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Fugue by Lydia Goldblatt is a body of work about love and grief, mothering and losing a mother, intimacy and distance, told through photographs and writing. Centring on the domestic space and made over the course of four years, it tells a story that is neither apologetic nor idealised.\n\nWhen Goldblatt became a mother she found herself unable to make pictures. However, after her own mother died, she began to photograph again, both at home and in the city around her.\n\n‘I wanted to be honest about what I was struggling with, about the feelings of claustrophobia and rage, as much as intimacy and love. These are feelings so often hidden by mothers, so often silenced as unacceptable.’

Fugue by Lydia Goldblatt is a body of work about love and grief, mothering and losing a mother, intimacy and distance, told through photographs and writing. Centring on the domestic space and made over the course of four years, it tells a story that is neither apologetic nor idealised.\n\nWhen Goldblatt became a mother she found herself unable to make pictures. However, after her own mother died, she began to photograph again, both at home and in the city around her.\n\n‘I wanted to be honest about what I was struggling with, about the feelings of claustrophobia and rage, as much as intimacy and love. These are feelings so often hidden by mothers, so often silenced as unacceptable.’

David Goldblatt Fotografie - Goldblatt David - Contrasto

Il suo lavoro è una lunga osservazione, durata tutta la vita, sullo sviluppo sociale e politico del Sudafrica. La sua visione è cresciuta nel tempo, al passo con i cambiamenti della società di cui ha saputo cogliere le nuove aspirazioni, le trasformazioni e la loro insita fragilità. Lo sguardo di Goldbatt ha cercato di indagare le relazioni che esistono tra le vite degli individui e le strutture in cui abitano, consapevole della storia difficile e violenta che ha scosso e insieme costruito il suo paese. L'insieme delle sue fotografie, il lungo racconto visivo di una terra complessa come il Sudafrica, costituiscono una straordinaria documentazione. La fotografia, nelle parole di David Goldbatt, rivela \"qualcosa della sottigliezza e dell'ambiguità dei nostri altalenanti impulsi e della percezione, spesso contraddittoria, che abbiamo della realtà\". La sua acuta sensibilità politica e sociale riesce a dare senso e spessore al tessuto della vita quotidiana, e nello stesso tempo ci fornisce un'informazione indispensabile sulla vita in Sudafrica durante l'apartheid.

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence\n  \nDavid Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included. In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics. The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa.\n  \n Published in association with Fundación MAPFRE, Art Institute of Chicago, and Yale University Art Gallery\n  \nExhibition Schedule:\n  \nArt Institute of Chicago\n (December 2, 2023–March 25, 2024)\n  \nMAPFRE, Madrid\n (May 29, 2024–September 1, 2024)\n  \nYale University Art Gallery\n (February 21, 2025–June 22, 2025)

Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town, South Africa during the 1960s. He originally began taking pictures in the club with the intention of selling the photographs to the customers - the people he was photographing. His aim was not to make a social statement, but his money-making scheme quickly turned into something else as he increasingly captured the raw energy of the club, its decadence and tragedy, its humanity and joy. As someone who shared the experiences of those club-goers, he was trusted by them and was able to convey their world and their experience with great energy and honesty. As David Goldblatt has written \"These are photographs by an insider of insiders for insiders. If inhibitions were lowered by the seemingly vast quantities of brandy and Coke that were imbibed, trust, nevertheless, is powerfully evident. Not simply in the raucous tweaking of bared breasts, or the more guarded but evident 'togetherness' of two bearded men, as well as the open flouting of peculiarly South African sanctions such as prohibitions on interracial sex. It is also present in the quiet composure of many of the portraits.\nPeople seemed to welcome and even bask in Monk's attentions.\" Monk stopped photographing at the club in 1969. Ten years later his contact sheets and negatives were discovered and in 1982 the work was exhibited at the Market Gallery in Johannesburg. Monk could not make the opening and two weeks later, en route to seeing the show, he became involved in an argument. A fight broke out, Monk was fatally shot in the chest and never saw his exhibition.

