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This book examines Dostoevsky's interest in, and engagement with, "Slavophilism" - a Russian mid-nineteenth century movement of conservative nationalist thought. It explores Dostoevsky's views, as expressed in both his non-fiction and fiction, on the religious, spiritual and moral ideas which he considered to be innately Russian. It concludes that Dostoevsky is an important successor to the Slavophiles, in that he developed their ideas in a more coherent fashion, broadening their moral and spiritual concerns into a more universal message about the true worth of Russia and her people.

An extraordinary book, which enables us to consider the nature of God in the 21st Century through the lens of Dostoevsky's novels. The current rash of books hostile to religious faith will one day be an interesting subject for some sociological analysis. But to counter such work, is a book of the profoundest kind about the nature and purpose of religious belief. Terrorism, child abuse, absent fathers and the fragmentation of the family, the secularisation and the sexualisation of culture, the future of liberal democracy, the clash of cultures and the nature of national identity - so many of the anxieties that we think of as being quintessentially features of the early twenty first century and on, are present in the work of Dostoevsky - in his letters, his journalism and above all in his fiction. The world we inhabit as readers of his novels is one in which the question of what human beings owe to each other is left painfully and shockingly open and there is no place to stand from which we can construct a clear moral landscape. But the novels of Dostoevsky continually press home what else might be possible if we - characters and readers - saw the world in another light, the light provided by faith. In order to respond to such a challenge the novels invite us to imagine precisely those extremes of failure, suffering and desolation. There is an unresolved tension in Dostoevsky's novels - a tension between believing and not believing in the existence of God. In "The Brothers Karamazov", we can all receive Ivan with a terrible kind of delight. Ivan's picture of himself we immediately recognise as self-portrait. The god that is dead for him is dead for us. This Karamazov God of tension and terror is often the only one we are able to find. This extraordinary book will speak to our generation like few others.

Joseph Frank's award-winning, five-volume Dostoevsky is widely recognized as the best biography of the writer in any language--and one of the greatest literary biographies of the past half-century. Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.

The term "biography" seems insufficiently capacious to describe the singular achievement of Joseph Frank's five-volume study of the life of the great Russian novelist Fyodor Dostoevsky. One critic, writing upon the publication of the final volume, casually tagged the series as the ultimate work on Dostoevsky "in any language, and quite possibly forever." Frank himself had not originally intended to undertake such a massive work. The endeavor began in the early 1960s as an exploration of Dostoevsky's fiction, but it later became apparent to Frank that a deeper appreciation of the fiction would require a more ambitious engagement with the writer's life, directly caught up as Dostoevsky was with the cultural and political movements of mid- and late-nineteenth-century Russia. Already in his forties, Frank undertook to learn Russian and embarked on what would become a five-volume work comprising more than 2,500 pages. The result is an intellectual history of nineteenth-century Russia, with Dostoevsky's mind as a refracting prism. The volumes have won numerous prizes, among them the National Book Critics Circle Award for Biography, the Christian Gauss Award of Phi Beta Kappa, the Los Angeles Times Book Prize, and the James Russell Lowell Prize of the Modern Language Association.

How four of Europe's most mysterious and fascinating writers shaped the modern mind. Dostoevsky, Kierkegaard, Nietzsche, and Kafka were all outsiders in their societies, unable to fit into the accepted nineteenth-century categories of theology, philosophy, or belles lettres. Instead, they saw themselves both as the end products of a dying civilization and as prophets of the coming chaos of the twentieth century. In this brilliant combination of biography and lucid exposition, their apocalyptic visions of the future are woven together into a provocative portrait of modernity. "This small book has a depth of insight and a comprehensiveness of treatment beyond what its modesty of size and tone indicates. William Hubben...sees the spiritual destiny of Europe as one of transcending these masters. But to be transcended, their message must first be absorbed, and that is why the study of them is so important to us now." -William Barrett, The New York Times

