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New Book. Shipped From Uk. This Book Is Printed On Demand. Established Seller Since 2000.

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This volume documents the history of the Loew's State/Landmark Theater, from its dazzling beginnings on Syracuse's Little Broadway in 1928 through its inspiring rescue from demolition and into its new life, which began in 1978 as the nonprofit, citizen-owned Landmark Theater.

English text. Exhibition catalogue. Summary: The idea of Rabbi Loew as the personification of the mystery of the ghetto, a miracle worker, mathematician and creator of an artificial being may not be historically grounded but it has provided immense inspiration for literature, drama and art. The first part focuses on the historical Rabbi Loew and the authentic traditions connected with him, while the second part looks at the Rabbi Loew's legacy and the origin of the legends that are linked to his name.

English text. Exhibition catalogue. Summary: The idea of Rabbi Loew as the personification of the mystery of the ghetto, a miracle worker, mathematician and creator of an artificial being may not be historically grounded but it has provided immense inspiration for literature, drama and art. The first part focuses on the historical Rabbi Loew and the authentic traditions connected with him, while the second part looks at the Rabbi Loew's legacy and the origin of the legends that are linked to his name.

Stories od Rabbi Judah Loew ben Betzalel, named Marahal and his miracles.

The very name of the Maharal of Prague inspires deep reverence, yet unfortunately, one of the first associations that comes to mind is the unsubstantiated legend of the golem, the clay body that the Maharal reputedly formed into a living being by Kabbalistic means. Whether or not there is any credence to that story, the fame and impact of the Maharal on his own generation and on all future generations surely rests on a more solid foundation. The Maharal of Prague was a towering giant in Torah and Kabbalah and a fearless leader of European Jewry during the sixteenth century. His seminal works have served as guideposts on the highways of Jewish thought for hundreds of years. In communal affairs, the Maharal guided the affairs of some of the most prominent Jewish communities in Central Europe, sometimes in an official rabbinic capacity, sometimes as a private citizen. His company and advice were sought by kings and noblemen, giving rise to many colorful legends, some of which appear in the pages of this book. "The Maharal of Prague: The Story of Rabbi Yehudah Loew" is a compelling portrait of this great spiritual figure whose immortal works dominate Jewish thought to this very day. Most of the material is derived from reliable sources, and the few unsubstantiated legends included are clearly defined as such for the benefit of the reader. Vivid images of the Jewish communities and life styles of sixteenth century Europe emerge from Yaakov Dovid Shulman's lively and descriptive prose, providing a fascinating setting for the life and works of the legendary Maharal of Prague.

The very name of the Maharal of Prague inspires deep reverence, yet unfortunately, one of the first associations that comes to mind is the unsubstantiated legend of the golem, the clay body that the Maharal reputedly formed into a living being by Kabbalistic means. Whether or not there is any credence to that story, the fame and impact of the Maharal on his own generation and on all future generations surely rests on a more solid foundation. The Maharal of Prague was a towering giant in Torah and Kabbalah and a fearless leader of European Jewry during the sixteenth century. His seminal works have served as guideposts on the highways of Jewish thought for hundreds of years. In communal affairs, the Maharal guided the affairs of some of the most prominent Jewish communities in Central Europe, sometimes in an official rabbinic capacity, sometimes as a private citizen. His company and advice were sought by kings and noblemen, giving rise to many colorful legends, some of which appear in the pages of this book. "The Maharal of Prague: The Story of Rabbi Yehudah Loew" is a compelling portrait of this great spiritual figure whose immortal works dominate Jewish thought to this very day. Most of the material is derived from reliable sources, and the few unsubstantiated legends included are clearly defined as such for the benefit of the reader. Vivid images of the Jewish communities and life styles of sixteenth century Europe emerge from Yaakov Dovid Shulman's lively and descriptive prose, providing a fascinating setting for the life and works of the legendary Maharal of Prague.

Brand from South Korea: Biodance. Size: 140gBenefits:This first-ever gel-type toner pad enriched with 243 Dalton Ultra Loew Molecular Weight Collagen, Oligo Hyaluronic Acid, and Galactomyces Ferment Filtrate offers perfecting pores, improves elasticity, and improves uneven skin tone.Skin irritation index 0.00 tested for soft and safe for sensitive skin.How to use:1. To use the toner pad as a wiping toner, gently wipe the entire face with the pad along the skin texture excluding eye areas at the first stage of skin care after cleansing.2. For focused care, place the pad for 3-5 minutes on desired areas for concentrated caring.

The revised edition of Patty Loew's Native People of Wisconsin is now available, ISBN 9780870207488. Native People of Wisconsin, the fifth text in the New Badger History series for upper elementary and middle school students, focuses on the Indian Nations in the state: the Menominee, Ho-Chunk, Ojibwe, Oneida, Mohican Nation, Stockbridge-Munsee Band, and the Brothertown Indians. Patty Loew has followed the same structure she used in Indian Nations of Wisconsin, her book for general audiences, in which she provided chapters on Early History and European Arrivals, then devoted the remaining chapters to each of the Indian Nations in Wisconsin today.

