Sono stati trovati 47 prodotti corrispondenti alla tua ricerca per haptic in 5 negozi:

Porta reversibile per interni con telaio,bianco venato. Dimensioni esterne - 780 x 2140 mm. Materiali da costruzione - MDF + pannello rigido rivestito con un foglio di carta decorativo. Serratura e cerniere installate, maniglia non inclusa.

Porta reversibile per interni con telaio, colore bianco venato. Dimensioni esterne - 880 x 2140 mm. Materiali da costruzione - MDF + pannello rigido rivestito con un foglio di carta decorativo. Serratura e cerniere installate, maniglia non inclusa.

Native Instruments Traktor S4 MK3 Headphone Set@+*Set composto da*, Native Instruments Traktor S4 MK3@+*Controller DJ a 4 canali e interfaccia audio*, HAPTIC DRIVE: jog wheel motorizzate con feedback sensibile al tocco per un nuovo modo di suonare, Anelli RGB LED-Rings attorno ad ogni jog wheel per feedback visivo rapido, Due schermi a colori ad alta risoluzione, Deck FX e Mixer FX, Layout da mixer professionale, Interfaccia audio 24-bit/96kHz Pro-Grade di fascia alta, Carbon Protected Faders per una maggiore durevolezza, Uscita Main (RCA e XLR), Uscita Booth (6,3 mm), 4 entrate Stereo di linea (RCA), 2 ingressi microfonici (XLR combo e 6,3 mm), 2 uscite per cuffie (3,5 mm e 6,3 mm), Porta USB, Porta USB-Host, Dimensioni (L x P x A): 542 x 339 x 60,5 mm, Peso: 4,3 kg, Include software Traktor Pro 4 (se acquistato dal 17 giugno 2024) e alimentatore, Flight Case consigliato: art. #454113# (non incluso, acquistabile separatamente), the t.bone TDJ 1000@+*Cuffie DJ*, Chiuse, Circumaurali, Dinamiche, Driver da 57 mm, Impedenza: 64 Ohm, SPL massimo: 107 dB, Gamma di frequenza: 5-30.000 Hz, Tenuta in potenza: 2000 mW, Cavo a spirale da 3 m con spina mini jack da 3,5 mm, Peso con cavo: 370 g, Peso senza cavo: 291 g, Include adattatore da 6,3 mm, astuccio in similpelle e cuscinetti auricolari aggiuntivi

Native Instruments Traktor S4 MK3, Controller DJ a 4 canali e interfaccia audio, HAPTIC DRIVE: jog wheel motorizzate con feedback sensibile al tocco per un nuovo modo di suonare, Anelli RGB LED-Rings attorno ad ogni jog wheel per feedback visivo rapido, Due schermi a colori ad alta risoluzione, Deck FX e Mixer FX, Layout da mixer professionale, Interfaccia audio 24-bit/96kHz Pro-Grade di fascia alta, Carbon Protected Faders per una maggiore durevolezza, Uscita Main (RCA e XLR), Uscita Booth (6,3 mm), 4 entrate Stereo di linea (RCA), 2 ingressi microfonici (XLR combo e 6,3 mm), 2 uscite per cuffie (3,5 mm e 6,3 mm), Porta USB, Porta USB-Host, Dimensioni (L x P x A): 542 x 339 x 60,5 mm, Peso: 4,3 kg, Include software Traktor Pro 4 (se acquistato dal 17 giugno 2024) e alimentatore, Flight Case consigliato: art. #454113# (non incluso, acquistabile separatamente)

Native Instruments Traktor S4 MK3 Decksaver Set@+*Set composto da*, Native Instruments Traktor S4 MK3@+*Controller DJ a 4 canali e interfaccia audio*, HAPTIC DRIVE: jog wheel motorizzate con feedback sensibile al tocco per un nuovo modo di suonare, Anelli RGB LED-Rings attorno ad ogni jog wheel per feedback visivo rapido, Due schermi a colori ad alta risoluzione, Deck FX e Mixer FX, Layout da mixer professionale, Interfaccia audio 24-bit/96kHz Pro-Grade di fascia alta, Carbon Protected Faders per una maggiore durevolezza, Uscita Main (RCA e XLR), Uscita Booth (6,3 mm), 4 entrate Stereo di linea (RCA), 2 ingressi microfonici (XLR combo e 6,3 mm), 2 uscite per cuffie (3,5 mm e 6,3 mm), Porta USB, Porta USB-Host, Dimensioni (L x P x A): 542 x 339 x 60,5 mm, Peso: 4,3 kg, Include software Traktor Pro 4 (se acquistato dal 17 giugno 2024) e alimentatore, Flight Case consigliato: art. #454113# (non incluso, acquistabile separatamente), Decksaver NI Kontrol S4 MK3@+*Coperchio protettivo*, Adatto al modello NI Kontrol S4 MK3, Protegge da polvere, sporco, liquidi e urti, Materiale: policarbonato, Dimensioni (L x P x A): 54,5 x 33,5 x 3,4 cm, Peso: 0,76 kg, Superficie trasparente satinata@+*Nota:* NI Kontrol S4 MK3 non è incluso nella fornitura!