BBC radio productions of Dostoevsky's masterpieces, plus selected shorter fiction and bonus programmes exploring his life and workOne of the most important and influential Russian writers of the 19th Century, Fyodor Dostoevsky is admired worldwide for his great realist novels, exploring questions of morality, philosophy and the nature of existence. This compilation contains the BBC radio productions of his four most famous novels - as well as three lesser-known works and two bonus documentaries - collected together for the first time.Crime and Punishment - When he tests out a horrific theory, young Raskolnikov finds himself pursued by the cunning investigator Porfiry Petrovich. This thrilling tale of guilt and redemption stars Barnaby Kay and Jim Norton.The Idiot - Arriving back in Russia after years spent abroad treating his epilepsy, Prince Mishkin learns the story of the woman who will dominate his life - the spoilt but captivating Nastasya... Dostoevsky's most personal novel stars Paul Rhys, Roger Allam and Lia Williams.Devils - Idealism curdles into murderous anarchy in this fresh, contemporary 3-part adaptation of Dostoevsky's terrifying masterpiece, starring Gary Lilburn, Jane Whittenshaw, Joseph Arkley and Jonathan Forbes.The Brothers Karamazov- The Karamazov family reunite for a meeting with their father to discuss Dmitry's inheritance. But the unpredictable Fyodor seems unwilling to play the game.... Stars Roy Marsden, Paul Hilton and Nicholas Boulton.The Friend of the Family - Russia, 1859, and the Manor of Stephanchikovo is thrown into chaos when a former sergeant sets himself up as an arbiter of morals and taste. David Suchet and Clive Merrison star in this farcical comedy.Bobok - Loitering in the cemetery after a funeral, a drunken writer overhears the conversations of the recently deceased corpses... This blackly comic short story is performed by Boris Isarov.Dream of a Ridiculous Man - A study in music and words of Dostoevsky's vision of an idyllic, prelapsarian world. Read by Ronald Pickup.Dostoevsky and Dangerous Ideas - John Gray reflects on the lessons Dostoevsky's novels teach us about the perils of misguided idealism.Dr Rowan Williams on Dostoevsky - The onetime Archbishop of Canterbury joins Susan Hitch to consider conflicting ideas about spiritual regeneration and existentialism, as embodied in Dostoevsky's characters.First published 1859 (The Friend of the Family), 1866 (Crime and Punishment), 1869 (The Idiot), 1872 (Demons), 1873 ('Bobok'), 1877 ('The Dream of a Ridiculous Man'), 1880 (The Brothers Karamazov)

Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils , a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

What is Existentialism? It is perhaps the most misunderstood of modern philosophic positions-misunderstood by reason of its broad popularity and general unfamiliarity with its origins, representatives, and principles.Existential thinking does not originate with Jean Paul Sartre. It has prior religious, literary, and philosophic origins. In its narrowest formulation it is a metaphysical doctrine, arguing as it does that any definition of man's essence must follow, not precede, an estimation of his existence. In Heidegger, it affords a view of Being in its totality; in Kierkegaard an approach to that inwardness indispensable to authentic religious experience; for Dostoevsky, Kafka, and Rilke the existential situation bears the stamp of modern man's alienation, uprootedness, and absurdity; to Sartre it has vast ethical and political implications.Walter Kaufmann, author of Nietzsche, is eminently qualified to present and interpret the insights of existentialism as they occur and are deepened by the major thinkers who express them.In every case complete selections or entire works have been employed: The Wall, Existentialism, and the complete chapter on 'Self-Deception' from L'etre et le Neant by Sartre; two lectures from Jaspers' book Reason and Existenz; original translations of On My Philosophy by Jaspers and The Way Back into the Ground of Metaphysics by Heidegger. There is, as well, material from Dostoevsky, Kierkegaard, Nietzsche, Rilke, and Camus.

In Editing Turgenev, Dostoevsky, and Tolstoy , Susanne Fusso examines Mikhail Katkov's literary career without vilification or canonization, focusing on the ways in which his nationalism fueled his drive to create a canon of Russian literature and support its recognition around the world. In each chapter, Fusso considers Katkov's relationship with a major Russian literary figure. In addition to Turgenev, Dostoevsky, and Tolstoy, she explores Katkov's interactions with Vissarion Belinsky, Evgeniia Tur, and the legacy of Aleksandr Pushkin. This groundbreaking study will fascinate scholars, students, and general readers interested in Russian literature and literary history.

This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review

Devils, also known in English as The Possessed and The Demons, was first published in 1871-2. The third of Dostoevsky's five major novels, it is at once a powerful political tract and a profound study of atheism, depicting the disarray which follows the appearance of a band of modish radicals in a small provincial town. Dostoevsky compares infectious radicalism to the devils that drove the Gadarene swine over the precipice in his vision of a society possessed by demonic creatures that produce devastating delusions of rationality. Dostoevsky is at his most imaginatively humorous in Devils: the novel is full of buffoonery and grotesque comedy. The plot is loosely based on the details of a notorious case of political murder, but Dostoevsky weaves suicide, rape, and a multiplicity of scandals into a compelling story of political evil. _ This new translation also includes the chapter `Stavrogin's Confession', which was initially considered to be too shocking to print. In this edition it appears where the author originally intended it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. _ _

