minimale in una vestibilità classica con orlo e polsini a coste, questo ha una sensazione lucida e facile da indossare.Casual senza sforzo.Questo è un pile diagonale di alta qualità è un peso comodo e accogliente, perfetto per le giornate fredde.Un blu meravigliosamente saturo, questo ha un`atmosfera Pop Art.I polsini e l`orlo a coste mantengono lo stile strutturato.Il logo Lee spicca audace e fiero sul petto.Caratteristiche:- Vestibilità regolare.- 100% cotone.- Pile accogliente.Felpe e maglieria.Manica lunga.Regolare.Composizione:100% cotone.

A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS\n\nThey spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues.\n\nThere's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them.\n\nThen We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine.\n\n*Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.*\n\n'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work' The Times\n\n'As dazzling as Franzen's The Corrections and as confident as Tartt's The Secret History . . . Exceptional, very funny' Daily Telegraph\n\n'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world' Daily Mail

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A 10-year survey of the bright, graffiti-inspired abstractions of Keltie Ferris\n\nThis long-awaited publication is the first major monograph and career retrospective for the celebrated Kentucky-born, Brooklyn-based painter Keltie Ferris (born 1977). Known for his large-scale, energetic, brightly chromatic abstract canvases layered with spray paint and hand-painted geometric fields, Ferris makes staunchly analog paintings that draw inspiration from a range of subjects, from the broken-up pixelation of digital images and rubbed-out graffiti on New York streets to the glimmering city lights visible from his Brooklyn studio at night. He has commented that “bedazzled energy and bright artificial light” are prevalent inspirations for his compositional sensibility, which joyfully deploy “painting’s full arsenal.” This catalog explores the past 10 years of Ferris' career, examining his style and technique in a beautifully bound and visually stimulating volume.

A 10-year survey of the bright, graffiti-inspired abstractions of Keltie Ferris\n\nThis long-awaited publication is the first major monograph and career retrospective for the celebrated Kentucky-born, Brooklyn-based painter Keltie Ferris (born 1977). Known for his large-scale, energetic, brightly chromatic abstract canvases layered with spray paint and hand-painted geometric fields, Ferris makes staunchly analog paintings that draw inspiration from a range of subjects, from the broken-up pixelation of digital images and rubbed-out graffiti on New York streets to the glimmering city lights visible from his Brooklyn studio at night. He has commented that “bedazzled energy and bright artificial light” are prevalent inspirations for his compositional sensibility, which joyfully deploy “painting’s full arsenal.” This catalog explores the past 10 years of Ferris' career, examining his style and technique in a beautifully bound and visually stimulating volume.

The masterful Kate DiCamillo has outdone herself with a hilarious and achingly real love story about a girl, a ghost, a grandmother and growing up.\nIt’s the summer before fifth grade, and for Ferris Wilkey, it is a summer of sheer pandemonium. Her little sister, Pinky, has vowed to become an outlaw. Uncle Ted has left Aunt Shirley and, to Ferris’s mother’s chagrin, is holed up in the Wilkey basement to paint a history of the world. And Charisse, Ferris’s grandmother, has started seeing a ghost in the doorway to her room – which seems like an alarming omen given that she is feeling unwell. But the ghost is not there to usher Charisse to the Great Beyond. Rather, she has other plans – wild, impractical, illuminating plans. How can Ferris satisfy a spectre with Pinky terrorizing the town, Uncle Ted sending Ferris to spy on her aunt, and her father battling an invasion of raccoons?\n\nAs Charisse likes to say, “Every good story is a love story,” and Kate DiCamillo has written one for the ages: emotionally resonant and healing, showing the twice Newbery Medallist at her most playful, universal and profound.

The masterful Kate DiCamillo has outdone herself with a hilarious and achingly real love story about a girl, a ghost, a grandmother and growing up.\nIt’s the summer before fifth grade, and for Ferris Wilkey, it is a summer of sheer pandemonium. Her little sister, Pinky, has vowed to become an outlaw. Uncle Ted has left Aunt Shirley and, to Ferris’s mother’s chagrin, is holed up in the Wilkey basement to paint a history of the world. And Charisse, Ferris’s grandmother, has started seeing a ghost in the doorway to her room – which seems like an alarming omen given that she is feeling unwell. But the ghost is not there to usher Charisse to the Great Beyond. Rather, she has other plans – wild, impractical, illuminating plans. How can Ferris satisfy a spectre with Pinky terrorizing the town, Uncle Ted sending Ferris to spy on her aunt, and her father battling an invasion of raccoons?\n\nAs Charisse likes to say, “Every good story is a love story,” and Kate DiCamillo has written one for the ages: emotionally resonant and healing, showing the twice Newbery Medallist at her most playful, universal and profound.