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Childhood friends Chris and Imran celebrate the Millenium as inseparable blood brothers, they are both seven years old. But by 2011 their lives have taken very different paths. One has joined the Army and served in Afghanistan, the other is a potential jihad recruit. They are no longer friends, and there are bitter wounds between them which remain unhealed. Will their childhood bond be strong enough to overcome an extremist plot?\n\nIn a highly-charged, honest and life affirming story, told in flashback from both Chris and Imran's viewpoint, Alan Gibbon's cleverly explores the very real issue of terrorism that affects everyone today.

Childhood friends Chris and Imran celebrate the Millenium as inseparable blood brothers, they are both seven years old. But by 2011 their lives have taken very different paths. One has joined the Army and served in Afghanistan, the other is a potential jihad recruit. They are no longer friends, and there are bitter wounds between them which remain unhealed. Will their childhood bond be strong enough to overcome an extremist plot?\n\nIn a highly-charged, honest and life affirming story, told in flashback from both Chris and Imran's viewpoint, Alan Gibbon's cleverly explores the very real issue of terrorism that affects everyone today.

Winner of the Angus Book Award, THE EDGE is crackly with tension. How will this mother and son escape their abuser and start a new life? \n\nWe've got to go. Now. \n\nIt's early morning and Danny's mother is at his bedside, urging him to get up. They're on the run from Chris, his mother's boyfriend, a violent man who beats them both up, and won't let them go. \n\nChris pursues Danny and his mother from London to the north, where they take refuge with Danny's grandparents. But even there, nothing is safe. Danny is conspicuous as the only mixed-race boy in their small community, and with the ever-present threat of discovery, he has to learn how to live continually on the edge. \n\nA tense and chilling story with terrific drama, THE EDGE shows the depth of character and the understanding of the predicaments of children today that gives Alan Gibbons his special quality.

Fact and fiction intertwine in this wonderful celebration of African football, with a strong message of ambition, hard work and determination at its heart. Particularly suitable for struggling, reluctant and dyslexic readers aged 8+\n\n\n Jimi dreams of playing in the all-white kit of the Lions of Senegal but he can't see how his dream will ever come true. Even though he is the best footballer in the region, the bigger boys never let him play with them. But can he change their minds? With huge support from his family, Jimi finds that there is nothing that he can't achieve!Interwoven with lots of facts about the history of African football and African-born footballing superstars such as Didier Drogba, Samuel Eto, Patrick Viera and Yaya Toure, this book is ideal to engage reluctant reading football fans. Particularly suitable for struggling, reluctant and dyslexic readers aged 8+

First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.

First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.

Creepy. Peculiar. Fairy. Goblin. Liar. Weirdo. Crank. Genius.\n\nNo one knows what to make of Juliet Slater, not even her mother. And clothes, boys, school, friends, the changing seasons and what other people think - none of these things seem to matter to Juliet. She spends hours in her room with incomprehensible mathematical text books, her mind voyaging in strange seas of thought, alone. Is she a genius? It might take the rest of her life to find out.\n\nWhile Stella Gibbons was celebrated for her beloved bestseller Cold Comfort Farm, the manuscript for Pure Juliet lay unseen and forgotten until it was brought to light by her family in 2014, and is published here for the first time in Vintage Classics. A tale that travels from an eco-millionaire's British country idyll to an Arabian Nights-style fantasy of the Middle East, this is a treat for fans of this witty, curious and always surprising author.

Creepy. Peculiar. Fairy. Goblin. Liar. Weirdo. Crank. Genius.\n\nNo one knows what to make of Juliet Slater, not even her mother. And clothes, boys, school, friends, the changing seasons and what other people think - none of these things seem to matter to Juliet. She spends hours in her room with incomprehensible mathematical text books, her mind voyaging in strange seas of thought, alone. Is she a genius? It might take the rest of her life to find out.\n\nWhile Stella Gibbons was celebrated for her beloved bestseller Cold Comfort Farm, the manuscript for Pure Juliet lay unseen and forgotten until it was brought to light by her family in 2014, and is published here for the first time in Vintage Classics. A tale that travels from an eco-millionaire's British country idyll to an Arabian Nights-style fantasy of the Middle East, this is a treat for fans of this witty, curious and always surprising author.

