Sono stati trovati 41 prodotti corrispondenti alla tua ricerca per sitcom in 8 negozi:

Sei appassionato di storie di gangster? Brit Movie Tours ti porta a Londra nei luoghi dei grandi classici dei film gangster in in compagnia dell’attore Vas Blackwood. Vas ha interpretato numerosi ruoli, tra cui quello di Rory Breaker in Lock & Stock - Pazzi scatenati e di Desmond Henry nella sitcom My Spy Family. Il tour avrà la durata di 2 ore. Esplora le zone di Londra che hanno fatto da cornice a varie scene dei film Lock & Stock, The Krays - I corvi e La moglie del soldato. Scopri le storie dei gangster che hanno dominato Londra negli anni ‘50 e ‘60 e goditi una bella pinta con Vas Blackwood in uno dei pub apparsi in Lock & Stock, al termine del tour.

In this new Routledge Television Guidebook, Jeremy G. Butler studies our love-hate relationship with the durable sitcom, analyzing the genre’s position as a major media artefact within American culture and providing a historical overview of its evolution in the USA.\n\nEveryone loves the sitcom genre; and yet, paradoxically, everyone hates the sitcom, too. This book examines themes of gender, race, ethnicity, and the family that are always at the core of humor in our culture, tracking how those discourses are embedded in the sitcom’s relatively rigid storytelling structures. Butler pays particular attention to the sitcom’s position in today’s post-network media landscape and sample analyses of Sex and the City, Black-ish, The Simpsons, and The Andy Griffith Show illuminate how the sitcom is infused with foundational American values.\n\nAt once contemporary and reflective, The Sitcom is a must-read for students and scholars of television, comedy, and broader media studies, and a great classroom text.

In this new Routledge Television Guidebook, Jeremy G. Butler studies our love-hate relationship with the durable sitcom, analyzing the genre’s position as a major media artefact within American culture and providing a historical overview of its evolution in the USA.\n\nEveryone loves the sitcom genre; and yet, paradoxically, everyone hates the sitcom, too. This book examines themes of gender, race, ethnicity, and the family that are always at the core of humor in our culture, tracking how those discourses are embedded in the sitcom’s relatively rigid storytelling structures. Butler pays particular attention to the sitcom’s position in today’s post-network media landscape and sample analyses of Sex and the City, Black-ish, The Simpsons, and The Andy Griffith Show illuminate how the sitcom is infused with foundational American values.\n\nAt once contemporary and reflective, The Sitcom is a must-read for students and scholars of television, comedy, and broader media studies, and a great classroom text.

Sitcomtopia esplora l'impatto culturale, sociale e artistico delle sitcom, dimostrando come vadano oltre il semplice intrattenimento per diventare strumenti fondamentali nella comprensione delle dinamiche contemporanee. Combinando una prospettiva personale con un'analisi teorica, l'autore dimostra come le sitcom riflettano e influenzino la società. Il saggio si apre con un'analisi della risata, utilizzando i contributi di filosofi come Bergson e Freud, per spiegare come e perché ridiamo, indagando le varie forme di comicità. Successivamente, viene analizzata l'evoluzione delle sitcom dagli anni Cinquanta a oggi, sottolineando il loro ruolo centrale nel plasmare la cultura popolare, e come esse siano uno specchio del cambiamento della società americana. Qual è la struttura delle sitcom? Episodi brevi, set fissi, sistema multi-camera e pubblico in studio. Come si costruiscono i personaggi iconici, che riescono a creare un forte legame emotivo con il pubblico? Una carrellata alla scoperta della \"comfort TV\" che con le sitcom affronta temi universali - amore, amicizia, famiglia e lavoro: Friends, How I Met Your Mother, Modern Family, The Office, Arrested Development, The Big Bang Theory e molte altre. Prefazione di Marianna Cappi.

