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Punishment is a topic of increasing importance for citizens and policymakers. Why should we punish criminals? Which theory of punishment is most compelling? Is the death penalty ever justified? These questions and many more are examined in this highly engaging and accessible guide. Punishment is a critical introduction to the philosophy of punishment, offering a new and refreshing approach that will benefit readers of all backgrounds and interests. The first comprehensive critical guide to examine all leading contemporary theories of punishments, this book explores – among others – retribution, the communicative theory of punishment, restorative justice and the unified theory of punishment. Thom Brooks applies these theories to several case studies in detail, including capital punishment, juvenile offending and domestic violence. Punishment highlights the problems and prospects of different approaches in order to argue for a more pluralistic and compelling perspective that is novel and ground-breaking. This second edition has extensive revisions and updates to all chapters, including an all-new chapter on the unified theory substantively redrafted and new chapters on cyber-crimes and social media as well as corporate crimes. Punishment is essential reading for undergraduate and graduate students in philosophy, criminal justice, criminology, justice studies, law, political science and sociology.

Poverty-stricken and cut off from society, former law student Rodion Romanovich Raskolnikov leads a desolate life in a dreary little room in St Petersburg. Having abandoned all hopes of sustaining himself through work, he now obsesses over the idea of changing his fortunes through an extreme act of violence: the killing of an elderly pawnbroker. His mind baulks at the horror of his plan, but when he hears that his sister Dunya is about to agree to a loveless marriage in order to escape the advances of her employer, his disgust for the world becomes unbounded, and his feelings of rebellion and revenge push him closer and closer to the edge of the precipice. A masterpiece of psychological insight, Dostoevsky's 1866 novel features some of its author's most memorable characters - from the temperamental protagonist Raskolnikov to the amoral sensualist Svidrigailov and the immoral lawyer Luzhin. Presented here in a sparkling new translation by Roger Cockerell, Crime and Punishment is a towering work in Russian nineteenth-century fiction and a landmark of world literature.

'Cool, meticulously crafted and mordantly amusing' Irish Times 'A chilling insight into a flawed justice system' Daily Mail A young lawyer puts aside her sense of justice to succeed at her new firm. A man who values silence is driven to murder by his noisy neighbours. A cheated wife seeks revenge. How do you decide what punishment fits the crime? Our narrator is a man you'd never want to meet unless you really needed him. A nameless lawyer, he coolly recounts the fates of twelve characters who cross his path, uncovering the loneliness and alienation, desire and desperation which drive their choices and shape the consequences they face. Drawn from Ferdinand von Schirach's eminent career as a criminal defence lawyer, each story in Punishment crackles with suspense, masterfully treading the line between fiction and truth.

1930s Leningrad. As a mood of fear cloaks the city, Investigator Vasily Zaitsev is called on to investigate a series of bizarre and seemingly motiveless murders. In each case, the victim is curiously dressed and posed in extravagantly arranged settings. At the same time, one by one precious old master paintings are going missing from the Hermitage collection. As Zaitsev sets about his investigations, he meets with suspicion at practically every turn, and potential witnesses are reluctant to provide information. Soon Zaitsev himself comes under suspicion from the Soviet secret police. The embittered detective must battle increasingly complex political machinations in his dogged quest to uncover the truth.

Punishment is a topic of increasing importance for citizens and policymakers. Why should we punish criminals? Which theory of punishment is most compelling? Is the death penalty ever justified? These questions and many more are examined in this highly engaging and accessible guide. Punishment is a critical introduction to the philosophy of punishment, offering a new and refreshing approach that will benefit readers of all backgrounds and interests. The first comprehensive critical guide to examine all leading contemporary theories of punishments, this book explores – among others – retribution, the communicative theory of punishment, restorative justice and the unified theory of punishment. Thom Brooks applies these theories to several case studies in detail, including capital punishment, juvenile offending and domestic violence. Punishment highlights the problems and prospects of different approaches in order to argue for a more pluralistic and compelling perspective that is novel and ground-breaking. This second edition has extensive revisions and updates to all chapters, including an all-new chapter on the unified theory substantively redrafted and new chapters on cyber-crimes and social media as well as corporate crimes. Punishment is essential reading for undergraduate and graduate students in philosophy, criminal justice, criminology, justice studies, law, political science and sociology.