From the author of the definitive biography of Fyodor Dostoevsky, never-before-published lectures that provide an accessible introduction to the Russian writer's major works Joseph Frank (1918–2013) was perhaps the most important Dostoevsky biographer, scholar, and critic of his time. His never-before-published Stanford lectures on the Russian novelist's major works provide an unparalleled and accessible introduction to some of literature's greatest masterpieces. Presented here for the first time, these illuminating lectures begin with an introduction to Dostoevsky's life and literary influences and go on to explore the breadth of his career—from Poor Folk , The Double , and The House of the Dead to Notes from Underground , Crime and Punishment , The Idiot , and The Brothers Karamazov . Written in a conversational style that combines literary analysis and cultural history, Lectures on Dostoevsky places the novels and their key characters and scenes in a rich context. Bringing Joseph Frank’s unmatched knowledge and understanding of Dostoevsky's life and writings to a new generation of readers, this remarkable book will appeal to anyone seeking to understand Dostoevsky and his times. The book also includes Frank's favorite review of his Dostoevsky biography, "Joseph Frank's Dostoevsky" by David Foster Wallace, originally published in the Village Voice .

Conversations with Dostoevsky presents a series of fictional conversations taking place between November 2018 and Spring 2019 in the narrator's Glasgow apartment and elsewhere in the city. At the beginning of the conversations, the narrator has been reading Dostoevsky's story A Gentle Spirit, which concludes with a dramatic statement of protest atheism. This statement suggests that love is not possible in a purely mechanical universe in which all living beings are condemned to death and ultimate extinction. The conversations spell out Dostoevsky's response to this view and his advocacy of faith in God, Christ, and immortality. The themes discussed include suicide, truth and lies, guilt, determinism, literature, the Bible, Mary, Christ, Dostoevsky and film, 'the woman question', nationalism, war, the Church, the Jewish question, immortality, and God. In addition to conversations between the narrator and Dostoevsky, we drop in on a dinner party at which Dostoevsky is discussed from various points of view and in another conversation Dostoevsky is joined by the philosopher Vladimir Solovyov to discuss nationalism, the Church, and life. We also attend a seminar on 'Dostoevsky, Anti-Semitism, and Nazism', and visit Glasgow's Necropolis on Easter Eve. The conversations in the first part of the volume are accompanied by a series of commentaries in a second part, which contextualize the issues discussed in the conversations with references to his novels, journalism, letters, and notebooks as well as engaging the relevant critical literature.

'The most innovative and challenging writer of fiction in his generation in Russia' Guardian Based on a real-life crime which horrified Russia in 1869, Dostoevsky intended his novel to castigate the fanaticism of his country's new political reformers, particularly those known as Nihilists. Blackly funny, grotesque and shocking, Demons is a disturbing portrait of five young men saturated in ideology and bent on destruction, and a compelling study of terrorism. 'Marvellous...a fluid and well-paced translation' Observer

Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement. The Double, Dostoevsky's second published work of fiction, which foreshadows in its themes many of his mature novels, is the surreal and hallucinatory tale of an unfortunate anti-hero, at once chilling in its depiction of the dark sides of human nature and exuberantly comical.

The Idiot is a novel by the Russian author Fyodor Dostoevsky, first published in 1869. It is one of Dostoevsky's major works and a profound exploration of human psychology, morality, and society. The novel centers on Prince Lev Nikolayevich Myshkin, a young man whose innocence, honesty, and kindness are seen as foolishness by the world around him, hence the title "The Idiot." The novel is characterized by Dostoevsky's deep psychological insight and exploration of philosophical and theological issues. The narrative is rich in dialogue and internal monologues, delving into the minds of the characters to reveal their inner conflicts and motivations. The Idiot has been regarded as one of Dostoevsky's most complex works. While it was not as commercially successful as some of his other novels during his lifetime, it is now considered one of the greatest novels ever written. It influenced later existential and psychological literature and continues to be studied for its philosophical depth.

The Idiot is a thought-provoking and psychologically intense novel that delves into the complexities of human nature and societal norms. The story revolves around Prince Myshkin, a compassionate and innocent man who is deemed an "idiot" due to his naivety and unconventional behavior. Set in nineteenth-century Russia, the narrative explores themes of love, morality, and the clash between innocence and corruption. Dostoevsky's masterful characterization brings to life a cast of vivid and troubled individuals, highlighting the dark undercurrents of Russian society. The Idiot is an exploration of human vulnerability and the struggle to maintain goodness in a world of moral ambiguity. An exploration of innocence and societal corruption. Compelling portrayal of Prince Myshkin, an unconventional and compassionate character. Unforgettable characters grappling with love, morality, and personal demons. A thought-provoking journey into the complexities of human nature. Unveiling the clash between purity and corruption in nineteenth-century Russia.

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 - February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky's work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.

Fyodor Mikhailovich Dostoyevsky (11 November 1821 - 9 February 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of realistic philosophical and religious themes.