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Altezza approssimativa: 10 cm. Materiale: PVC (Vinile) Funko Pop Realizzate in PVC (Vinile), queste miniature sono resistenti e curate nei minimi dettagli. Una versione stilizzata – e ironica – dei tuoi personaggi preferiti: film, cartoni animati, libri, fumetti, programmi televisivi e molto altro! Un oggetto da collezione moderno e simpatico, dallo stile inconfondibile. Cattura il Pinguino per la tua collezione DC per impedirgli di manipolare Gotham City in rovina. Aggiungi Pop! Oswald Cobblepot™ nella tua raccolta di The Batman. Un'iconica statuina funko pop vinyl alto circa 10cm ed inserita all'interno di una scatola trarente da collezione

Dai vita alla tua sala da pranzo con il tavolo allungabile bianco frassinato Oswald! Il suo design moderno ed elegante farà sicuramente colpo sui tuoi ospiti. Perfetto per la cucina, sala da pranzo e soggiorno, ma adattabile anche ad altri ambienti come lo studio o la tua attività commerciale. Con

From one of the UK's biggest crime writers - the man brought you the bestselling Inspector McLean novels - comes a phenomenal new series guaranteed to have your heart in your mouth. \n\n\nUndercover ops are always dangerous, but DC Constance Fairchild never expected things to go this wrong. \n\nReturning to their base of operations, an anonymous office in a shabby neighbourhood, she finds the bloodied body of her boss, and friend, DI Pete Copperthwaite. He's been executed - a single shot to the head. \n\nIn the aftermath, it seems someone in the Met is determined to make sure that blame for the wrecked operation falls squarely on Con's shoulders. She is cut loose and cast out, angry and alone with her grief... right until the moment someone also tries to put a bullet through her head.\n\nThere's no place to hide, and no time to cry.

From one of the UK's biggest crime writers - the man brought you the bestselling Inspector McLean novels - comes a phenomenal new series guaranteed to have your heart in your mouth. \n\n\nUndercover ops are always dangerous, but DC Constance Fairchild never expected things to go this wrong. \n\nReturning to their base of operations, an anonymous office in a shabby neighbourhood, she finds the bloodied body of her boss, and friend, DI Pete Copperthwaite. He's been executed - a single shot to the head. \n\nIn the aftermath, it seems someone in the Met is determined to make sure that blame for the wrecked operation falls squarely on Con's shoulders. She is cut loose and cast out, angry and alone with her grief... right until the moment someone also tries to put a bullet through her head.\n\nThere's no place to hide, and no time to cry.

Over the past three years Alice Oswald has been recording conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates a narrative of the river, tracking its life from source to sea. The voices are wonderfully varied and idiomatic - they include a poacher, a ferryman, a sewage worker and milk worker, a forester, swimmers and canoeists - and are interlinked with historic and mythic voices: drowned voices, dreaming voices and marginal notes which act as markers along the way.

Over the past three years Alice Oswald has been recording conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates a narrative of the river, tracking its life from source to sea. The voices are wonderfully varied and idiomatic - they include a poacher, a ferryman, a sewage worker and milk worker, a forester, swimmers and canoeists - and are interlinked with historic and mythic voices: drowned voices, dreaming voices and marginal notes which act as markers along the way.

The wages of sin is death.\n\nThe partial collapse of a disused Edinburgh church reveals a dead body in the rubble, his head badly smashed by falling masonry. Soon identified as an old ex-con - Kenny Morgan - his death is put down to a heart attack and deemed non-suspicious.\n\nTony McLean is approached by a notorious crime lord who suggests the police should be looking into Morgan's death more closely. Despite struggling with his recent retirement, he is reluctant to involve himself.\n\nBut when a second man is found dead in another disused church, his forehead branded with a cross, this time it is clearly murder.\n\nThere's a killer stalking the streets of Edinburgh. Is it time for McLean to get back to doing what he does best?\n\nPraise for James Oswald:\n\n'The new Ian Rankin' Daily Record\n\n'Creepy, gritty and gruesome' Sunday Mirror\n\n'Crime fiction's next big thing' Sunday Telegraph

The wages of sin is death.\n\nThe partial collapse of a disused Edinburgh church reveals a dead body in the rubble, his head badly smashed by falling masonry. Soon identified as an old ex-con - Kenny Morgan - his death is put down to a heart attack and deemed non-suspicious.\n\nTony McLean is approached by a notorious crime lord who suggests the police should be looking into Morgan's death more closely. Despite struggling with his recent retirement, he is reluctant to involve himself.\n\nBut when a second man is found dead in another disused church, his forehead branded with a cross, this time it is clearly murder.\n\nThere's a killer stalking the streets of Edinburgh. Is it time for McLean to get back to doing what he does best?\n\nPraise for James Oswald:\n\n'The new Ian Rankin' Daily Record\n\n'Creepy, gritty and gruesome' Sunday Mirror\n\n'Crime fiction's next big thing' Sunday Telegraph

Over the past three years Alice Oswald has been recording conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates a narrative of the river, tracking its life from source to sea. The voices are wonderfully varied and idiomatic - they include a poacher, a ferryman, a sewage worker and milk worker, a forester, swimmers and canoeists - and are interlinked with historic and mythic voices: drowned voices, dreaming voices and marginal notes which act as markers along the way.

