66 products were found matching your search for annemarie in 4 shops:

Book is in NEW condition. 0.75

The Annemarie sleeveless midi-dress from Amanda Uprichard features adjustable spaghetti straps and ruffle trim. Squareneck Adjustable spaghetti straps Sleeveless Back zip closure 100% polyester Lining: 100% polyester Dry clean Imported SIZE & FIT About 48 from shoulder to hem Model measurements: 5'10" tall Model is wearing a US size 4 Please note: This item runs small. Womens - W Contemporary > Saks Off 5th. Amanda Uprichard. Color: Sherbet. Size: M.

Our velvet 3-seat sofa brings a soft refinement to the boundaries of your living room, office or foyer.This simple yet attractive item provides a centerpiece color and design that blends easily with your main furniture to create a vibrant and warm indoor place to come home to.Straight lines, square arms, soft velvet handmade upholstery, cozy foam filling and a minimalist solid base.with a gold or silver metal finish give this piece a unique modernist feel. The frame is comprised of a combination of solid wood and MDF, which makes the structure sturdy and durable, and high-quality sinuous springs installed inside the piece guarantee you comfortable seating. Color: Navy.

Our velvet club chair brings a soft refinement to the boundaries of your living room, bedroom. or foyer. This simple yet attractive item provides a centerpiece color and design that blends easily with your main furniture to create a vibrant and warm indoor place to come home.to. Straight lines, square arms, soft velvet handmade upholstery, cozy foam filling and a minimalist solid base with a gold or silver metal finish give this piece a unique modernist feel. You can use it as a lounge chair, accent chair, dressing chair or club chair. The frame is comprised of a combination of solid wood and MDF, which makes the structure sturdy and durable, and high-quality sinuous springs installed inside the piece guarantee you comfortable.seating. Color: Dark Grey.

The Annemarie sleeveless midi-dress from Amanda Uprichard features adjustable spaghetti straps and ruffle trim. Squareneck Adjustable spaghetti straps Sleeveless Back zip closure 100% polyester Lining: 100% polyester Dry clean Imported SIZE & FIT About 48 from shoulder to hem Model measurements: 5'10" tall Model is wearing a US size 4 Please note: This item runs small. Womens - W Contemporary > Saks Off 5th. Amanda Uprichard. Color: Sherbet. Size: XS.

The Annemarie sleeveless midi-dress from Amanda Uprichard features adjustable spaghetti straps and ruffle trim. Squareneck Adjustable spaghetti straps Sleeveless Back zip closure 100% polyester Lining: 100% polyester Dry clean Imported SIZE & FIT About 48 from shoulder to hem Model measurements: 5'10" tall Model is wearing a US size 4 Please note: This item runs small. Womens - W Contemporary > Saks Off 5th. Amanda Uprichard. Color: Sherbet. Size: S.

Our velvet club chair brings a soft refinement to the boundaries of your living room, bedroom or foyer. This simple yet attractive item provides a centerpiece color and design that blends easily with your main furniture to create a vibrant and warm indoor place to come home to. Straight lines, square arms, soft velvet handmade upholstery, cozy foam filling and a minimalist solid base with a gold or silver metal finish give this piece a unique modernist feel. You can use it as a lounge chair, accent chair, dressing chair or club chair. The frame is comprised of a combination of solid wood and MDF, which makes the structure sturdy and durable, and high-quality sinuous springs installed inside the piece guarantee you comfortable seating. Color: Grey.

Our velvet club chair brings a soft refinement to the boundaries of your living room, bedroom. or foyer. This simple yet attractive item provides a centerpiece color and design that blends easily with your main furniture to create a vibrant and warm indoor place to come home.to. Straight lines, square arms, soft velvet handmade upholstery, cozy foam filling and a minimalist solid base with a gold or silver metal finish give this piece a unique modernist feel. You can use it as a lounge chair, accent chair, dressing chair or club chair. The frame is comprised of a combination of solid wood and MDF, which makes the structure sturdy and durable, and high-quality sinuous springs installed inside the piece guarantee you comfortable.seating. Color: Hunter Green.

En un país lejano y pobre vive una princesa de cabello muy largo. A ella le gustaría cortárselo pero su padre le dice que el cabello es el tesoro más valioso. El cabello le pesa tanto que ella no es capaz de cargarlo sola y requiere de la ayuda del hombre fuerte del circo. Con él, ella conocerá las historias sobre lugares lejanos y se aventurará en un camino que la conducirá hacia la independencia y la libertad.

143 S., Ill. Fast eine Liebe. Annemarie Schwarzenbach und Carson McCullers. Mit handschriftlicher privater Widmung. Guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 297 Hardcover/Pappeinband. Transparenter Origina-Schutzumschlag mit leichten Gebrauchsspuren

Mystical Dimensions of Islam presents, for the first time, a balanced historical treatment of the transnational phenomenon of Sufism -- Islamic mysticism -- from its beginnings through the nineteenth century. Through her sensitivity and deep understanding of the subject, Annemarie Schimmel, an eminent scholar of Eastern religions, draws the reader into the mood, the vision, the way of the Sufi in a manner that adds an essential ingredient to her analysis of the history of Sufism.After exploring the origins of the mystical movement in the meditations of orthodox Muslims on the Koran and the prophetic tradition, the author then discusses the development of its different stages, including classical voluntarism and postclassical theosophical mystical trends. Particular emphasis is placed on spiritual education, the different ways of leading the mystic toward the existential realization of the profound mystery of the profession of faith that "there is no deity but God." Sufi psychology and Sufi orders and fraternities are comprehensively explored.Through an examination of mystical anthropology, which culminates in the veneration of the prophet and the saints, the questions of free will and predestination, of good and evil, are implied. The main burden of the text, however, is Sufism as reflected in Islamic poetry, and Professor Schimmel examines the various aspects of mystical poetry in Arabic, Persian, Turkish, Sindhi, Panjabi, and Pashto. The author skillfully demonstrates how Sufi ideals permeated the whole fabric of Muslim life, providing the average Muslim -- villager or intellectual -- with the virtues of perfect trust in God and the loving surrender to God's will.Professor Schimmel's long acquaintance with Turkey, Iran, and the Indo-Pakistan subcontinent provides a unique emphasis to the study, and the author's personal knowledge of Sufi practice in these regions lends a contemporary relevance to her work.

