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The 'Oleander' tablecloth by Lisa Corti is crafted in the traditional Italian 'mezzeri' style. The bright and infinitely useful mezzero — a large, hand-printed linen cloth originally from India — has been used in Italian homes since the seventeenth-century as a tablecloth, as well as a bedspread, throw, and in gardens for picnics. Large pastel blue flower heads bloom over a lively geometric arrow printed panel in peach, giving way to the repeat pattern in lilac, finally finished with an indigo border of painterly stripes. Whether used decoratively or practically, in or outdoors, this large cotton textile will enliven any space or situation, and transform any dining experience. The 'Oleander' tablecloth can be completed with Lisa Corti napkins and other tableware for a complete, inimitable look.

'Breathtakingly accurate satire and laser-cut portraits of American life from a seriously heavyweight author whose snapshots remain etched on the retinas' Evening Standard \n\n'...a writer to go travelling with on the journey called life' Jeanette Winterson\n\n'...one of our most important and original writers of fiction' Jay McInerney\n\n'Ms. Homes just gets better and better' Gary Shteyngart\n\n'a provocative and eloquent writer, and her vision of the way we live now is anything but safe' Meg Wolitzer\n\n''Homes is a devastating satirist..' Lionel Shriver\n\n'at her merciless satirical best' Tessa Hadley\n\n'These defiantly comic stories are like postcards from contemporary America' Summer Books round up, Mail on Sunday \n\nThe winner of the Women's Prize for Fiction returns with signature humour and psychological accuracy, to tell thirteen stories exposing the heart of an uneasy 21st-century America. In tales of a family obsessed with the surfaces of their lives, or the story of a shopper who suddenly finds himself nominated to run for President, she explores our attachments to each other through characters who aren't quite who they hoped to become, though there is no one else they can be. \n\nHer first book since the Women's Prize-winning May We Be Forgiven, Days of Awe is another visionary, fearless and outrageously funny work from a master storyteller.

Jack is a teenager who wants nothing more than to be normal - even if being normal means having divorced parents and a rather strange best friend. But when Jack's father takes him out rowing on a lake and tells his son that he's gay, nothing will ever be normal again. Out of Jack's struggle to redefine 'family', comes a work of enormous humour, charm and resonance, the most convincing, funny and insightful novel about adolescence since The Catcher in the Rye.

Jack is a teenager who wants nothing more than to be normal - even if being normal means having divorced parents and a rather strange best friend. But when Jack's father takes him out rowing on a lake and tells his son that he's gay, nothing will ever be normal again. Out of Jack's struggle to redefine 'family', comes a work of enormous humour, charm and resonance, the most convincing, funny and insightful novel about adolescence since The Catcher in the Rye.

'Breathtakingly accurate satire and laser-cut portraits of American life from a seriously heavyweight author whose snapshots remain etched on the retinas' Evening Standard \n\n'...a writer to go travelling with on the journey called life' Jeanette Winterson\n\n'...one of our most important and original writers of fiction' Jay McInerney\n\n'Ms. Homes just gets better and better' Gary Shteyngart\n\n'a provocative and eloquent writer, and her vision of the way we live now is anything but safe' Meg Wolitzer\n\n''Homes is a devastating satirist..' Lionel Shriver\n\n'at her merciless satirical best' Tessa Hadley\n\n'These defiantly comic stories are like postcards from contemporary America' Summer Books round up, Mail on Sunday \n\nThe winner of the Women's Prize for Fiction returns with signature humour and psychological accuracy, to tell thirteen stories exposing the heart of an uneasy 21st-century America. In tales of a family obsessed with the surfaces of their lives, or the story of a shopper who suddenly finds himself nominated to run for President, she explores our attachments to each other through characters who aren't quite who they hoped to become, though there is no one else they can be. \n\nHer first book since the Women's Prize-winning May We Be Forgiven, Days of Awe is another visionary, fearless and outrageously funny work from a master storyteller.

THE END OF ALICE treads the wafer-thin line between the evil and the everyday, following the correspondence of two paedophiles. One, the narrator, is a child-killer, serving his twenty-third year in prison. The other, his seemingly sweet admirer, is a nineteen-year-old woman, intent on seducing a young neighbourhood boy. \n\n\nTeetering on the knife's edge between the American Dream and the American Nightmare, THE END OF ALICE unpicks the darkness of inconceivable desire, and the destruction and horror left in its wake.

THE END OF ALICE treads the wafer-thin line between the evil and the everyday, following the correspondence of two paedophiles. One, the narrator, is a child-killer, serving his twenty-third year in prison. The other, his seemingly sweet admirer, is a nineteen-year-old woman, intent on seducing a young neighbourhood boy. \n\n\nTeetering on the knife's edge between the American Dream and the American Nightmare, THE END OF ALICE unpicks the darkness of inconceivable desire, and the destruction and horror left in its wake.