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Dopo aver distrutto il controverso \"Malleus Maleficarum\" ed essere scampati all'aggressione delle streghe e stregoni dello Sciliar, Katja, Giada, Sophie, Nicolas e il Professor Bianco varcheranno in questa nuova avventura le porte del tempo, entrando nei loro sogni, dove passato, presente e futuro coincidono in un continuum spazio-temporale dagli esiti sorprendenti... Alla ricerca della verità ultima, tra ricordi, visioni, profezie e intuizioni, faranno la comparsa nuovi inquietanti personaggi, Yuki-kasia, Kofi Okpala e la potente Mami-wata sullo sfondo di una solo apparente tranquilla, bianca e festosa atmosfera natalizia.

Dopo aver distrutto il controverso \"Malleus Maleficarum\" ed essere scampati all'aggressione delle streghe e stregoni dello Sciliar, Katja, Giada, Sophie, Nicolas e il Professor Bianco varcheranno in questa nuova avventura le porte del tempo, entrando nei loro sogni, dove passato, presente e futuro coincidono in un continuum spazio-temporale dagli esiti sorprendenti... Alla ricerca della verità ultima, tra ricordi, visioni, profezie e intuizioni, faranno la comparsa nuovi inquietanti personaggi, Yuki-kasia, Kofi Okpala e la potente Mami-wata sullo sfondo di una solo apparente tranquilla, bianca e festosa atmosfera natalizia.

Helsinki, March 1953. An unusually long and cold winter, everywhere frozen sea, ice-covered lakes and rivers. In a port city flooded with refugees, who cares if a young woman goes missing? An up-and-coming inspector who views this as an opportunity to advance his career. A heartbroken PI with a score to settle. They have yet to discover one thing: the most dangerous lies are those we tell ourselves. \n\nIt all begins when Nellie, a prostitute working in a high-end brothel is found floating upside down in Helsinki Harbour. Not exactly a high priority case for the Helsinki police, so homicide chief Jokela passes the job to his former colleague Hella. It's beginning to look like a serial killer is at work when Elena, another lady of the night, narrowly escapes being driven into the harbour by her 19-year-old john. Problem was he had handcuffed her in the car. And to add further excitement to Hella's life, the madam is soon found dead in the garden outside the brothel.

Helsinki, March 1953. An unusually long and cold winter, everywhere frozen sea, ice-covered lakes and rivers. In a port city flooded with refugees, who cares if a young woman goes missing? An up-and-coming inspector who views this as an opportunity to advance his career. A heartbroken PI with a score to settle. They have yet to discover one thing: the most dangerous lies are those we tell ourselves. \n\nIt all begins when Nellie, a prostitute working in a high-end brothel is found floating upside down in Helsinki Harbour. Not exactly a high priority case for the Helsinki police, so homicide chief Jokela passes the job to his former colleague Hella. It's beginning to look like a serial killer is at work when Elena, another lady of the night, narrowly escapes being driven into the harbour by her 19-year-old john. Problem was he had handcuffed her in the car. And to add further excitement to Hella's life, the madam is soon found dead in the garden outside the brothel.

Helsinki, June 1953, at the heart of the Cold War. Hella, now a reluctant private investigator, has been asked by her former boss at the Helsinki murder squad to do a background check on a member of the Finnish secret services. Not the type of job Hella was hoping for, but she accepts it on the condition that she is given access to the files concerning the roadside death of her father in 1942, at a time when Finland joined forces with Nazi Germany in its attack against the Soviet Union. German troops were sent to Finland, the Gestapo arrived in Helsinki and German influence on local government was strong, including demands for the deportation of local Jews.\n\nColonel Mauzer, his wife and other family members were killed by a truck in a hit and run incident. An accident, file closed, they said. But not for Hella, whose unwelcome investigation leads to some who would prefer to see her stopped dead in her tracks.\n\nPraise for Katja Ivar:\n\n'A captivating first novel... 'My dear girl,' her patronizing boss instructs, 'justice in a cold climate is not a natural phenomenon'. But the stubborn and resourceful Sgt. Mauzer seems just the police officer to deliver it.' - Wall Street Journal\n\n'The misdirection and manipulation of the evidence is worthy of Agatha Christie, but the quirky humour is Katja Ivar's own. Ultimately, though, it is her portrait of Helsinki - 'a city of lost souls' - that is most impressive.' - The Times

