Sono stati trovati 45 prodotti corrispondenti alla tua ricerca per gentlewoman in 14 negozi:

Juliette Has A Gun Profumo Donna Juliette Has A Gun Gentlewoman EDP 100 ml Gentlewoman

Juliette Has A Gun - Gentlewoman - Eau De Parfum.Proprio Come Una Gentildonna, Su Questa Eau De Cologne Dal Taglio Femminile È Impresso Un Genere Specifico. Una Fragranza Maschile Dedicata Alle Donne. La Sua Ruota, Ruota Intorno All'Essenza Di Neroli, A

  Piramide Olfattiva Note di Testa:     Note di Cuore:     Note di Fondo:   Consigli di Utilizzo: Spruzza il profumo disponendo il flacone ad almeno 12-18 cm di distanza dal torace o dal corpo. Punta l'erogatore verso il punto in cui lo vaporizzerai. Se

Juliette Has A Gun - Gentlewoman - Eau De Parfum.Proprio Come Una Gentildonna, Su Questa Eau De Cologne Dal Taglio Femminile È Impresso Un Genere Specifico. Una Fragranza Maschile Dedicata Alle Donne. La Sua Ruota, Ruota Intorno All'Essenza Di Neroli, A

Gentlewoman Água de Colónia 100mL

Juliette Has A Gun - Gentlewoman - Eau De Parfum.Proprio Come Una Gentildonna, Su Questa Eau De Cologne Dal Taglio Femminile È Impresso Un Genere Specifico. Una Fragranza Maschile Dedicata Alle Donne. La Sua Ruota, Ruota Intorno All'Essenza Di Neroli, A

Juliette Has A Gun - Gentlewoman - Eau De Parfum.Proprio Come Una Gentildonna, Su Questa Eau De Cologne Dal Taglio Femminile È Impresso Un Genere Specifico. Una Fragranza Maschile Dedicata Alle Donne. La Sua Ruota, Ruota Intorno All'Essenza Di Neroli, A

Gentlewoman Água de Colónia 100mL

  Piramide Olfattiva Note di Testa:     Note di Cuore:     Note di Fondo:   Consigli di Utilizzo: Spruzza il profumo disponendo il flacone ad almeno 12-18 cm di distanza dal torace o dal corpo. Punta l'erogatore verso il punto in cui lo vaporizzerai. Se

JULIETTE HAS A GUN Profumi femminili Profumi Gentlewoman 50ml Eau De Parfum.

The collected writings of Margaret More Roper, presented and annotated for classroom use.\n\n Margaret More Roper (1505–44) was, at the age of nineteen, the first early modern woman writer in Tudor England and the first nonroyal woman to have a book printed in the English language. As the eldest daughter of Sir Thomas More, Roper received a cutting-edge education in Latin and Greek that was virtually unprecedented for a woman. Besides gaining an international reputation for her outstanding erudition, Roper served as More’s confidante during his imprisonment. Her correspondence from this period offers valuable insight into a key moment in English history.\n\n This Other Voice series edition recognizes Margaret More Roper as a notable historical figure in her own right and as one of the most learned women of her time. It publishes all her extant writings in modernized spelling, with annotations, a glossary, and a current bibliography of studies about her.

The collected writings of Margaret More Roper, presented and annotated for classroom use.\n\n Margaret More Roper (1505–44) was, at the age of nineteen, the first early modern woman writer in Tudor England and the first nonroyal woman to have a book printed in the English language. As the eldest daughter of Sir Thomas More, Roper received a cutting-edge education in Latin and Greek that was virtually unprecedented for a woman. Besides gaining an international reputation for her outstanding erudition, Roper served as More’s confidante during his imprisonment. Her correspondence from this period offers valuable insight into a key moment in English history.\n\n This Other Voice series edition recognizes Margaret More Roper as a notable historical figure in her own right and as one of the most learned women of her time. It publishes all her extant writings in modernized spelling, with annotations, a glossary, and a current bibliography of studies about her.

A collection of poems by the first English woman to publish secular poetry under her own name.\n\n Isabella Whitney (c. 1547–after 1624) was the first English woman to publish original secular poetry under her own name. She published two poetic miscellanies of poems: The Copy of a Letter (1567) and A Sweet Nosegay (1573), which include her own work as well as a total of six poems by five different male authors. This edition of her writings prints modernized texts of the complete miscellanies and adds to them six poems attributed to Whitney by largely twentieth-century critics. These poems provide a rich portrait of sixteenth-century female courtship and its dangers, a unique view of class and gender in Whitney’s lifetime, and a portrait of London as a burgeoning market of practical goods and luxury items from foodstuffs to imported silk.