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence\n  \nDavid Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included. In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics. The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa.\n  \n Published in association with Fundación MAPFRE, Art Institute of Chicago, and Yale University Art Gallery\n  \nExhibition Schedule:\n  \nArt Institute of Chicago\n (December 2, 2023–March 25, 2024)\n  \nMAPFRE, Madrid\n (May 29, 2024–September 1, 2024)\n  \nYale University Art Gallery\n (February 21, 2025–June 22, 2025)

Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town, South Africa during the 1960s. He originally began taking pictures in the club with the intention of selling the photographs to the customers - the people he was photographing. His aim was not to make a social statement, but his money-making scheme quickly turned into something else as he increasingly captured the raw energy of the club, its decadence and tragedy, its humanity and joy. As someone who shared the experiences of those club-goers, he was trusted by them and was able to convey their world and their experience with great energy and honesty. As David Goldblatt has written \"These are photographs by an insider of insiders for insiders. If inhibitions were lowered by the seemingly vast quantities of brandy and Coke that were imbibed, trust, nevertheless, is powerfully evident. Not simply in the raucous tweaking of bared breasts, or the more guarded but evident 'togetherness' of two bearded men, as well as the open flouting of peculiarly South African sanctions such as prohibitions on interracial sex. It is also present in the quiet composure of many of the portraits.\nPeople seemed to welcome and even bask in Monk's attentions.\" Monk stopped photographing at the club in 1969. Ten years later his contact sheets and negatives were discovered and in 1982 the work was exhibited at the Market Gallery in Johannesburg. Monk could not make the opening and two weeks later, en route to seeing the show, he became involved in an argument. A fight broke out, Monk was fatally shot in the chest and never saw his exhibition.

THE DEFINITIVE, CRITICALLY ACCLAIMED BOOK ABOUT FOOTBALL\n\n 'Football conquered the world with its capacity to astonish, and this is its definitive history' The Independent\n\nThere may be no cultural practice more global than soccer. Rites of birth and marriage are infinitely diverse, but the rules of soccer are universal. No world religion can match its geographical scope. The single greatest simultaneous human collective experience is the World Cup final.\n\n In this extraordinary tour de force, David Goldblatt tells the full story of football's rise from chaotic folk ritual to the world's most popular sport. \n\nThe Ball Is Round illuminates football's role in the political and social histories of modern societies, but never loses sight of the beauty, joy, and excitement of the game. \n___________________________________\n\n'Goldblatt writes with authority, humour, and passion, not least in the accounts of famous or significant matches scattered throughout the book' Times Literary Supplement\n\n'Since it became a worldwide phenomenon, nobody has attempted to write an overall history of the game. Now David Goldblatt's stunning book will be the measure against which all other such volumes are judged' The Guardian\n\n 'Goldblatt's magnum opus . . . Anyone with a brain and an interest in football will enjoy this book' The Daily Telegraph (London)

THE DEFINITIVE, CRITICALLY ACCLAIMED BOOK ABOUT FOOTBALL\n\n 'Football conquered the world with its capacity to astonish, and this is its definitive history' The Independent\n\nThere may be no cultural practice more global than soccer. Rites of birth and marriage are infinitely diverse, but the rules of soccer are universal. No world religion can match its geographical scope. The single greatest simultaneous human collective experience is the World Cup final.\n\n In this extraordinary tour de force, David Goldblatt tells the full story of football's rise from chaotic folk ritual to the world's most popular sport. \n\nThe Ball Is Round illuminates football's role in the political and social histories of modern societies, but never loses sight of the beauty, joy, and excitement of the game. \n___________________________________\n\n'Goldblatt writes with authority, humour, and passion, not least in the accounts of famous or significant matches scattered throughout the book' Times Literary Supplement\n\n'Since it became a worldwide phenomenon, nobody has attempted to write an overall history of the game. Now David Goldblatt's stunning book will be the measure against which all other such volumes are judged' The Guardian\n\n 'Goldblatt's magnum opus . . . Anyone with a brain and an interest in football will enjoy this book' The Daily Telegraph (London)

