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Magnus Olesen's 'Freya' series presents a series of modern oak chairs rooted in classic Danish furniture design sensibilities. One of the results is this seat, which is defined by understated details and dynamic lines that form an elegant silhouette. Pared back yet comfortable, this black version of the chair is cut entirely from black stained oak and is suited to a range of interior spaces.

Named for it's slender expression and seemingly seamless flowing contours along its edges, this table from Magnus Olesen is notable for its delicate balance of lightness and functionality. With its edges and legs cut from solid oak and the table top carved from oiled oak veneer, the 'Slender' table is a beautifully simple construction in which no space is wasted.

Designed to suit the multi-activity work that takes place in most modern offices, Magnus Olesen's 'Butterfly Swivel' chair is a contemporary design that is additionally suited to most work-from-home setups. With its flexible back upholstered in cognac leather and polished aluminium armrests, the light chair is ideal for the frequent transition from desk to meeting table.

Created with originality, longevity and sustainability in mind, Magnus Olesen's 'Chair Ø' presents an exciting modular design. Constructed from just three parts — the seat, back and frame — the chair is easily disassembled for recycling purposes and may be returned to Magnus Olesen for reabsorption into the circular economy in exchange for an upgrade. With its oak back and rounded seat, 'Chair Ø' is also easily stackable for simple storage and ease of transportation.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a white-hued fabric for a slightly chunky yet comfortable seat that is at once classic and contemporary.

Magnus Olesen's oak 'Freya Two' chair is taken from a series of modern wooden pieces rooted in classic Danish furniture design sensibilities. The result is a seat defined by understated details and dynamic lines that form an elegant silhouette — this version features a more narrow back for an enhanced profile. Pared back yet comfortable, this version of the chair is cut entirely from oiled oak and is suited to a range of interior spaces.

Magnus Olesen's oak 'Freya' chair series presents a series of modern wooden chairs rooted in classic Danish furniture design sensibilities. The results include the 'Freya Lounge' chair, a sleek seat defined by understated details and dynamic lines that form an elegant silhouette. Pared back yet comfortable, this version of the chair has a lower, wider seat than its counterparts, is cut entirely from oiled oak and is suited to a range of interior spaces.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a black-hued leather for a slightly chunky yet comfortable seat that is at once classic and contemporary.

An ideal counterpart to Magnus Olesen's series of 'Freya' chairs, the 'Freya Coffee Table' mirrors the understated details and dynamic lines that form an elegant silhouette amongst the collection's seats. Rooted in classic Danish furniture design sensibilities, this solid lacquered oak table is one of four sizes available and stands out for its crafted softness, which perfectly complements the rounded table's elegant curves and bends.

Magnus Olesen's 'Freya' series presents a series of modern oak chairs rooted in classic Danish furniture design sensibilities. One of the results is this seat, which is defined by understated details and dynamic lines that form an elegant silhouette. Pared back yet comfortable, this version of the chair is cut entirely from oiled oak and is suited to a range of interior spaces.

Magnus Olesen's 'Freya Desk' makes an ideal counterpart to the brand's series of 'Freya' chairs. Especially suited to the new normal of home working, the table is crafted with the now blurred lines between home environments and office spaces in mind. As such, the 'Freya Desk' features a sleek shape and delicate size that will complement most living spaces, while details like the small drawer and ample laptop space ensure the table will transition seamlessly between functions.

Created with originality, longevity and sustainability in mind, Magnus Olesen's 'Chair Ø' presents an exciting modular design. Constructed from just three parts — the seat, back and frame — the chair is easily disassembled for recycling purposes and may be returned to Magnus Olesen for reabsorption into the circular economy in exchange for an upgrade. With its black painted back and rounded oak seat, 'Chair Ø' is also easily stackable for simple storage and ease of transportation.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a black-hued leather for a slightly chunky yet comfortable seat that is at once classic and contemporary.

Created with originality, longevity and sustainability in mind, Magnus Olesen's 'Chair Ø' presents an exciting modular design. Constructed from just three parts — the seat, back and frame — the chair is easily disassembled for recycling purposes and may be returned to Magnus Olesen for reabsorption into the circular economy in exchange for an upgrade. With its grey painted back and rounded oak seat, 'Chair Ø' is also easily stackable for simple storage and ease of transportation.

Magnus Olesen's 'Freya' series presents a series of modern oak chairs rooted in classic Danish furniture design sensibilities. One of the results is this seat, which is defined by understated details and dynamic lines that form an elegant silhouette. Pared back yet comfortable, this version of the chair is cut entirely from oiled oak and is suited to a range of interior spaces.

Magnus Olesen's oak 'Freya Two' chair is taken from a series of modern wooden pieces rooted in classic Danish furniture design sensibilities. The result is a seat defined by understated details and dynamic lines that form an elegant silhouette — this version features a more narrow back for an enhanced profile. Pared back yet comfortable, this black version of the chair is cut entirely from black stained oak and is suited to a range of interior spaces.

Featuring a lacquered oak drawer and a solid oak table top covered in grey linoleum, Magnus Olesen's 'Freya Desk' makes an ideal counterpart to the brand's series of 'Freya' chairs. Especially suited to the new normal of home working, the table is crafted with the now blurred lines between home environments and office spaces in mind. As such, the 'Freya Desk' features a sleek shape and delicate size that will complement most living spaces, while details like the small drawer and ample laptop space ensure the table will transition seamlessly between functions.

Magnus Olesen's oak 'Freya' chair series presents a series of modern wooden chairs rooted in classic Danish furniture design sensibilities. The results include the 'Freya Bench', a sleek three seater defined by understated details and dynamic lines that form and elegant silhouette. Pared back yet comfortable, the bench is especially suited to lounge areas, open spaces and dining tables, though the oiled oak piece may also be used as a flexible piece of furniture throughout the home.

Created with originality, longevity and sustainability in mind, Magnus Olesen's 'Chair Ø' presents an exciting modular design. Constructed from just three parts — the seat, back and frame — the chair is easily disassembled for recycling purposes and may be returned to Magnus Olesen for reabsorption into the circular economy in exchange for an upgrade. With its oak back and rounded seat, 'Chair Ø' is also easily stackable for simple storage and ease of transportation.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a white-hued fabric for a slightly chunky yet comfortable seat that is at once classic and contemporary.