Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per unseelie in 3 negozi:

The start of a swoony, high-energy duology that Emily Lloyd-Jones, author of The Bone Houses, calls “reminiscent of classic fairytales yet brimming with a charm all its own.”\n\n“A world of glimmering fae that sparkles with mystery, adventure, and enchantment.” —Andrew Joseph White, New York Times bestselling author of Hell Followed with Us \n\nIselia “Seelie” Graygrove looks just like her twin, Isolde…but as an autistic changeling left in the human world by the fae as an infant, she has always known she is different. Seelie’s unpredictable magic makes it hard for her to fit in—and draws her and Isolde into the hunt for a fabled treasure. In a heist gone wrong, the sisters make some unexpected allies and find themselves unraveling a mystery that has its roots in the history of humans and fae alike.\n\nBoth sisters soon discover that the secrets of the faeries may be more valuable than any pile of gold and jewels. But can Seelie harness her magic in time to protect her sister and herself?\n\n“Housman’s stunning debut is the sort of love letter only an autistic author could write. Fae canon has been waiting for this one.” —H.E. Edgmon, author of The Witch King

The start of a swoony, high-energy duology that Emily Lloyd-Jones, author of The Bone Houses, calls “reminiscent of classic fairytales yet brimming with a charm all its own.”\n\n“A world of glimmering fae that sparkles with mystery, adventure, and enchantment.” —Andrew Joseph White, New York Times bestselling author of Hell Followed with Us \n\nIselia “Seelie” Graygrove looks just like her twin, Isolde…but as an autistic changeling left in the human world by the fae as an infant, she has always known she is different. Seelie’s unpredictable magic makes it hard for her to fit in—and draws her and Isolde into the hunt for a fabled treasure. In a heist gone wrong, the sisters make some unexpected allies and find themselves unraveling a mystery that has its roots in the history of humans and fae alike.\n\nBoth sisters soon discover that the secrets of the faeries may be more valuable than any pile of gold and jewels. But can Seelie harness her magic in time to protect her sister and herself?\n\n“Housman’s stunning debut is the sort of love letter only an autistic author could write. Fae canon has been waiting for this one.” —H.E. Edgmon, author of The Witch King

I racconti di Giuseppe Perrotti rievocano alcune atmosfere di Clive Baker, ricordano i deliri di Lovecraft. Storie che spaziano dall'horror al fantasy mantenendo sempre uno stile accurato; pagine in cui si respira la tensione, in cui i colpi di scena si susseguono assumendo i contorni di un incubo. Ogni singolo titolo di questa raccolta è ricco di momenti weird, ogni trama è ben orchestrata. \"Unseeliset ed altri racconti liminali\" è un libro che affonda le sue radici nella narrativa orrorifica degli anni novanta, qualcosa di fresco e di originale.

Lehndorff & Trülzsch developed an oeuvre of remarkably innovative staged photographs of body paintings — a synthesis of painting, photography, and performance — during an intensively creative period from the 1970s to the late 1980s. In The Seen and the Unseen, Lehndorff & Tru¨lzsch approach their artistic work from a new angle by interweaving the images of their work series, the facsimiled archive material (such as essays by Susan Sontag and Gary Indiana), contributions by critics Richard Milazzo and Jörg Scheller as well as contextual explanations and reference images. The book retraces the evolution of gender identities and the treatment of the female body against the backdrop of history and contemporary art in the second half of the twentieth century.\n\n“...that of one artist who is unseen...\nand another artist who is straining towards invisibility...” Susan Sontag, “Fragments of an Aesthetic of Melancholy,” in ‘Veruschka’ – Trans-figurations, 1986\n\n“The method of Tru¨lzsch/Lehndorff restricts their assertion from physically altering what already exists in the environment. This is an art of reflection rather than an intervention...it could...be said, that the...objects... are examples of double photography, or teleplastic photography (sculptural photography).” Gary Indiana, “Imitation and Its Double,” Village Voice, April 9, 1985

Lehndorff & Trülzsch developed an oeuvre of remarkably innovative staged photographs of body paintings — a synthesis of painting, photography, and performance — during an intensively creative period from the 1970s to the late 1980s. In The Seen and the Unseen, Lehndorff & Tru¨lzsch approach their artistic work from a new angle by interweaving the images of their work series, the facsimiled archive material (such as essays by Susan Sontag and Gary Indiana), contributions by critics Richard Milazzo and Jörg Scheller as well as contextual explanations and reference images. The book retraces the evolution of gender identities and the treatment of the female body against the backdrop of history and contemporary art in the second half of the twentieth century.\n\n“...that of one artist who is unseen...\nand another artist who is straining towards invisibility...” Susan Sontag, “Fragments of an Aesthetic of Melancholy,” in ‘Veruschka’ – Trans-figurations, 1986\n\n“The method of Tru¨lzsch/Lehndorff restricts their assertion from physically altering what already exists in the environment. This is an art of reflection rather than an intervention...it could...be said, that the...objects... are examples of double photography, or teleplastic photography (sculptural photography).” Gary Indiana, “Imitation and Its Double,” Village Voice, April 9, 1985