Sitcomtopia esplora l'impatto culturale, sociale e artistico delle sitcom, dimostrando come vadano oltre il semplice intrattenimento per diventare strumenti fondamentali nella comprensione delle dinamiche contemporanee. Combinando una prospettiva personale con un'analisi teorica, l'autore dimostra come le sitcom riflettano e influenzino la società. Il saggio si apre con un'analisi della risata, utilizzando i contributi di filosofi come Bergson e Freud, per spiegare come e perché ridiamo, indagando le varie forme di comicità. Successivamente, viene analizzata l'evoluzione delle sitcom dagli anni Cinquanta a oggi, sottolineando il loro ruolo centrale nel plasmare la cultura popolare, e come esse siano uno specchio del cambiamento della società americana. Qual è la struttura delle sitcom? Episodi brevi, set fissi, sistema multi-camera e pubblico in studio. Come si costruiscono i personaggi iconici, che riescono a creare un forte legame emotivo con il pubblico? Una carrellata alla scoperta della \"comfort TV\" che con le sitcom affronta temi universali - amore, amicizia, famiglia e lavoro: Friends, How I Met Your Mother, Modern Family, The Office, Arrested Development, The Big Bang Theory e molte altre. Prefazione di Marianna Cappi.

Sitcomtopia. Il Mondo Delle Sitcom - Scialanga Giordano Gano - Odoya

_Friends_ ran for ten years, beginning in 1994 and airing its final episode in 2005\. The show is inarguably the peak sitcom of its era. It's the most remembered, most quoted and so essential that companies have spent hundreds of millions on the streaming rights to _Friends_ in recent years. But why does _Friends_ mean so much to so many? What did this sitcom have that the other giant shows of that era didn’t?\n\nThis is a deep dive into the history of _Friends_, but it’s also the history of ten years of network television. How did the world of sitcoms evolve through that decade? How much of a show’s success is down to small details like schedules and syndication, and how much of it is down to the content itself?\n\nThe landscape of television has changed drastically in the years since the end of _Friends_, but the biggest show of sitcom’s golden age has endured like no other. This look at the history of _Friends_, its legacy and the history of television in general will show you why. Both why the television industry has become what it is today, and why _Friends_ has survived long beyond its decade. This is a celebration of _Friends_, an interrogation of its success, and a history of television that explains much of what’s on our screens today.

_Friends_ ran for ten years, beginning in 1994 and airing its final episode in 2005\. The show is inarguably the peak sitcom of its era. It's the most remembered, most quoted and so essential that companies have spent hundreds of millions on the streaming rights to _Friends_ in recent years. But why does _Friends_ mean so much to so many? What did this sitcom have that the other giant shows of that era didn’t?\n\nThis is a deep dive into the history of _Friends_, but it’s also the history of ten years of network television. How did the world of sitcoms evolve through that decade? How much of a show’s success is down to small details like schedules and syndication, and how much of it is down to the content itself?\n\nThe landscape of television has changed drastically in the years since the end of _Friends_, but the biggest show of sitcom’s golden age has endured like no other. This look at the history of _Friends_, its legacy and the history of television in general will show you why. Both why the television industry has become what it is today, and why _Friends_ has survived long beyond its decade. This is a celebration of _Friends_, an interrogation of its success, and a history of television that explains much of what’s on our screens today.

ART Splitcom Pro, Microphone Merger / Splitter, Phase reverse switch, Galvanic isolation of the channels, Ground lift switch, Main Mic Input XLR, Isolated mic input / merger XLR, Mic Main Out XLR, Isolated Mic Out / Splitter XLR

This anthology presents writings that examine the TV sitcom in terms of its treatment of gender, family, class, race and ethnic issues. The selections range from early shows such as \"\"I Remember Mama\"\" to the more recent \"\"Roseanne\"\". The volume also looks unflinchingly at major controversies, for example, the NAACP boycott of the stereotypical yet wildly popular \"\"Amos n' Andy\"\" and the queer reading of \"\"Laverne and Shirley\"\". These diverse essays constitute a veritable history of postwar American mores. Some are classic, some are forgotten, but all indicate the importance of considering text and subtext (social, historic, industrial) in the critical study of television. A final chapter by the author bids sitcoms adieu with the 'cultural spectacle of \"\"Seinfield's\"\" last episode.'

This anthology presents writings that examine the TV sitcom in terms of its treatment of gender, family, class, race and ethnic issues. The selections range from early shows such as \"\"I Remember Mama\"\" to the more recent \"\"Roseanne\"\". The volume also looks unflinchingly at major controversies, for example, the NAACP boycott of the stereotypical yet wildly popular \"\"Amos n' Andy\"\" and the queer reading of \"\"Laverne and Shirley\"\". These diverse essays constitute a veritable history of postwar American mores. Some are classic, some are forgotten, but all indicate the importance of considering text and subtext (social, historic, industrial) in the critical study of television. A final chapter by the author bids sitcoms adieu with the 'cultural spectacle of \"\"Seinfield's\"\" last episode.'