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An apt reflection of designer Charlotte Perriand’s love of poetic harmony, the '9 Tabouret' stool by Cassina is in possession of an unmistakable architectural presence. Making its debut at the 'Équipement intérieur d’une Habitation' exhibition at the 1929 Salon d’Automne in Paris, the stool has been updated to accommodate a wide choice of seat materials — this version features black leather — while a trivalent-chrome plated steel frame nods to the tubular steel originally used.

The new model boasts a Hybrid Viewfinder capable of instantly switching between optical and electronic finders, plus an updated image sensor and processor, which dramatically improve image quality. By combining these features with the ultra-high image quality of FUJINON X-Mount lenses and the colour reproduction technology accumulated through more than 80 years as a photographic film manufacturer, the X-Pro2 delivers the best ever results from an X-series camera.

The Fuji X-E3 is a progression in their rangefinder-styled mirrorless series, and features an updated sensor and processor along with familiar classic design. Revolving around the 24.3MP APS-C X-Trans CMOS III sensor and X-Processor Pro image processor, high-resolution stills can be recorded with notable sharpness and clarity due to the sensor's organic layout and omission of an optical low-pass filter. The sensor and processor combination also avails quick continuous shooting up to 14 fps, an extended sensitivity range to ISO 51200, and the ability to record UHD 4K/30 video or Full HD 1080p/60 video. Additionally, when working with moving subjects, continuous autofocus performance has been optimised for improved moving subject tracking and overall accuracy. Benefitting the imaging capabilities, the X-E3 retains its retro-inspired physical design complete with a high-resolution 2.36m-dot electronic viewfinder, 3.0" 1.04m-dot rear touchscreen LCD, and physical shutter speed and exposure compensation dials. Also, its wireless capabilities have been expanded to include Bluetooth connectivity for low-power image transferring and remote camera control from a linked mobile device.

Colorful yet muted, Fornasetti's 'Ortensia' tray is a piece of contradictions. This large, square version of the home accessory is hand-silkscreened, painted, and lacquered tray and depicts the eyes of Lina Cavalieri, a familiar visual, which here is updated with the addition of a series of multicolored hydrangeas. Wholly unique, thanks to a handmade production process, each wooden tray is supplied with a foldable stand so that it may be transformed into a coffee table with ease.

Colorful yet muted, Fornasetti's 'Ortensia' tray is am object of contradictions. Small and oblong, the hand-silkscreened, painted, and lacquered tray depicts the eyes of Lina Cavalieri, a familiar visual, which here is updated with the addition of a series of multicolored blooms. Wholly unique, thanks to a handmade production process, each wooden tray is supplied with a foldable stand so that it may be transformed into a coffee table with ease.

Designed by Marc Newson in the 90s, the original incarnation of the 'Newson Vase' was produced by Cappellini in ceramic. This updated version of the sculptural vessel takes the same silhouette — inspired by the sinuous form of the 'Orgone' lounge chair, also by Newson — and applies it to a paste-coloured transparent Murano glass body. The result is a spectacular and instantly recognisable piece, where the curved shape of the design is accentuated by a modernised palette, whilst maintaining Newson's vision.

A fixture in the permanent collections of the Triennale in Milan, and New York's MoMA and Metropolitan Museum of Art, the modular 'Tube Chair' is a design icon that has now undergone a contemporary renovation. Produced by Cappellini, this updated version features the same intrinsic characteristics as Joe Colombo's original while new avant-garde technical advancements ensure this customisable seat is an even more authentic reflection of Colombo's vision.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a white-hued fabric for a slightly chunky yet comfortable seat that is at once classic and contemporary.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a black-hued leather for a slightly chunky yet comfortable seat that is at once classic and contemporary.

The 'Model 107' was originally designed in the 1950s and was first produced by Magnus Olesen in 1956. Reflecting the era's popular Danish Modern aesthetic, this updated version of the chair features a oiled oak frame, armrests carved from oiled teak and cushions upholstered in a cognac-hued leather for a slightly chunky yet comfortable seat that is at once classic and contemporary.