Discepolo di Don Giovanni, ma con un occhiuto senso degli affari e una robusta conoscenza dell'animo maschile, oltre che di un vastissimo catalogo di corpi femminili, Oswald Hendryks Cornelius è un raffinato viveur insaziabilmente devoto al culto del bello. La sua avventura inizia da una scoperta accidentale, che lo porta a conoscenza delle insospettabili virtù afrodisiache dello scarabeo vescicante sudanese. Complici il potente filtro d'amore e un'incantevole partner d'affari di nome Yasmin, Oswald tenta di rapire \"con destrezza\" il seme dei più grandi geni dell'epoca - da Picasso a Freud, da Proust a Puccini e molti altri ancora -, al fine di perpetuarne l'estro. Già apparso in due racconti, il personaggio dello zio Oswald diventa protagonista di un intero romanzo finora inedito in Italia, un piccolo gioiello che ancora una volta consacra Roald Dahl maestro dello humour raffinato.

Discepolo di Don Giovanni, ma con un occhiuto senso degli affari e una robusta conoscenza dell'animo maschile, oltre che di un vastissimo catalogo di corpi femminili, Oswald Hendryks Cornelius è un raffinato viveur insaziabilmente devoto al culto del bello. La sua avventura inizia da una scoperta accidentale, che lo porta a conoscenza delle insospettabili virtù afrodisiache dello scarabeo vescicante sudanese. Complici il potente filtro d'amore e un'incantevole partner d'affari di nome Yasmin, Oswald tenta di rapire \"con destrezza\" il seme dei più grandi geni dell'epoca - da Picasso a Freud, da Proust a Puccini e molti altri ancora -, al fine di perpetuarne l'estro. Già apparso in due racconti, il personaggio dello zio Oswald diventa protagonista di un intero romanzo finora inedito in Italia, un piccolo gioiello che ancora una volta consacra Roald Dahl maestro dello humour raffinato.

Over the past three years Alice Oswald has been recording conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates a narrative of the river, tracking its life from source to sea. The voices are wonderfully varied and idiomatic - they include a poacher, a ferryman, a sewage worker and milk worker, a forester, swimmers and canoeists - and are interlinked with historic and mythic voices: drowned voices, dreaming voices and marginal notes which act as markers along the way.

The wages of sin is death.\n\nThe partial collapse of a disused Edinburgh church reveals a dead body in the rubble, his head badly smashed by falling masonry. Soon identified as an old ex-con - Kenny Morgan - his death is put down to a heart attack and deemed non-suspicious.\n\nTony McLean is approached by a notorious crime lord who suggests the police should be looking into Morgan's death more closely. Despite struggling with his recent retirement, he is reluctant to involve himself.\n\nBut when a second man is found dead in another disused church, his forehead branded with a cross, this time it is clearly murder.\n\nThere's a killer stalking the streets of Edinburgh. Is it time for McLean to get back to doing what he does best?\n\nPraise for James Oswald:\n\n'The new Ian Rankin' Daily Record\n\n'Creepy, gritty and gruesome' Sunday Mirror\n\n'Crime fiction's next big thing' Sunday Telegraph

The wages of sin is death.\n\nThe partial collapse of a disused Edinburgh church reveals a dead body in the rubble, his head badly smashed by falling masonry. Soon identified as an old ex-con - Kenny Morgan - his death is put down to a heart attack and deemed non-suspicious.\n\nTony McLean is approached by a notorious crime lord who suggests the police should be looking into Morgan's death more closely. Despite struggling with his recent retirement, he is reluctant to involve himself.\n\nBut when a second man is found dead in another disused church, his forehead branded with a cross, this time it is clearly murder.\n\nThere's a killer stalking the streets of Edinburgh. Is it time for McLean to get back to doing what he does best?\n\nPraise for James Oswald:\n\n'The new Ian Rankin' Daily Record\n\n'Creepy, gritty and gruesome' Sunday Mirror\n\n'Crime fiction's next big thing' Sunday Telegraph