Sound Particles Space Controller Studio, Surround Panner Plug-In with App Control (Download), Enables panorama control of signals via smartphone position and movement sensors, Haptic feedback via vibration when reaching prominent positions such as centre, left, right, etc., Support for numerous output formats from stereo to 5.1 and 7.1, Dolby Atmos 7.1.2 to Ambisonics etc., Automation data generated with Space Controller can be transferred to Dolby Atmos-compatible panners, Separate LFE control, Parameters and coordinates can be fixed individually to avoid unwanted changes during control movements, Size parameter changes the virtual size of the sound source, Mono, Dual, Rotation and Symmetric modes for placing or moving sources in virtual space, Panning mode selectable between Cube and Sphere depending on individual workflow, View from above or behind for better visualisation of sound source placement, Support of Apple iPod Touch as controller, Connection to host computer via Bluetooth or WLAN

An accessible, nontechnical overview of active touch sensing, from sensory receptors in the skin to tactile surfaces on flat screen displays.\n\nHaptics, or haptic sensing, refers to the ability to identify and perceive objects through touch. This is active touch, involving exploration of an object with the hand rather than the passive sensing of a vibration or force on the skin. The development of new technologies, including prosthetic hands and tactile surfaces for flat screen displays, depends on our knowledge of haptics. In this volume in the MIT Press Essential Knowledge series, Lynette Jones offers an accessible overview of haptics, or active touch sensing, and its applications.\n\nJones explains that haptics involves integrating information from touch and kinesthesia-that is, information both from sensors in the skin and from sensors in muscles, tendons, and joints. The challenge for technology is to reproduce in a virtual world some of the sensations associated with physical interactions with the environment. \n\nJones maps the building blocks of the tactile system, the receptors in the skin and the skin itself, and how information is processed at this interface with the external world. She describes haptic perception, the processing of haptic information in the brain; haptic illusions, or distorted perceptions of objects and the body itself; tactile and haptic displays, from braille to robotic systems; tactile compensation for other sensory impairments; surface haptics, which creates virtual haptic effects on physical surfaces such as touch screens; and the development of robotic and prosthetic hands that mimic the properties of human hands.

Sound Particles Space Controller Standard, Surround Panner Plug-In with App Control (download), Enables panorama control of signals via smartphone motion sensors, Haptic feedback via vibration when reaching prominent positions such as centre, left, right, etc., Stereo, binaural, FOA and 5.1 formats available for output signals, Separate LFE control, Parameters and coordinates can be fixed individually to avoid unwanted changes during control movements, Size parameter changes the virtual size of the sound source, Mono, dual, rotation and symmetric modes for placing or moving sources in virtual space, Panning mode selectable between Cube and Sphere depending on individual workflow, View from above or behind for better visualisation of sound source placement, Support of Apple iPod Touch as controller, Connection to host computer via Bluetooth

An accessible, nontechnical overview of active touch sensing, from sensory receptors in the skin to tactile surfaces on flat screen displays.\n\nHaptics, or haptic sensing, refers to the ability to identify and perceive objects through touch. This is active touch, involving exploration of an object with the hand rather than the passive sensing of a vibration or force on the skin. The development of new technologies, including prosthetic hands and tactile surfaces for flat screen displays, depends on our knowledge of haptics. In this volume in the MIT Press Essential Knowledge series, Lynette Jones offers an accessible overview of haptics, or active touch sensing, and its applications.\n\nJones explains that haptics involves integrating information from touch and kinesthesia-that is, information both from sensors in the skin and from sensors in muscles, tendons, and joints. The challenge for technology is to reproduce in a virtual world some of the sensations associated with physical interactions with the environment. \n\nJones maps the building blocks of the tactile system, the receptors in the skin and the skin itself, and how information is processed at this interface with the external world. She describes haptic perception, the processing of haptic information in the brain; haptic illusions, or distorted perceptions of objects and the body itself; tactile and haptic displays, from braille to robotic systems; tactile compensation for other sensory impairments; surface haptics, which creates virtual haptic effects on physical surfaces such as touch screens; and the development of robotic and prosthetic hands that mimic the properties of human hands.