The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.

The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.

In 1542, a small elephant was prodded onto a ship in Ceylon bound for Portugal, the beginning of a remarkable expedition. His epic ten-year journey was punctuated by a pirate attack off the coast of France, a trek across the Alps, and a celebrated river barge voyage. Everywhere he travelled, the pachyderm became an instant sensation, and his image was captured by contemporary artists in a surprisingly complete pictorial history. Later dubbed Süleyman, this celebrity elephant was the prized pet of a succession of royal owners: Catherine of Austria, Prince Carlos of Spain, and finally Emperor Maximilian II of Austria. "The Story of Süleyman tells this fascinating tale, providing a glimpse into the daily lives of Renaissance royals in the 1500s. It explores their insatiable appetite for imported animals and merchandise, the role their exotic pets played as beloved companions, the robust commercial market that emerged to support their extravagance, and the symbolic significance of their opulent collections. The story comes to life with images (several never before published) by such early Renaissance luminaries as Albrecht Dürer, Giuseppe Arcimboldo, Anthonis Mor, and Giulio Romano, and includes a detailed bibliography, image credits, and a simplified genealogy.

Limited double vinyl LP pressing including digital download. 2017 release. Since early 2012, Miniatures have been crafting compelling and evocative tunes. New Zealand expatriates Ch Walden and Annemarie Duff craft cinematic and emotive soundscapes, wrapped around warm and welcoming songs. With the addition of Chris MacLean on bass, the band worked with renowned Melbourne producer Matthew Hosking to record their first full LP. Layering rich tones, beautiful textures, cascading melodies and angel

Annemarie Schimmel was born in Erfurt, Germany on April 7, 1922 and attended the University of Berlin and the University of Marburg. Schimmel has taught at the University of Ankara in Turkey, Harvard University, and Bonn University. Along with writing more than eighty books and essays, Schimmel has translated literature from the Arabic, Persian, Turkish and Sindhi languages into German and English. She was honored on her 75th birthday by having the Annemarie Schimmel Chair for Indo-Muslim Culture established at Bonn University.

**Shortlisted for the BSA Sociology of Health and Illness Book Prize 2010**What is good care? In this innovative and compelling book, Annemarie Mol argues that good care has little to do with 'patient choice' and, therefore, creating more opportunities for patient choice will not improve health care. Although it is possible to treat people who seek professional help as customers or citizens, Mol argues that this undermines ways of thinking and acting crucial to health care. Illustrating the discussion with examples from diabetes clinics and diabetes self care, the book presents the 'logic of care' in a step by step contrast with the 'logic of choice'. She concludes that good care is not a matter of making well argued individual choices but is something that grows out of collaborative and continuing attempts to attune knowledge and technologies to diseased bodies and complex lives. Mol does not criticise the practices she encountered in her field work as messy or ad hoc, but makes explicit what it is that motivates them: an intriguing combination of adaptability and perseverance. The Logic of Care: Health and the problem of patient choice is crucial reading for all those interested in the theory and practice of care, including sociologists, anthropologists and health care professionals. It will also speak to policymakers and become a valuable source of inspiration for patient activists.

**Shortlisted for the BSA Sociology of Health and Illness Book Prize 2010**What is good care? In this innovative and compelling book, Annemarie Mol argues that good care has little to do with 'patient choice' and, therefore, creating more opportunities for patient choice will not improve health care. Although it is possible to treat people who seek professional help as customers or citizens, Mol argues that this undermines ways of thinking and acting crucial to health care. Illustrating the discussion with examples from diabetes clinics and diabetes self care, the book presents the 'logic of care' in a step by step contrast with the 'logic of choice'. She concludes that good care is not a matter of making well argued individual choices but is something that grows out of collaborative and continuing attempts to attune knowledge and technologies to diseased bodies and complex lives. Mol does not criticise the practices she encountered in her field work as messy or ad hoc, but makes explicit what it is that motivates them: an intriguing combination of adaptability and perseverance. The Logic of Care: Health and the problem of patient choice is crucial reading for all those interested in the theory and practice of care, including sociologists, anthropologists and health care professionals. It will also speak to policymakers and become a valuable source of inspiration for patient activists.

Story Summary: 1990 Newbery Medal Winner. As the Nazis begin arresting the Jewish people of Denmark, Annemarie and her family work to keep their Jewish friends and neighbors safe.Looking for more than activity sheets or a who-did-what series of questions? Want to dig into the essence of the novel? This study guide provides easy-to-use, reproducible lessons on literary terms, comprehension and analysis, critical thinking, related scriptural principles, vocabulary, and activities, plus a complete answer key. Examines issues from a Christian perspective. Excellent for private schools and home study. Also an excellent reference for public school teachers, but biblical references may have to be removed.

New Edition, Illustrations by AnneMarie Arnold and Lisa Cowdan. The Goddess Book of Days is a perpetual calendar, datebook and planner of Goddess dates, holidays, festivals and holy days presented in a beautiful modern format. The book can be used for any year--and every year.