Det hittades 40 produkter som matchar din sökning efter pokaz i 4 butiker:

Pokaz Trio: Voices [Vinyl LP]

Najdi i pokazhi: V LESU

Korespondentki. Chodź, pokażę ci wojnę

Schleich Horse Club Wyjątkowy pokaz

Julka Mała weterynarka Tom 2 Wielki pokaz

Vremena goda. Vimmelbukh. Najdi i pokazhi

VOYNA PLAN POKAZHET

Julka mała weterynarka Tom 10 Pokaz kocich piękności

Julka mała weterynarka Tom 10 Pokaz kocich piękności

Coś ci pokażę. Ostatni muszkieter. Wilkołaki z Montpellier

Оптимизация ресурсов: Jeffektiwnost' Rost Pokazateli

Upakuj i prodaj. Kak metod "krasnoj niti" pomogaet pokazat unikalnost produkta i vljubit v nego klientov

Gdy nadarzy się okazja

Mora Prokaza: By Chance (Black) [Vinyl LP]

Stringimi (Vol. 3)

Håndværk bookazine no. 8 takes us on a fashion-themed tour of Denmark. It starts out in Randers, with a visit to the Rhanders glove factory. On the way from Randers to Copenhagen, we meet Søren Nikolaj Skyt who runs the knitwear company S. N. S. Herning, founded by his grandfather in 1919 as well as the next generation of designers at Design School Kolding. In the southern part of the island of Funen, we meet weaver and textile designer Stine Skytte, and in the main city of the island, Odense, we talk fashion history at the museum Tidens Samling. In Copenhagen, we have a chat with designer Jan Machenhauer and cap-maker Wilgart, among others, and visit designer and shoe manufacturer Eva Bartels. Shoes are also the topic of conversation with Alain Leber the former head designer for Louis Vuitton and Burberry, who recently launched his own shoe brand Monsieur L. Our tour ends in Scania in southern Sweden, where we meet Karl Berglund, who went from a career in fashion to life as a saffron farmer. The Håndværk bookazine is based in Denmark and is published by designer, photographer and writer Rigetta Klint. In the publication, Klint draws on her lengthy experience and career initially as a practicing craftsperson and designer, and later as a writer and photographer. Her approach is driven by high standards and dedication. With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. It focuses on craft in its own right and as a necessary basis for architecture, art, fashion, interior design, as well as for a good meal.

The theme of Håndværk Bookazine No. 9 is interiors. It invites us inside the studios and workshops where the things in our homes take shape. We meet glassblower Alexander Kirkeby, who graduated just a few years ago and has already made a name for himself in the international design scene; recent graduate, ceramic artist Heidi Lillevang, who experiments with stucco; and stucco worker Peter Funder, who has 35 years experience. In the article entitled In Collaboration , architect Desislava Lynge says, An interior can be magical, whether it is minimalist or chaotic or has books and art from floor to ceiling, as long as it reflects the people who live there. She adds that if she were to point to a single key feature, apart from the life inside a house, it would be the influx of daylight. Light is also a key topic for lighting designer Fie Paarup, who has launched successful production of unique curtains sewn from vintage and surplus textiles. Rigetta Klint met with her to talk about curtains and the life inside a house. Meanwhile, textile is the natural choice of material for Sia Hurtigkarl and Tanja Kirst. Each in their way, from their respective points of view and with very different expressions, they both work with woven rugs as their medium. In addition to rooms, furniture, curtains and rugs, stucco, ceramics and glass, the upcoming issue of the bookazine maintains a focus on how we become who we are and how we engage with and speak about ourselves, each other and our practices. We are invited on a trip to Öland to visit a very special school founded in 1957 by Carl Malmsten and his wife, Siv Malmsten. Now, as then, the school teaches ceramics, textile, wood and landscape architecture. We are also introduced to Professor Andreas Nobel, a cabinetmaker and designer who teaches in Sweden s finest cabinetmaker s programme at Malmstens in Stockholm (a campus at Linköping University). He says, You will underestimate any subject area if you approach every field in the same way and if you fail to acknowledge that mastering a given field takes many years of training. For example, it takes lifelong practice to attain a high-level mastery of philosophy. Similarly, it takes many years of practice to attain a high-level mastery of crafts, design or art. He questions whether it is possible to attain a sufficient grasp of both areas in a single lifetime, to have philosophy inform art or design, and vice versa. And yet, it is common to see scholars from a wide range of academic fields speak with great authority about art, design and crafts. When you hear and read these comments, you need to bear in mind that what they are addressing is not the subject matter itself but the philosophy of it, he argues. To a philosopher, art is a philosophical problem; to the artist, art is a possibility, while designers and craftspersons look for solutions. In the bookazine, we also meet ceramicist Louise Gaarmann, golds applied artist Sarah Hurtigkarl and architect Erik Brandt...

Miles Okazaki/Trevor Dunn/Dan Weiss: Hive Mind [CD]

Mora Prokaza: By Chance (Silver/Green Marble) [Vinyl LP]

Vo chto my ne verim,no ne mozhem dokazat