Sono stati trovati 72 prodotti corrispondenti alla tua ricerca per situations in 5 negozi:

The Canon EF 16-35mm f/2.8 L II USM lens offers outstanding results in a fantastically built casing. With impressive low light performance, the f/2.8 opens up new options for tricky light situations. Part of the prestigious L series lenses, it really is perfect for anyone looking to raise their game.

Shure MV88+Stereo USB Mic, Compact multifunctional condenser stereo microphone for various recording situations, ShurePlus MOTIVâ„¢ mobile and desktop app allows you to set different functions such as EQ, monitor mix, limiter, compressor and recording modes (mono, stereo, bi-directional and raw mid-side), 5 DSP preset modes are available, The signal can be listened to directly via the built-in headphone output, Frequency range: 20 - 20.000 Hz, Max. SPL: 120 dB, Micro-USB connection, Metal housing, Weight: 79 g, Dimensions (H x W x D): 27 x 27 x 77 mm, Incl. Swivelling 5/8" microphone clip, windscreen, bag, 1x Micro-USB to USB-A cable (3 m), 1x Micro-USB to USB-C cable (3 m)

Sennheiser MD 421-II, Dynamic Microphone@+The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities., Suitable for voice, guitar, wind instruments and drums, Very robust, Polar pattern: Cardioid, 5-Stage switch Bass, Good feedback rejection, Transparent sound reproduction, Frequency range: 30 Hz – 17,000 Hz, Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB), Nominal impedance: 200 Ohm, Min. load impedance:. 200 Ohm, Dimensions: 215 x 46 x 49 mm, Weight: approx 385 g, Includes microphone clamp for 3/8" thread

Neumann M149, Tube Microphone@+With nine different polar patterns, the M 149 Tube can be adapted to very different acoustic recording situations. Like its ancestors, it is particularly suitable for speech and vocals. This is due not only to its capsule, but also to the particularly low equivalent noise level of its modern circuitry.@+@+The M 149 Tube is used sideways. Its front is marked by the company label and the polar pattern switch. Below the capsule, a dome ensures that the sound from the upper half-space is dispersed so that there is no annoying interference with the direct sound components. To protect against structure-borne sound transmission, the capsule is elastically mounted. The capsule is surrounded by the large microphone head of the old M 49, but it is now acoustically more open and thus has a more neutral sound.@+@+There are nine characteristics to choose from: Omni, wide cardioid, cardioid, hypercardioid and figure-of-eight, each with an intermediate position.@+@+Unlike other tube microphones, the M 149 Tube combines a specially selected tube (triode) with the latest circuit technology. The objective of the development was to use the special transmission characteristics of a tube and to bring the amplified capsule signal to the microphone output in a controlled, undistorted and feedback-free manner. For this reason, the output transformer usually used with tube microphones is not used. Instead, a built-in amplifier especially suited for audio signals with very low distortion (THD < 0.002 % at ± 10 V), very low noise voltage and high current capacity is used to drive the different output loads. Thus, the tube is completely decoupled from the microphone output and becomes usable for input signal conditioning with its typical characteristic up to very high levels. Due to the high output power capacity, cable lengths of up to a total of 300 m are permitted for the M 149 Tube without having to accept any loss in signal quality. The tube amplifies the capsule voltage by approx. 10 dB to completely exclude residual influences of the downstream electronics. Nevertheless, a very high dynamic range is managed, since a peak output power of ± 10V at 20 mA is available. The ideal operating point (anode power, heater voltage) of the tube is stabilised during the entire lifetime. Voltage drops occurring in the microphone cable are detected and compensated by a sensor line. The heating of the tube is carried out gently by a regressive power limiter in order to ensure long service life.@+@+The slide switch on the back operates a high-pass filter whose cut-off frequency (3 dB) can be selected in half-octave steps between 20 Hz and 160 Hz. This way, interferences from air-conditioning systems or impact sound can be faded out in a very targeted way. In addition, the volume of a voice, for example, can be measured flexibly by using the proximity effect.@+@+The M 149 Tube is powered by its special N 149 power supply unit via an 8-core cable. At its...

Sennheiser MEB 114-S B, Condenser Boundary Microphone, Especially for conference situations and altars in churches, With switch (programmable for on/off, PTM, PTT and "always on") and two-colour LED ring for status display, Directional characteristic: Half cardioid, Frequency range: 40 - 20,000 Hz, Impedance: 200 Ω, Integrated pre-amp with XLR output jack, Rubber plate for damping, Dimensions (W x D x H): 85 x 100 x 25 mm, Weight: approx. 291g, Colour: Black

Neumann KM183 Stereo Set, Stereo Set Condenser Microphones KM 183, For close miking of instruments in low noise situations or rooms with good room acoustics., With its flat frequency response in the diffuse sound field ideal as stereo pairs in AB technique, Baffle plate stereophonic, Colour nickel, Frequency range 20-20000 Hz, Field transfer factor with 1 kHz at 1 kΩ 12/15/10 mV/Pa*, Nominal impedance 50 Ω, Rated load impedance 1000 Ω, Limit sound pressure level for K < 0,5% 140/138/142 dB*, Maximum output voltage 10 dBu, Supply voltage 48 V ± 4 V, Current consumption: 3.2 mA, Acoustical operating principle, Polar-pattern: Omni-directional, With consecutive serial number, Diameter: 22 mm, Length: 107 mm, Weight 80 g, Incl. 2x WNS 100 windscreens and 2x SG 21 tripod joints

The Canon EF 16-35mm f/2.8 L USM lens offers outstanding results in a fantastically built casing. With impressive low light performance, the f/2.8 opens up new options for tricky light situations. Part of the prestigious L series lenses, it really is perfect for anyone looking to raise their game.

Perfect for low light situations, the Sigma 24mm f/1.8 EX DG, Canon Fit lens produces a fantastic photograph. The superfast f/1.8 aperture opens up the chance to record the moment in real clarity, ensuring you can always capture a fantastic photograph. It is the ideal lens for the photographer looking to achieve better results in wide angle situations.

Made with quality in mind, the Sony E 16mm f2.8 Pancake lens performs to a high standard. The f/2.8 aperture ensures you can always record in low light situations without compromising quality. The superwide 16mm focal range makes it possible to achieve stunning results for a range of subjects.

A lightweight DX-format zoom you’ll want to take with you every day. With its useful wide-angle to normal zoom range and compact build, this is an excellent walk-around lens. Keep it with you and you’ll be ready to tackle a whole host of everyday situations. The lens focuses fast and is ideal for shooting video, so you can comfortably capture everything from candid portraits to family sporting events and action-packed HD movies. This AF-P System will not be compatible with any camera bodies released before 2013.