Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per tsuchi in 4 negozi:

Giardino e piscine > Cura delle piante > Terricci, pacciamatura e drenaggio > Terricci, Terriccio Keto, confezione da 5 kg. Il Keto Tsuchi si utilizza come substrato per la realizzazione di boschetti su lastra, bonsai su roccia o ishizuki, grazie alla...

Giardino e piscine > Cura delle piante > Terricci, pacciamatura e drenaggio > Terricci, Terriccio Keto in confezione da 10 lt, peso circa 8 kg., il peso può variare in base all'umidità. Il Keto Tsuchi si utilizza come substrato per la realizzazione di...

Lucy, Catria, and Lithisia embark on a mission to invade the Fire Tower. While facing off against the Mage King Farshinal in a grueling battle, Catria’s shovel powers awaken! With Alice and Alan’s towers already down, Pazuzu shows himself at last!

Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waals 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a mans sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society.\nThis book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.

Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waals 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a mans sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society.\nThis book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.

An examination of Japanese contemporary art through the lens of ecocriticism and environmental history\n\n Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country's turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth.\n\nIn the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of \"mudlarking\" and \"muckracking,\" utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists' engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. \n\nBy focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.

An examination of Japanese contemporary art through the lens of ecocriticism and environmental history\n\n Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country's turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth.\n\nIn the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of \"mudlarking\" and \"muckracking,\" utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists' engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. \n\nBy focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.