When Nell Sely moves from sleepy Dorset to Hampstead she leaves behind a childhood of dull teas and oppressive rules for the freedom of the big city. Naive and only nineteen, she becomes embroiled with the wayward John Gaunt and falls in with London's bohemian crowd. In this city of seductive, shifting morals, smoke-filled jazz-clubs and glamorous espresso bars, Nell must master her new found independence and learn to strike her own course.

WITH AN INTRODUCTION BY LYNNE TRUSS\n\n'Stella Gibbons is the Jane Austen of the twentieth century' The Times\n\nSet in wartime London, Westwood tells the story of Margaret Steggles, a plain bookish girl whose mother has told her that she is not the type that attracts men. Her schoolfriend Hilda has a sunny temperament and keeps her service boys 'ever so cheery'. When Margaret finds a ration book on Hampstead Heath the pompous writer Gerard Challis enters both their lives. Margaret slavishly adores Challis and his artistic circle; Challis idolises Hilda for her hair and her eyes and Hilda finds Gerard's romantic overtures a bit of a bind. This is a delightfully comic and wistful tale of love and longing.

When Nell Sely moves from sleepy Dorset to Hampstead she leaves behind a childhood of dull teas and oppressive rules for the freedom of the big city. Naive and only nineteen, she becomes embroiled with the wayward John Gaunt and falls in with London's bohemian crowd. In this city of seductive, shifting morals, smoke-filled jazz-clubs and glamorous espresso bars, Nell must master her new found independence and learn to strike her own course.

'Don't show proper feelin', does it, not turnin' up for 'is dad's funeral?'\n\nSiblings Sophia, Harry and Francis have lost both their parents in the last six months. Attending the funeral for their estranged father, they wonder what will become of them now that the last connection to their difficult childhood has been severed. What have they inherited - financially and emotionally - to guide them to adulthood, and build a new home together?\n\n Enbury Heath is a semi-autobiographical account of the years which Gibbons and her brothers spent living in a cottage in Hampstead Heath: a wonderfully astute, bittersweet novel about family, grief, money, and the pleasures of London.

WITH AN INTRODUCTION BY LYNNE TRUSS\n\n'Stella Gibbons is the Jane Austen of the twentieth century' The Times\n\nSet in wartime London, Westwood tells the story of Margaret Steggles, a plain bookish girl whose mother has told her that she is not the type that attracts men. Her schoolfriend Hilda has a sunny temperament and keeps her service boys 'ever so cheery'. When Margaret finds a ration book on Hampstead Heath the pompous writer Gerard Challis enters both their lives. Margaret slavishly adores Challis and his artistic circle; Challis idolises Hilda for her hair and her eyes and Hilda finds Gerard's romantic overtures a bit of a bind. This is a delightfully comic and wistful tale of love and longing.

Brother and sister, Constance and Kenneth Fielding live in calm respectability, just out of reach of London and the Blitz. But when a series of uninvited guests converge upon them - from a Balkan exile to Ken's old flame and the siblings' own raffish father - the household struggles to preserve its precious peace. In this full house, in a quiet corner of suburbia, no one expects to find romance.

Brother and sister, Constance and Kenneth Fielding live in calm respectability, just out of reach of London and the Blitz. But when a series of uninvited guests converge upon them - from a Balkan exile to Ken's old flame and the siblings' own raffish father - the household struggles to preserve its precious peace. In this full house, in a quiet corner of suburbia, no one expects to find romance.

'Don't show proper feelin', does it, not turnin' up for 'is dad's funeral?'\n\nSiblings Sophia, Harry and Francis have lost both their parents in the last six months. Attending the funeral for their estranged father, they wonder what will become of them now that the last connection to their difficult childhood has been severed. What have they inherited - financially and emotionally - to guide them to adulthood, and build a new home together?\n\n Enbury Heath is a semi-autobiographical account of the years which Gibbons and her brothers spent living in a cottage in Hampstead Heath: a wonderfully astute, bittersweet novel about family, grief, money, and the pleasures of London.