These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.

These five hundred photographs are a unique and exuberant record of Bauhaus activities and experiments during the 1920s and early 1930s. Significantly, most of the photographs were taken by artists-painters like Fritz Kuhr and Werner Siedhoff, designers Heinz Loew and Herbert Bayer, Bauhaus masters Hannes Meyer and Joosst Schmidt - who were not self-conscious photographers but who wanted to work with a new technological product. The results constitute the largest and most comprehensive photographic archive currently available on the Bauhaus, supplementing visual material already published in Hans Wingler's monumental Bauhaus and presenting the school's more human side. Some of these photographs have never been published, while others have not been published since the period in which they were made. Part I consists of over 100 "artistic" images, a listing of Bauhaus photography exhibits, an example of a Dessau Bauhaus lesson plan, including photography, and essays on various aspects of photography by Peterhans, Moholy, Vordemberge-Gildewart, Ernst Kallai, Fritz Kuhr, Willi Baumeister, Adolf Behne, Max Burchartz, Will Grohmann, and Ludwig Kassack. There is also a section on the use of photography with typography. Part II is a Bauhaus album - nearly 400 illustrations of applied photography documenting the Bauhaus buildings, classroom projects, or day-today activities of students and faculty. Egidio Marzona has assembled the world's foremost collection of works on paper documenting the revolutionary efforts of the Bauhaus. Marzona is also a well-known publisher of books on Russian Constructivism, Futurism, De Stijl, Dadaism, and a host of other movements and figures of the 20th-century avant-garde.

For Centuries, Jews have remembered the Golem, a creature of clay said to have been given life by the mystical incantations of the mysterious Maharal, Rabbi Yehuda Loew, leader of the Jewish community of 16-century Prague... In this beautiful book, Elie Wiesel has collected many of the legends associated with this enigmatic and eluisive figure and retold them as seen throughn the eyes of a wizened gravedigger who claims to have witnessed as a child the numerous miracles that legend attributes to the Golem...

(Bass Recorded Versions Persona). Learn to play note-for-note basslines from 14 Lynyrd Skynyrd classics with these meticulous transcriptions in both standard notation and bass tab. Includes: The Ballad of Curtis Loew * Free Bird (Live) * Gimme Three Steps * Saturday Night Special * Swamp Music * Sweet Home Alabama * That Smell * What's Your Name * You Got That Right * and more.

Explores life in an urban immigrant Jewish neighborhood, Brownsville, Brooklyn, experiencing cataclysmic world events through the prism of the American Jewish lens - from World Wars, the Cold War and the Holocaust to Saturdays at the Loew's Pitkin and the desertion of the Brooklyn Dodgers. This book deftly brings this unique community back to life. Book contains over 80 archival photos.

20 of their best: The Ballad of Curtis Loew Call Me the Breeze Comin' Home Don't Ask Me No Questions Double Trouble Down South Jukin' F...

These five hundred photographs are a unique and exuberant record of Bauhaus activities and experiments during the 1920s and early 1930s. Significantly, most of the photographs were taken by artists-painters like Fritz Kuhr and Werner Siedhoff, designers Heinz Loew and Herbert Bayer, Bauhaus masters Hannes Meyer and Joosst Schmidt - who were not self-conscious photographers but who wanted to work with a new technological product. The results constitute the largest and most comprehensive photographic archive currently available on the Bauhaus, supplementing visual material already published in Hans Wingler's monumental Bauhaus and presenting the school's more human side. Some of these photographs have never been published, while others have not been published since the period in which they were made. Part I consists of over 100 "artistic" images, a listing of Bauhaus photography exhibits, an example of a Dessau Bauhaus lesson plan, including photography, and essays on various aspects of photography by Peterhans, Moholy, Vordemberge-Gildewart, Ernst Kallai, Fritz Kuhr, Willi Baumeister, Adolf Behne, Max Burchartz, Will Grohmann, and Ludwig Kassack. There is also a section on the use of photography with typography. Part II is a Bauhaus album - nearly 400 illustrations of applied photography documenting the Bauhaus buildings, classroom projects, or day-today activities of students and faculty. Egidio Marzona has assembled the world's foremost collection of works on paper documenting the revolutionary efforts of the Bauhaus. Marzona is also a well-known publisher of books on Russian Constructivism, Futurism, De Stijl, Dadaism, and a host of other movements and figures of the 20th-century avant-garde.

In order to protect the Jews of Prague, Rabbi Loew creates Joseph, a golem that only exists to Rabbi Loew, but Rabbi Loew suddenly realizes that his creation has reached into an area reserved by God and will soon have to face the consequences.

The theological and cultural vigor of these seven French Dominicans—Sertillanges, Chenu, Congar, Lebret, Loew, Liégé, and Couturier—eventually influenced the entire church through the breakthrough of Vatican II. They read the signs of the times and saw what the Holy Spirit was doing in a changing world. The Catholic Church is more alive because of them.

These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.