A collection of poems by the first English woman to publish secular poetry under her own name.\n\n Isabella Whitney (c. 1547–after 1624) was the first English woman to publish original secular poetry under her own name. She published two poetic miscellanies of poems: The Copy of a Letter (1567) and A Sweet Nosegay (1573), which include her own work as well as a total of six poems by five different male authors. This edition of her writings prints modernized texts of the complete miscellanies and adds to them six poems attributed to Whitney by largely twentieth-century critics. These poems provide a rich portrait of sixteenth-century female courtship and its dangers, a unique view of class and gender in Whitney’s lifetime, and a portrait of London as a burgeoning market of practical goods and luxury items from foodstuffs to imported silk.

Gel doccia al profumo di Cool Water Woman. Freschezza frizzante per donne `cool`, ovvero Cool Water Woman. Una fragranza attraente per la donna moderna e sensuale che si gode ogni momento della vita. Emozionante e vibrante come la spuma del mare.

The life of Giulia Gonzaga – a leading figure in a delicate time of transition in 16th-century Italian political, cultural and religious history – brings this period and its dramatic turning-points alive.A favoured disciple of Juan de Valdés and at the centre of his group of followers, as well as a loyal friend of the protonotary Pietro Carnesecchi, who was condemned for heresy and executed, Giulia Gonzaga was strongly tied to her class, her powerful dynasty and to family and political intrigues. Under the shadow of her family, she enjoyed a heterodox experience shared by many others, men and women alike, who were protagonists of an intellectual and spiritual dissent that was harshly repressed by the Church of Rome. Through the life of a woman, this book recounts the shifts in the political balance of power in Italy in the early years of Spanish dominion and how they mixed with religious dissent and with attempts to change the direction of the Church. It also recounts the relationships, friendships and solidarities of an aristocracy, male and female, that sought to play a role in the bitter conflicts that had emerged in Italian society as the Reformation spread throughout Europe.

The life of Giulia Gonzaga – a leading figure in a delicate time of transition in 16th-century Italian political, cultural and religious history – brings this period and its dramatic turning-points alive.A favoured disciple of Juan de Valdés and at the centre of his group of followers, as well as a loyal friend of the protonotary Pietro Carnesecchi, who was condemned for heresy and executed, Giulia Gonzaga was strongly tied to her class, her powerful dynasty and to family and political intrigues. Under the shadow of her family, she enjoyed a heterodox experience shared by many others, men and women alike, who were protagonists of an intellectual and spiritual dissent that was harshly repressed by the Church of Rome. Through the life of a woman, this book recounts the shifts in the political balance of power in Italy in the early years of Spanish dominion and how they mixed with religious dissent and with attempts to change the direction of the Church. It also recounts the relationships, friendships and solidarities of an aristocracy, male and female, that sought to play a role in the bitter conflicts that had emerged in Italian society as the Reformation spread throughout Europe.

Sharply observed, snappily written and thoroughly researched, She Merchants provides a fabulous panorama of a largely ignored area of social history. Katie Hickman successfully challenges the stereotype of the snobbish, matron-like memsahib by deploying a riveting gallery of powerful and often eccentric women ranging from stowaways and runaways through courtesans and society beauties to Generals feisty wives and Viceroys' waspish sisters. It is full of surprises and new material and completely engaging from beginning to end' William Dalrymple \n\nThe first British women to set foot in India did so in the very early seventeenth century, two and a half centuries before the Raj. \n\nWomen made their way to India for exactly the same reasons men did - to carve out a better life for themselves. In the early days, India was a place where the slates of 'blotted pedigrees' were wiped clean; bankrupts given a chance to make good; a taste for adventure satisfied - for women. They went and worked as milliners, bakers, dress-makers, actresses, portrait painters, maids, shop-keepers, governesses, teachers, boarding house proprietors, midwives, nurses, missionaries, doctors, geologists, plant-collectors, writers, travellers, and - most surprising of all - traders. \n\nAs wives, courtesans and she-merchants, these tough adventuring women were every bit as intrepid as their men, the buccaneering sea captains and traders in whose wake they followed; their voyages to India were extraordinarily daring leaps into the unknown. \n\nThe history of the British in India has cast a long shadow over these women; Memsahibs, once a word of respect, is now more likely to be a byword for snobbery and even racism. And it is true: prejudice of every kind - racial, social, imperial, religious - did cloud many aspects of British involvement in India. But was not invariably the case.\n\n In this landmark book, celebrated chronicler, Katie Hickman, uncovers stories, until now hidden from history: here is Charlotte Barry, who in 1783 left London a high-class courtesan and arrived in India as Mrs William Hickey, a married 'lady'; Poll Puff who sold her apple puffs for 'upwards of thirty years, growing grey in the service'; Mrs Hudson who in 1617 was refused as a trader in indigo by the East Indian Company, and instead turned a fine penny in cloth; Julia Inglis, a survivor of the siege of Lucknow; Amelia Horne, who witnessed the death of her entire family during the Cawnpore massacres of 1857; and Flora Annie Steel, novelist and a pioneer in the struggle to bring education to purdah women. \n\n For some it was painful exile, but for many it was exhilarating. Through diaries, letters and memoirs (many still in manuscript form), this exciting book reveals the extraordinary life and times of hundreds of women who made their way across the sea and changed history.