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The Co-Creator of CHEW is out to smash the Tech Gods along with artist Sam Lotfi (Harley Quinn, Superman)!\n\n In the hyper-technological world of the late 21st century, Mosely is a bitter old janitor on a mission from a higher power—to unleash holy Hell upon the “too big to fail” Tech Gods. Can one man bring down the corporate powers who’ve used their vast influence to oppress an all too complacent human race (and hopefully win back the favour of his estranged family while he’s at it)? Mosely’s taking up the Holy Hammer and you better believe he’s gonna smash some $h!t until he sets mankind free! But what happens if he succeeds? What will happen to humans when they’ve been reliant on AI and technology for so long? From Farmhand creator Rob Guillory and Sam Lotfi (Harley Quinn), Mosely is a satirical sci-fi blockbuster perfect for fans of Eve!

The Co-Creator of CHEW is out to smash the Tech Gods along with artist Sam Lotfi (Harley Quinn, Superman)!\n\n In the hyper-technological world of the late 21st century, Mosely is a bitter old janitor on a mission from a higher power—to unleash holy Hell upon the “too big to fail” Tech Gods. Can one man bring down the corporate powers who’ve used their vast influence to oppress an all too complacent human race (and hopefully win back the favour of his estranged family while he’s at it)? Mosely’s taking up the Holy Hammer and you better believe he’s gonna smash some $h!t until he sets mankind free! But what happens if he succeeds? What will happen to humans when they’ve been reliant on AI and technology for so long? From Farmhand creator Rob Guillory and Sam Lotfi (Harley Quinn), Mosely is a satirical sci-fi blockbuster perfect for fans of Eve!

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John Guillory considers close reading within the larger history of reading and writing as cultural techniques.\n  \n At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?\n  \n For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.\n  \n Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.

John Guillory considers close reading within the larger history of reading and writing as cultural techniques.\n  \n At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?\n  \n For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.\n  \n Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.

John Guillory considers close reading within the larger history of reading and writing as cultural techniques.\n  \n At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?\n  \n For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.\n  \n Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.

John Guillory considers close reading within the larger history of reading and writing as cultural techniques.\n  \n At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?\n  \n For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.\n  \n Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.

Jedidiah Jenkins was a simple farmer. His cash crop\nwasn’t corn or soy. He grew fast-healing, highly customizable human\norgans, which he used to heal the world.\n\n\nBut it was all a\nlie.\n \nWhat\nJedidiah planned for good, a dark entity has used to transform humanity into\nsomething monstrous. Only Jedidiah’s children stand in its way. Not all of\nthem will survive.\n\n\nCollects FARMHAND #16-20

Jedidiah Jenkins was a simple farmer. His cash crop\nwasn’t corn or soy. He grew fast-healing, highly customizable human\norgans, which he used to heal the world.\n\n\nBut it was all a\nlie.\n \nWhat\nJedidiah planned for good, a dark entity has used to transform humanity into\nsomething monstrous. Only Jedidiah’s children stand in its way. Not all of\nthem will survive.\n\n\nCollects FARMHAND #16-20

\"My cheeks hurt from smiling through this delightful book for adults who haven't outgrown fairytales.\"\n- JODI PICOULT, THE SUNDAY TIMES BESTSELLING AUTHOR OF WISH YOU WERE HERE\n\nSometimes to truly know a person, you have to read between the lines.\n\nIsabelle is completely lost. When she first began her career in publishing after college, she did not expect to be twenty-five, still living at home, and one of the few Black employees at her publishing house. Overworked and underpaid, constantly torn between speaking up or stifling herself, Izzy thinks there must be more to this publishing life. So when she overhears her boss complaining about a beastly high-profile author who has failed to deliver his long-awaited manuscript, Isabelle sees an opportunity to finally get the promotion she deserves.\n\nAll she has to do is go to the author's Santa Barbara mansion and give him a pep talk or three. How hard could it be?\n\nBut Izzy quickly finds out she is in over her head. Beau Towers is not some celebrity lightweight writing a tell-all memoir. He is jaded and withdrawn and - it turns out - just as lost as Izzy. But despite his standoffishness, Izzy needs Beau to deliver, and with her encouragement, his story begins to spill onto the page. They soon discover they have more in common than either of them expected, and as their deadline nears, Izzy and Beau begin to realize there may be something there that wasn't there before. \n\nBest-selling author Jasmine Guillory's reimagining of a beloved fairy tale is a romantic triumph of love and acceptance and learning that sometimes to truly know a person you have to read between the lines.\n\n\"By the Book is in my hands and I could not be any more excited to celebrate it!\"\n- EMILY HENRY, THE SUNDAY TIMES BESTSELLING AUTHOR OF BOOK LOVERS

\"My cheeks hurt from smiling through this delightful book for adults who haven't outgrown fairytales.\"\n- JODI PICOULT, THE SUNDAY TIMES BESTSELLING AUTHOR OF WISH YOU WERE HERE\n\nSometimes to truly know a person, you have to read between the lines.\n\nIsabelle is completely lost. When she first began her career in publishing after college, she did not expect to be twenty-five, still living at home, and one of the few Black employees at her publishing house. Overworked and underpaid, constantly torn between speaking up or stifling herself, Izzy thinks there must be more to this publishing life. So when she overhears her boss complaining about a beastly high-profile author who has failed to deliver his long-awaited manuscript, Isabelle sees an opportunity to finally get the promotion she deserves.\n\nAll she has to do is go to the author's Santa Barbara mansion and give him a pep talk or three. How hard could it be?\n\nBut Izzy quickly finds out she is in over her head. Beau Towers is not some celebrity lightweight writing a tell-all memoir. He is jaded and withdrawn and - it turns out - just as lost as Izzy. But despite his standoffishness, Izzy needs Beau to deliver, and with her encouragement, his story begins to spill onto the page. They soon discover they have more in common than either of them expected, and as their deadline nears, Izzy and Beau begin to realize there may be something there that wasn't there before. \n\nBest-selling author Jasmine Guillory's reimagining of a beloved fairy tale is a romantic triumph of love and acceptance and learning that sometimes to truly know a person you have to read between the lines.\n\n\"By the Book is in my hands and I could not be any more excited to celebrate it!\"\n- EMILY HENRY, THE SUNDAY TIMES BESTSELLING AUTHOR OF BOOK LOVERS

Jedidiah Jenkins is a simple farmer. But his cash crop\nisn't corn or soy. He grows fast-healing, highly customizable human\norgans.\n\nWith the Jedidiah Seed leaking into the\nlocal ecosystem at an ever-increasing pace, the Jenkins' search for a cure will\ntake them to the very roots of the seed's creation. What they find there will\nrock Freetown and shatter their family. There is no going\nback.\n\n\nCollects FARMHAND\n#11-15