Hella Mauzer was the first ever woman Inspector in the Helsinki Homicide Unit. But her superiors deemed her too `emotional’ for the job and had her reassigned. Now, two years later, she is working in Lapland for the Ivalo police department under Chief Inspector Järvi, a man more interested in criminal statistics and his social life than police work. They receive a letter from Irja Waltari, a priest’s wife from the village of Käärmela on the Soviet border, informing them of the disappearance of Erno Jokinen, a local. Hella jumps at the chance to investigate. Järvi does not think that a crime is involved. After all, people disappear all the time in the snows of Finland. When she arrives, Hella stays the village priest and his wife, who have taken in Erno’s grandson who refuses to tell anyone his grandfather’s secret. A body is then discovered in the forest and she realizes that she was right; a crime has been committed. A murder. But what Hella doesn’t know, is that the small village of Käärmela is harbouring another crime, a crime so evil, it is beyond anything any of them could have ever imagined.

Hella Mauzer was the first ever woman Inspector in the Helsinki Homicide Unit. But her superiors deemed her too `emotional’ for the job and had her reassigned. Now, two years later, she is working in Lapland for the Ivalo police department under Chief Inspector Järvi, a man more interested in criminal statistics and his social life than police work. They receive a letter from Irja Waltari, a priest’s wife from the village of Käärmela on the Soviet border, informing them of the disappearance of Erno Jokinen, a local. Hella jumps at the chance to investigate. Järvi does not think that a crime is involved. After all, people disappear all the time in the snows of Finland. When she arrives, Hella stays the village priest and his wife, who have taken in Erno’s grandson who refuses to tell anyone his grandfather’s secret. A body is then discovered in the forest and she realizes that she was right; a crime has been committed. A murder. But what Hella doesn’t know, is that the small village of Käärmela is harbouring another crime, a crime so evil, it is beyond anything any of them could have ever imagined.

Helsinki, June 1953, at the heart of the Cold War. Hella, now a reluctant private investigator, has been asked by her former boss at the Helsinki murder squad to do a background check on a member of the Finnish secret services. Not the type of job Hella was hoping for, but she accepts it on the condition that she is given access to the files concerning the roadside death of her father in 1942, at a time when Finland joined forces with Nazi Germany in its attack against the Soviet Union. German troops were sent to Finland, the Gestapo arrived in Helsinki and German influence on local government was strong, including demands for the deportation of local Jews.\n\nColonel Mauzer, his wife and other family members were killed by a truck in a hit and run incident. An accident, file closed, they said. But not for Hella, whose unwelcome investigation leads to some who would prefer to see her stopped dead in her tracks.\n\nPraise for Katja Ivar:\n\n'A captivating first novel... 'My dear girl,' her patronizing boss instructs, 'justice in a cold climate is not a natural phenomenon'. But the stubborn and resourceful Sgt. Mauzer seems just the police officer to deliver it.' - Wall Street Journal\n\n'The misdirection and manipulation of the evidence is worthy of Agatha Christie, but the quirky humour is Katja Ivar's own. Ultimately, though, it is her portrait of Helsinki - 'a city of lost souls' - that is most impressive.' - The Times