WINNER of the William Hill Sports Book of the Year Award 2015\n\nIn the last two decades football in Britain has made the transition from a peripheral dying sport to the very centre of our popular culture, from an economic basket-case to a booming entertainment industry. What does it mean when football becomes so central to our private and political lives? Has it enriched us or impoverished us?\n\nIn this sparkling book David Goldblatt argues that no social phenomenon tracks the momentous economic, social and political changes of the post-Thatcherite era in a more illuminating manner than football, and no cultural practice sheds more light on the aspirations and attitudes of our long boom and now calamitous bust. A must-read for the thinking football fan, The Game of Our Lives will appeal to readers of Fever Pitch by Nick Hornby and Inverting the Pyramid by Jonathan Wilson. It will also be relished by readers of British social history such as Austerity Britain by David Kynaston. \n\n'Brilliantly incisive. Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been. Goldblatt's book could hardly be more impressive' Sunday Times

WINNER of the William Hill Sports Book of the Year Award 2015\n\nIn the last two decades football in Britain has made the transition from a peripheral dying sport to the very centre of our popular culture, from an economic basket-case to a booming entertainment industry. What does it mean when football becomes so central to our private and political lives? Has it enriched us or impoverished us?\n\nIn this sparkling book David Goldblatt argues that no social phenomenon tracks the momentous economic, social and political changes of the post-Thatcherite era in a more illuminating manner than football, and no cultural practice sheds more light on the aspirations and attitudes of our long boom and now calamitous bust. A must-read for the thinking football fan, The Game of Our Lives will appeal to readers of Fever Pitch by Nick Hornby and Inverting the Pyramid by Jonathan Wilson. It will also be relished by readers of British social history such as Austerity Britain by David Kynaston. \n\n'Brilliantly incisive. Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been. Goldblatt's book could hardly be more impressive' Sunday Times

Recent years have seen dramatic changes to the events industry. The influence of social media and global communications technology, increased focus on environmental sustainably and social responsibility, and changes to the economic and cultural landscape have driven rapid expansion and increased competition.\n\n \n\n Special Events: Creating and Sustaining a New World for Celebration has been the event planner's essential guide for three decades, providing comprehensive coverage of the theory, concepts and practice of event management. The new Eighth Edition continues to be the definitive guide for creating, organizing, promoting, and managing special events of all kinds. Authors, Seungwon \"Shawn\" Lee and Joe Goldblatt, internationally-recognized leaders and educators in the industry, guide readers through all the aspects of professional event planning with their broad understanding of diverse cultures and business sectors. This definitive resource enables current and future event leaders to stretch the boundaries of the profession and meaningfully impact individuals, organizations, and cultures around the globe. Global case studies of high-profile events, such as the PyeongChang Winter Olympic Games and Norway's Constitution Day annual event, complement discussions of contemporary issues surrounding safety, security, and risk management. Each chapter includes \"Ecologic,\" \"Techview,\" and/or \"Secureview,\" mini-case studies, a glossary of terms, plentiful charts, graphs, and illustrations, and links to additional online resources.

Recent years have seen dramatic changes to the events industry. The influence of social media and global communications technology, increased focus on environmental sustainably and social responsibility, and changes to the economic and cultural landscape have driven rapid expansion and increased competition.\n\n \n\n Special Events: Creating and Sustaining a New World for Celebration has been the event planner's essential guide for three decades, providing comprehensive coverage of the theory, concepts and practice of event management. The new Eighth Edition continues to be the definitive guide for creating, organizing, promoting, and managing special events of all kinds. Authors, Seungwon \"Shawn\" Lee and Joe Goldblatt, internationally-recognized leaders and educators in the industry, guide readers through all the aspects of professional event planning with their broad understanding of diverse cultures and business sectors. This definitive resource enables current and future event leaders to stretch the boundaries of the profession and meaningfully impact individuals, organizations, and cultures around the globe. Global case studies of high-profile events, such as the PyeongChang Winter Olympic Games and Norway's Constitution Day annual event, complement discussions of contemporary issues surrounding safety, security, and risk management. Each chapter includes \"Ecologic,\" \"Techview,\" and/or \"Secureview,\" mini-case studies, a glossary of terms, plentiful charts, graphs, and illustrations, and links to additional online resources.