A Wall Street cartel has quietly seized control of the American economy, and they are forcing governments and businesses to bow down to their political agenda—using your money to do it. Three Wall Street firms have quietly amassed more money than Jeff Bezos, Elon Musk, Andrew Carnegie, and John Rockefeller combined. But the money isn’t even theirs. These asset managers have accumulated all their power through “passive funds,” as most investors no longer believe anyone can reliably pick stocks. Yet the Big Three have decided that they can reliably pick the right social policies instead. As entrepreneur Vivek Ramaswamy reveals, the results are all bad—and working their way into every corner of the economy. They force US companies to adopt “racial equity audits” and “emissions caps” while supporting human rights atrocities in China. They coerce Western companies to produce less oil while shifting production to dirtier places like Russia. They allow companies like FTX to take victory laps on good management while collapsing like a house of cards. They charge high fees to mom-and-pop investors for so-called sustainable funds that are effectively identical to lower-fee index funds. Worst of all, they’re celebrated as heroes—at least so far. Capitalist Punishment lifts the veil on the largest fiduciary breaches, antitrust abuses, and First Amendment violations of the twenty-first century, misdeeds that are hiding in plain sight. This isn’t just a threat to capitalism. It’s a threat to democratic self-governance itself. Capitalist Punishment is an easy-to-follow educational tour de force for every participant in financial markets—which, to the surprise of most Americans, includes nearly every single one of them.

This book traces the rise of contemporary populism in Western democracies, marked by the return of would-be 'strong men' politicians. It seeks to make sense of the nature, origins, and consequences of their ascendancy—as expressed, for example, in the startling rise of the social movement surrounding Trump in the US, Brexit in the UK and the remarkable spread of ideologies that express resistance to ‘facts,’ science, and expertise. Uniquely, the book shows how what began as a form of penal populism in the early 1990s transformed into a more wide ranging populist politics. This has had the potential to undermine or even overthrow the democratic order altogether. It examines the way in which the COVID-19 pandemic has impacted on these forces, arguing it threw the flailing democratic order an important lifeline, as Vladimir Putin has subsequently done with his war in Ukraine. The book argues that contemporary political populism can be seen as a wider manifestation of the earlier tropes and appeal of penal populism arising under neo-liberalism. The author traces this cross over and the roots of discontent, anxiety, anti-elites sentiment and the sense of being forgotten, that lie at the heart of populism, along with its effects in terms of climate denial, ‘fake news’, othering, nativism and the denigration of scientific and other forms of expertise. In a highly topical and important extension to the field the author suggests that the current COVID pandemic might prove to be an ‘antidote’ to populism, providing the conditions in which scientific and medical expertise, truth telling, government intervention in the economy and in health policy, and social solidarity, are revalorised. Encompassing numerous subject areas and crossing many conventional disciplinary boundaries, this book will be of great interest to students and scholars of criminology and criminal justice, sociology, political science, law, and public policy.

NEW YORK TIMES BESTSELLER Detective Sergeant Barbara Havers and Detective Inspector Thomas Lynley are forced to confront the past as they try to solve a crime that threatens to tear apart the very fabric of a quiet, historic medieval town in England The cozy, bucolic town of Ludlow is stunned when one of its most revered and respected citizens--Ian Druitt, the local deacon--is accused of a serious crime. Then, while in police custody, Ian is found dead. Did he kill himself? Or was he murdered? When Barbara Havers is sent to Ludlow to investigate the chain of events that led to Ian's death, all the evidence points to suicide. But Barbara can't shake the feeling that she's missing something. She decides to take a closer look at the seemingly ordinary inhabitants of Ludlow--mainly elderly retirees and college students--and discovers that almost everyone in town has something to hide. A masterful work of suspense, The Punishment She Deserves sets Detective Sergeant Barbara Havers and Inspector Thomas Lynley against one of their most intricate cases. Fans of the longtime series will love the many characters from Elizabeth George's previous novels who join Lynley and Havers, and readers new to the series will quickly see why she is one of the most popular and critically acclaimed writers of our time. Both a page-turner and a deeply complex story about the lies we tell, the lies we believe, and the redemption we need, this novel will be remembered as one of George's best.

Israel's 2009 invasion of Gaza was an act of aggression that killed over a thousand Palestinians and devastated the infrastructure of an already impoverished enclave. The Punishment of Gaza shows how the ground was prepared for the assault and documents its continuing effects. From 2005-the year of Gaza's "liberation"-through to 2009, Levy tracks the development of Israel policy, which has abandoned the pretense of diplomacy in favor of raw military power, the ultimate aim of which is to deny Palestinians any chance of forming their own independent state. Punished by Israel and the Quartet of international powers for the democratic election of Hamas, Gaza has been transformed into the world's largest open-air prison. From Gazan families struggling to cope with the random violence of Israel's blockade and its "targeted" assassinations, to the machinations of legal experts and the continued connivance of the international community, every aspect of this ongoing tragedy is eloquently recorded and forensically analyzed. Levy's powerful journalism shows how the brutality at the heart of Israel's occupation of Palestine has found its most complete expression to date in the collective punishment of Gaza's residents.

Dive into the dark recesses of the human soul in Fyodor Dostoevsky's Crime and Punishment. Follow the tormented Raskolnikov as he grapples with guilt, morality, and redemption in 19th-century St. Petersburg. A gripping exploration of the psyche, this timeless classic delves into the consequences of a daring and desperate act.

Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.

Poverty-stricken and cut off from society, former law student Rodion Romanovich Raskolnikov leads a desolate life in a dreary little room in St Petersburg. Having abandoned all hopes of sustaining himself through work, he now obsesses over the idea of changing his fortunes through an extreme act of violence: the killing of an elderly pawnbroker. His mind baulks at the horror of his plan, but when he hears that his sister Dunya is about to agree to a loveless marriage in order to escape the advances of her employer, his disgust for the world becomes unbounded, and his feelings of rebellion and revenge push him closer and closer to the edge of the precipice. A masterpiece of psychological insight, Dostoevsky's 1866 novel features some of its author's most memorable characters - from the temperamental protagonist Raskolnikov to the amoral sensualist Svidrigailov and the immoral lawyer Luzhin. Presented here in a sparkling new translation by Roger Cockerell, Crime and Punishment is a towering work in Russian nineteenth-century fiction and a landmark of world literature.

Dostoevsky was the son of a doctor. His parents were hard-working, religious people but poor. His first work, "Poor Folk," was published by the poet Nekrassov, and he found himself an instant celebrity. A brilliant career seemed opened to him, but in 1849 he was arrested and condemned to death. A member of a group of young men who met to read Fourier and Proudhon, he was accused of "taking part in conversations against the censorship... and of knowing of the intention to use a printing press." After eight months' in jail, he was taken to the Semyonovsky Square to be shot. Suddenly the troops beat a tattoo; they were unbound, and informed that his Majesty had spared their lives. The sentence was commuted to hard labor -- four years of penal servitude in Siberia, where he began "Dead House," and some years in a disciplinary battalion. In 1864 he lost first wife and his brother Mihail. He was in terrible poverty, yet he took upon himself the payment of his brother's debts. Weighed down by debt, he wrote at heart-breaking speed, and is said never to have corrected his work. The later years of his life were much softened by the tenderness and devotion of his second wife. In June 1880 he made his famous speech at the unveiling of the monument to Pushkin in Moscow and was received with demonstrations of love and honor. A few months later he died. He was followed to the grave by a vast multitude of mourners. He is still probably the most widely read writer in Russia. In the words of a Russian critic, "He was one of ourselves, a man of our blood and our bone, but one who has suffered and has seen so much more deeply than we have his insight impresses us as wisdom... that wisdom of the heart which we seek that we may learn from it how to live."

Fyodor Dostoevsky's Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student living in Saint Petersburg who feels compelled to rob and murder Alyona Ivanovna, an elderly pawn broker and money lender.

Rodion Raskolnikov, an impoverished ex-student in St. Petersburg, kills an unscrupulous pawnbroker for her cash and then is racked by guilt.

"Crime and Punishment" by Fyodor Dostoevsky is one of the greatest novels of all time that depicts the darkest sides of humanity. "Crime and Punishment" is a tragic novel full of drama, suspense and epic scenes that unfolds the human existence and psychology as well as our doubtful moral, system and laws. The story has a high pace and is beautifully stylistic written with gruesome descriptions of the human mind and actions. This edition of Fyodor Dostoevsky's "Crime and Punishment" is Translated by Constance Garnett and comes with an introduction and notes by Dr. Keith Carabine from University of Kent at Canterbury.

A NEW YORKER BEST BOOK OF THE YEAR From "one of Russia's smartest and best-sourced young journalists" ( The New York Times )--the first work by a Russian author to reveal his country's history of oppressing Ukraine, providing an unprecedented overview of the war for Ukrainian independence that affects us all. As soon as the Russian invasion of Ukraine began, prominent independent Russian journalist Mikhail Zygar circulated a Facebook petition signed first by hundreds of his cultural and journalistic contacts and then by thousands of others. That act led to a new law in Russia criminalizing criticism of the war, and Zygar fled Russia. In his time as a journalist, Zygar has interviewed President Zelensky and had access to many of the major players--from politicians to oligarchs. As an expert on Putin's moods and behavior, he has spent years studying the Kremlin's plan regarding Ukraine, and here, in clear, chronological order he explains how we got here. In 1996 to 2004, Ukraine became an independent post-Soviet country where everyone was connected to the former empire at all levels, financially, culturally, psychologically. However, the elite anticipated that the empire would be back and punish them. From 2004 to 2018, there were many states inside one state, each with its own rulers/oligarchs and its own interests--some of them directly connected with Russia. In 2018, a new generation of Ukrainians arrive, and having grown in an independent country, they do not consider themselves to be part of Russia--and that was the moment when the war began, as Putin could not tolerate losing Ukraine forever. Authoritative, timely, and vitally important, this is an unique overview of the war that continues to threaten the future of the entire world as we know it.

"Pain and suffering are always inevitable for a large intelligence and a deep heart…” Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world’s harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.