Nel Medioevo il periodo compreso tra il Natale e il 6 gennaio era il periodo delle dodici notti, un breve, ma intenso lasso di tempo intriso di presagi e di speranza. E' in questo periodo che hanno luogo gli accadimenti fondamentali che cambieranno per sempre il destino di tre dimensioni nell'incontaminato scenario dell'altopiano dello Sciliar dei primi anni '70. Katja Sanz è \"la bambina delle stelle\", una piccola nata in una famiglia, cui si sente \"approdata\" come un viaggiatore proveniente da un luogo remoto e da un più lontano ed oscuro passato...La narrazione sempre sospesa tra fantasia e realtà oggettiva fa dialogare tra loro verità storiche e creature fantastiche, magia e religione, folklore e paganesimo, amore ed amicizia, umorismo e costante tensione in una corposa \"pozione\" che fonde e mescola insieme elementi dei più disparati, in una sintesi di semplicità ed artificio.

Nel Medioevo il periodo compreso tra il Natale e il 6 gennaio era il periodo delle dodici notti, un breve, ma intenso lasso di tempo intriso di presagi e di speranza. E' in questo periodo che hanno luogo gli accadimenti fondamentali che cambieranno per sempre il destino di tre dimensioni nell'incontaminato scenario dell'altopiano dello Sciliar dei primi anni '70. Katja Sanz è \"la bambina delle stelle\", una piccola nata in una famiglia, cui si sente \"approdata\" come un viaggiatore proveniente da un luogo remoto e da un più lontano ed oscuro passato...La narrazione sempre sospesa tra fantasia e realtà oggettiva fa dialogare tra loro verità storiche e creature fantastiche, magia e religione, folklore e paganesimo, amore ed amicizia, umorismo e costante tensione in una corposa \"pozione\" che fonde e mescola insieme elementi dei più disparati, in una sintesi di semplicità ed artificio.

Orphaned into an unforgiving foster home and raised as an outsider, Weird-Eye shoulders her unflattering nickname. She relies on her vivid imagination to sustain her work as a midwife bringing newborns into the world while World War II overruns her native Finland, desecrating life. She finds herself drawn to the handsome, otherworldly Johannes Angelhurst, a war photographer working for the SS. To be near him, Weird-Eye—whom Johannes lovingly calls Wild-Eye—volunteers to serve as a nurse at the prison camp where he has been assigned.\n\nFrom the brutality of the camps to the splendor of the aurora borealis above the Arctic Sea, The Midwife tells of a stormy romance, the desolate beauty of a protective fjord, and the deeply personal battles waged as World War II came to an end.

Orphaned into an unforgiving foster home and raised as an outsider, Weird-Eye shoulders her unflattering nickname. She relies on her vivid imagination to sustain her work as a midwife bringing newborns into the world while World War II overruns her native Finland, desecrating life. She finds herself drawn to the handsome, otherworldly Johannes Angelhurst, a war photographer working for the SS. To be near him, Weird-Eye—whom Johannes lovingly calls Wild-Eye—volunteers to serve as a nurse at the prison camp where he has been assigned.\n\nFrom the brutality of the camps to the splendor of the aurora borealis above the Arctic Sea, The Midwife tells of a stormy romance, the desolate beauty of a protective fjord, and the deeply personal battles waged as World War II came to an end.

Katja Haas introduces the art of beautiful writing, presenting the different types of lettering, materials, all the basic principles and practical tips and tricks for your own designs. Templates for special occasions, practical exercises and ideas for decorative designs and slogans turn this instruction book into a creative treasure trove. Hand lettering gives you a little time for relaxation with pen and paper. So grab your pens and start lettering!

Half Swimmer. A German term for one who has recently learnt to swim but hasn’t yet mastered the technique.\n\nGrowing up in 1980s East Germany, as the daughter of an army officer and a teacher, Tanja seems set up to become a model citizen of the German Democratic Republic. Except she has other ideas. And so, it turns out, does the course of history. This is a collection of memories from one life, following a girl as she attempts to forge her own identity under the social pressures of both the GDR, and the capitalism of a unified Germany.\n\n\n‘Katja Oskamp knows how to capture the essence of people beautifully. They really come to life in her portraits.’ – Frank-Walter Steinmeier, President of Germany